"A gifted poet has given us an astute, adroit, vigorous, inviting, eminently readable translation. . . . The challenging gamut of Langland's language . . . has here been rendered with blessed energy and precision. Economou has indeed Done-Best."—Allen Mandelbaum

Written by a fourteenth-century cleric, this spiritual allegory explores man in relation to his ultimate destiny against the background of teeming, colorful medieval life.

Piers Plowman By William Langland Written by a fourteenth-century cleric, this spiritual allegory explores man in relation to his ultimate destiny against the background of teeming, colorful medieval life.

William Langland's 14th-century poem Piers Plowman, a disturbing and often humorous commentary on corruption and greed, remains meaningful today. The allegorical work revolves around the narrator's quest to live a good life, and takes the form of a series of dreams in which Piers, the honest plowman, appears in various guises. Characters such as Conscience, Fidelity and Charity, alongside Falsehood and Guile, are instantly recognizable as our present-day politicians and celebrities, friends and neighbors. Social issues are confronted, including governance, economic relations, criminal justice, marital relations and the limits of academic learning, as well as religious belief and the natural world. This new verse translation from the Middle English preserves the energy, imagery and intent of the original, and retains its alliterative style. Instructors considering this book for use in a course may request an examination copy here.

It is a medieval truism that the poet meddles with words, the lawyer with the world. But are the poet's words and the lawyer's world really so far apart? To what extent does the art of making poems share in the craft of making laws, and vice versa? Framed by such questions, Piers Plowman and the Reinvention of Church Law in the Late Middle Ages examines the mutually productive interaction between literary and legal "makyngs" in England's great Middle English poem by William Langland. Focusing on Piers Plowman's preoccupation with wrongdoing in the B and C versions, Arvind Thomas examines the versions' representations of trials, confessions, restitutions, penalties, and pardons. Thomas explores how the "literary" informs and transforms the "legal" until they finally cannot be separated. Thomas shows how the poem's narrative voice, metaphor, syntax and style not only reflect but also act upon properties of canon law, such as penitential procedures and authoritative maxims. Langland's mobilization of juridical concepts, Thomas insists, not only engenders a poetics informed by canonist thought but also expresses an alternative vision of canon law from that proposed by medieval jurists and today's medievalists.