The Autobiography is an unpretentious book; it reads much as Williams talked—spontaneously and often with a special kind of salty humor. But it is a very human story, glowing with warmth and sensitivity. It brings us close to a rare man and lets us share his affectionate concern for the people to whom he ministered, body and soul, through a long rich life as physician and writer. William Carlos Williams’s medical practice and his literary career formed an undivided life. For forty years he was a busy doctor in the town of Rutherford, New Jersey, and yet he was able to write more than thirty books. One of the finest chapters in the Autobiography tells how each of his two roles stimulated and supported the other.

William Carlos Williams's place among the great poets of our century is firmly established. This anthology of selections drawn from the whole range of his work--poetry, fiction, autobiography, drama and essays--shows conclusively that his prose was also remarkably original, versatile and powerful. It has been edited by M. L. Rosenthal, literary critic and Professor of English at New York University.

2009 Caldecott Honor Book An ALA Notable Book A New York Times Best Illustrated Children’s Book A Charlotte Zolotow Honor Book NCTE Notable Children’s Book When he wrote poems, he felt as free as the Passaic River as it rushed to the falls. Willie’s notebooks filled up, one after another. Willie’s words gave him freedom and peace, but he also knew he needed to earn a living. So he went off to medical school and became a doctor -- one of the busiest men in town! Yet he never stopped writing poetry. In this picture book biography of William Carlos Williams, Jen Bryant’s engaging prose and Melissa Sweet’s stunning mixed-media illustrations celebrate the amazing man who found a way to earn a living and to honor his calling to be a poet.

A “superb study” that “reminds us that Williams remains our contemporary not only for the lively cadences and fresh imagery that animate his poems, but for the ethical imperative of his example” (The Sewanee Review). Acclaimed essayist and poet Wendell Berry was born and has always lived in a provincial part of the country without an established literary culture. In an effort to adapt his poetry to his place of Henry County, Kentucky, Berry discovered an enduringly useful example in the work of William Carlos Williams. In Williams’ commitment to his place of Rutherford, New Jersey, Berry found an inspiration that inevitably influenced the direction of his own writing. Both men would go on to establish themselves as respected American poets, and here Berry sets forth his understanding of that evolution for Williams, who in the course of his local membership and service, became a poet indispensable to us all. “Generously quoting many of Williams’ best lines . . . Berry produces a work of aesthetics more than evaluation, of love more than critique.” —Booklist

Hab?a sido un arbusto desmedrado que prolonga sus filamentos hasta encontrar el humus necesario en una tierra neuva. Y c?mo me nutr?a! Me nutr?a con la beatitud con que las hojas tr?mulas de clor?fila se extienden al sol; con la beatitud con que una ra?z encuentra un cad?ver en descompositi?n; con la beatitud con que los convalecientes dan sus pasos vacilantes en las ma?anas de primavera, ba?adas de luz... RAFAEL AR?VALO MART?NEZ

Spring and All (1923) is a book of poems by William Carlos Williams. Predominately known as a poet, Williams frequently pushed the limits of prose style throughout his works, often comprised of a seamless blend of both forms of writing. In Spring and All, the closest thing to a manifesto he wrote, Williams addresses the nature of his modern poetics which not only pursues a particularly American idiom, but attempts to capture the relationship between language and the world it describes. Part essay, part poem, Spring and All is a landmark of American literature from a poet whose daring search for the outer limits of life both redefined and expanded the meaning of language itself. “There is a constant barrier between the reader and his consciousness of immediate contact with the world. If there is an ocean it is here.” In Spring and All, Williams identifies the incomprehensible nature of consciousness as the single most important subject of poetry. Accused of being “heartless” and “cruel,” of producing “positively repellant” works of art in order to “make fun of humanity,” Williams doesn’t so much defend himself as dig in his heels. His poetry is addressed “[t]o the imagination” itself; it seeks to break down the “the barrier between sense and the vaporous fringe which distracts the attention from its agonized approaches to the moment.” When he states that “so much depends / upon // a red wheel / barrow,” he refers to the need to understand the nature of language, which keeps us in touch with the world. With a beautifully designed cover and professionally typeset manuscript, this edition of William Carlos Williams’ Spring and All is a classic of American literature reimagined for modern readers.

William Carlos Williams (1883–1963) emerged alongside Pound, Eliot, Stevens, Frost, and Yeats as one of the foremost poets of the 20th century. Paterson, Williams's epic masterpiece, raised everyday American speech to the highest levels of poetic imagination. A finalist for the national Book Award and a New York Times Notable Book, William Carlos Williams: A New World Naked is a remarkable, rich blend of art and scholarship. From a small-town doctor who delivered more than 3,000 babies to an extraordinary revolutionary, Paul Mariani unfolds Williams' life and times while simultaneously letting the reader inside the poet's mind and language in this definitive masterwork.