A passionate naturalist explores what it’s really like to be an animal—by living like them How can we ever be sure that we really know the other? To test the limits of our ability to inhabit lives that are not our own, Charles Foster set out to know the ultimate other: the non-humans, the beasts. And to do that, he tried to be like them, choosing a badger, an otter, a fox, a deer, and a swift. He lived alongside badgers for weeks, sleeping in a sett in a Welsh hillside and eating earthworms, learning to sense the landscape through his nose rather than his eyes. He caught fish in his teeth while swimming like an otter; rooted through London garbage cans as an urban fox; was hunted by bloodhounds as a red deer, nearly dying in the snow. And he followed the swifts on their migration route over the Strait of Gibraltar, discovering himself to be strangely connected to the birds. A lyrical, intimate, and completely radical look at the life of animals—human and other—Being a Beast mingles neuroscience and psychology, nature writing and memoir to cross the boundaries separating the species. It is an extraordinary journey full of thrills and surprises, humor and joy. And, ultimately, it is an inquiry into the human experience in our world, carried out by exploring the full range of the life around us.

Britain is the home of the badger - there are more badgers per square kilometre in this country than in any other. And yet many of us have never seen one alive and in the wild. They are nocturnal creatures who vanish into their labyrinthine underground setts at the first hint of a human. Here, Patrick Barkham follows in the footsteps of his badger-loving grandmother, to meet the feeders, farmers and scientists who know their way around Badgerlands: the mysterious world in which these distinctively striped creatures snuffle, dig and live out their complex social lives. As the debate over the badger cull continues, Barkham weighs the evidence on both sides of the argument, and delves into the rich history of the badger - from their prehistoric arrival in Britain and their savage persecution over the centuries, to Kenneth Grahame's fictional creation in Wind in the Willows and the badger who became a White House pet. From the celebrated author of The Butterfly Isles, this is rich, vivid nature writing at its best.

A riveting collection of photographs that captures wild animals in their native habitats. In Candid Creatures, the first major book to reveal the secret lives of animals through motion-sensitive game cameras, biologist Roland Kays has assembled over 600 remarkable photographs. Drawing from archives of millions of color and night-vision photographs collected by hundreds of researchers, Kays has selected images that show the unique perspectives of wildlife from throughout the world. Using these photos, he tells the stories of scientific discoveries that camera traps have enabled, such as living proof of species thought to have been extinct and details of predator-prey interactions. Each image captures a moment frozen in the camera’s flash as animals move through their wild habitats. Kays also discusses how scientists use camera traps to address conservation issues, creating solutions that allow humans and wild animals to coexist. More than just a collection of amazing animal pictures, the book’s text, maps, and illustrations work together to describe the latest findings in the fast-moving field of wildlife research. Candid Creatures is a testament to how the explosion of game cameras around the world has revolutionized the study of animal ecology. The powerful combination of pictures and stories of discovery will fascinate anyone interested in science, nature, wildlife biology, or photography.

Americans have had a long-standing love affair with the wilderness. As cities grew and frontiers disappeared, film emerged to feed an insatiable curiosity about wildlife. The camera promised to bring us into contact with the animal world, undetected and unarmed. Yet the camera's penetration of this world has inevitably brought human artifice and technology into the picture as well. In the first major analysis of American nature films in the twentieth century, Gregg Mitman shows how our cultural values, scientific needs, and new technologies produced the images that have shaped our contemporary view of wildlife. Like the museum and the zoo, the nature film sought to recreate the experience of unspoiled nature while appealing to a popular audience, through a blend of scientific research and commercial promotion, education and entertainment, authenticity and artifice. Travelogue-expedition films, like Teddy Roosevelt's African safari, catered to upper- and middle-class patrons who were intrigued by the exotic and entertained by the thrill of big-game hunting and collecting. The proliferation of nature movies and television shows in the 1950s, such as Disney's True-Life Adventures and Marlin Perkins's Wild Kingdom, made nature familiar and accessible to America's baby-boom generation, fostering the environmental activism of the latter part of the twentieth century. Reel Nature reveals the shifting conventions of nature films and their enormous impact on our perceptions of, and politics about, the environment. Whether crafted to elicit thrills or to educate audiences about the real-life drama of threatened wildlife, nature films then and now reveal much about the yearnings of Americans to be both close to nature and yet distinctly apart.

True tales of a Pennsylvania Game Warden tracking down wildlife poachers and bringing them to justice.

Covers more than 600 reserves in over 80 countries, includes information on how to visit these extraordinary sites, their ecological significance and some historical background.