The gold rush begins, and Kate O'Mara is determined to never go hungry again. Kate O'Mara, orphaned by the great potato famine, is driven by her fear of hunger – first to take the four-month voyage to the other side of the world, then to consider the long, dangerous journey along an unformed track to the remote north of South Australia. Brigid Mulcahey has been with her since the workhouse, and begs her not to put her life in danger, but Kate must secure a job. Life in the Flinders Ranges is rougher and more perilous than she or Brigid could ever have imagined. Every day that she stays, the dangers loom closer. But she cannot leave. There is little work elsewhere, and the wealthy, polished pastoralist James Carmichael is an eligible man. Could fine dinners, silk gowns, and her very own share of this great golden land be within Kate's grasp? And what about Rory O'Connor? Charming, footloose Rory, with a twinkle in his eye and a place in his heart, offering a carefree life on the track. There could be nothing better than lying in his arms, a blanket of stars across the sky and the chorus of birds heralding the dawn, but memories of Ireland, and fears of the hunger, still haunt her. Gold fever erupts throughout the colony, and for James, Rory, Brigid and Kate, life will never be the same again. But can Kate ever, truly, leave Ireland behind? And in whose arms will she find what she really needs? This historical romance is perfect for readers of Judy Nunn, Diana Gabaldon and Colleen McCollough.

The play focuses on Katherine Mansfields friendships and relationships with women, in particular her relationship with Virginia Woolf and her ongoing friendship with Ida Baker (LM). It is compiled entirely from the words of Katherine Mansfield, Ida Baker, Virginia Woolf and other members of The Bloomsbury Group. (2 or 3 female).|

Since the 1960 publication of her first novel, The Country Girls, award-winning Irish writer Edna O'Brien has been both celebrated and maligned. Praised for her lyrical prose and vivid female characters and attacked for her frank treatment of sexuality and alleged sensationalism, O'Brien and her work seem always to spawn controversy, including the past banning in Ireland of several of her works. O'Brien's attention to "women's" concerns such as sex, romance, marriage, and childbirth has often relegated her to critical neglect at best and, at worst, outright contempt. This essay collection promises to be a long overdue critical reevaluation and exciting rediscovery of her oeuvre. Wild Colonial Girl situates O'Brien in Irish contexts that allow for an appraisal of her significant contribution to a specifically Irish women's literary tradition while attesting to the potency of writing against patriarchal conventions. Each chapter's clear and detailed readings of O'Brien's fiction build a convincing case for her literary, political, and cultural importance, providing an invaluable critical guide for an enriched appreciation of O'Brien and her work.

To avoid an unwanted marriage, Abby O'Donnell must escape her colonial village. Her chance arrives when Lord Harry Rushmount sails into Providence harbor. Deeply tempted and desperate, Abby steals aboard his ship, risking everything on a perilous voyage.

What? Leave India? Move to the colonies and make a new life there? Melisande, appalled, gazed at her brother and fiancée. She loved her life in India. She'd been cossetted, loved and happy there. Of course the plague meant a radical change, but they could still live on the family's small estate couldn't they? But, no. Brother Jeri didn't want to live in India, neither did fiancée Richard. Both young men, filled with excitement at the thought adventure in the colonies, were determined to go, and Melisande must go with them. Her life turned upside down, rushed into her wedding, onto a ship and off to Australia, and finally New Zealand, Melisande has to learn how to run a home and cope with colonial New Zealand, a life so different from her Indian one. Can she make a home and a life as happy as her Indian one?