GEMMAHe stole my first kiss?and now he thinks everything else is his.I said no to the one person no one at this school dares to refuse.Now I'm targeted by jealous girls, guys that compete to be the first to "break the prude", and by him. After one kiss, the king of the school hunts me down like I'm a conquest to win. He'll have to fight harder than that, because I'm no one's trophy.They all want a piece of me, but I will not bend or break for them.LUCASNo one refuses the king.One case of mistaken identity and a hasty kiss turned my world upside down.The new girl refused me. Not only that, she threw down the gauntlet. That won't stand. No one ever says no to me. This school is mine and she'll learn her place as a loyal follower or her life is going up in flames.I'll make her say yes. She'll be screaming it before I'm finished breaking her.

An instant New York Times bestseller! “Prepare for a snow-frosted, blood-drenched fairy tale where the monsters steal your heart and love ends up being the nightmare.” - Roshani Chokshi, New York Times bestselling author of The Gilded Wolves and The Star-Touched Queen A girl who can speak to gods must save her people without destroying herself. A prince in danger must decide who to trust. A boy with a monstrous secret waits in the wings. Together, they must assassinate the king and stop the war. In a centuries-long war where beauty and brutality meet, their three paths entwine in a shadowy world of spilled blood and mysterious saints, where a forbidden romance threatens to tip the scales between dark and light. Wicked Saints is the thrilling start to Emily A. Duncan’s devastatingly Gothic Something Dark and Holy trilogy. “This book destroyed me and I adored it.”- Stephanie Garber, New York Times bestselling author of Caraval This edition uses deckle edges; the uneven paper edge is intentional.

The stunning sequel to instant New York Times bestseller, Wicked Saints Nadya doesn’t trust her magic anymore. Serefin is fighting off a voice in his head that doesn’t belong to him. Malachiasz is at war with who--and what--he’s become. As their group is continually torn apart, the girl, the prince, and the monster find their fates irrevocably intertwined. Their paths are being orchestrated by someone...or something. The voices that Serefin hears in the darkness, the ones that Nadya believes are her gods, the ones that Malachiasz is desperate to meet—those voices want a stake in the world, and they refuse to stay quiet any longer. In their dramatic follow-up to Wicked Saints, the first book in their Something Dark and Holy trilogy, Emily A. Duncan paints a Gothic, icy world where shadows whisper, and no one is who they seem, with a shocking ending that will leave you breathless. This edition uses deckle edges; the uneven paper edge is intentional.

When Pedro Menéndez de Avilés founded St. Augustine in 1565, his New World survival kit included gambling, liquor and ladies for hire. For the next four hundred years, these three industries were vital in keeping the city financially afloat. With the cooperation of law enforcement and politicians, St. Augustine's madams, bootleggers and high-rollers created a veritable Riviera where tourists, especially the wealthy, could indulge in almost every vice and still bring the family along for a wholesome vacation picking oranges and gawking at alligators. Join historian Ann Colby's tour of spots not on the standard tourist map to discover hidden-in-plain-sight bordellos, speakeasies, casinos and the occasional opium den.

Cambridge archaeologist Sarah Weston makes an unusual discovery in the ancient Ethiopian mountain kingdom of Aksum—a sealed tomb with inscriptions in an obscure dialect. Along with her colleague, American anthropologist Daniel Madigan, she tries to identify the entombed man and translate the inscriptions. Tracking down clues in Addis Ababa and the monasteries of Lalibela, Sarah and Daniel uncover a codex in the subterranean library revealing the secret of the tomb—a set of prophecies about Earth’s final hours, written by a man hailed by Ethiopian mystics as Coptic Christianity’s 10th saint. Faced with violent opposition and left for dead in the heart of the Simien Mountains, Sarah and Daniel survive to journey to Paris, where they’re given a 14th-century letter describing the catastrophic events that will lead to the planet’s demise. Connecting the two discoveries, Sarah faces a deadly conspiracy to keep the secret buried in order to promote technological advances presently leading toward the prophesied end of the Earth.

The story of freedom pivots on the choices black women made to retain control over their bodies and selves, their loved ones, and their futures. The story of freedom and all of its ambiguities begins with intimate acts steeped in power. It is shaped by the peculiar oppressions faced by African women and women of African descent. And it pivots on the self-conscious choices black women made to retain control over their bodies and selves, their loved ones, and their futures. Slavery's rise in the Americas was institutional, carnal, and reproductive. The intimacy of bondage whet the appetites of slaveowners, traders, and colonial officials with fantasies of domination that trickled into every social relationship—husband and wife, sovereign and subject, master and laborer. Intimacy—corporeal, carnal, quotidian—tied slaves to slaveowners, women of African descent and their children to European and African men. In Wicked Flesh, Jessica Marie Johnson explores the nature of these complicated intimate and kinship ties and how they were used by black women to construct freedom in the Atlantic world. Johnson draws on archival documents scattered in institutions across three continents, written in multiple languages and largely from the perspective of colonial officials and slave-owning men, to recreate black women's experiences from coastal Senegal to French Saint-Domingue to Spanish Cuba to the swampy outposts of the Gulf Coast. Centering New Orleans as the quintessential site for investigating black women's practices of freedom in the Atlantic world, Wicked Flesh argues that African women and women of African descent endowed free status with meaning through active, aggressive, and sometimes unsuccessful intimate and kinship practices. Their stories, in both their successes and their failures, outline a practice of freedom that laid the groundwork for the emancipation struggles of the nineteenth century and reshaped the New World.

The unforgettable conclusion to the New York Times bestselling Something Dark and Holy trilogy! The girl, the monster, the prince, the queen. They broke the world. And some things can never be undone. In Emily A. Duncan’s Blessed Monsters, they must unite once more to fight the dark chaos they've unleashed - but is it already too late? "Duncan brings this atmospheric trilogy to a stunning close, with a final volume that delivers on the mood, monstrosities, and character relationships that have made this series a joy." - BuzzFeed This edition uses deckle edges; the uneven paper edge is intentional.