The best travel stories often hatch when things go completely wrong, and this second title in a series of women's travel humor capitalizes on that phenomenon with more sidesplitting stories of female misadventure around the world.

"On the night of a massive, record-breaking hurricane, George Westfall, an upstate New York antique store owner and father of three, lays dying. As his wife Ana seals up the storefront, their adult son Armie hides from the outside world as he always does, immersed in woodwork and thoughts of the past. In New York City, Armie's older brother Josef, a sex-addicted techie, is fighting to repair his broken relationship with his daughters. And out in Los Angeles their sister Charlie's career as a Hollywood publicist is crumbling. For the Westfalls, Murphy's Law is in full effect. Their patriarch dies as the storm hits town, flooding the store and ruining Josef's business negotiations. Charlie is desperately trying to set a movie starlet straight, while handling her son's expulsion from preschool and her wayward husband. And Armie, who's still in love with his high school crush Audrey, can't even muster the courage to leave his childhood home. Only when the children reunite to sell their father's beloved heirloom painting do they discover their real fortune lies elsewhere. A rollicking tableau of family life in all its messy complexity, like the best of Meg Wolitzer and Tom Perrotta, The Antiques is hilarious, heartbreaking, nimble, and observant. Complete with deeply flawed, affectionately rendered characters and an irresistible plot, Kris D'Agostino's unforgettable novel is about the unexpected epiphanies that emerge in chaos, and the loved ones who help show us who we really are"--

Too many travel guides are dry lists of attractions or portentous histories of a place. This isn't the case with The Thong Also Rises. Hot on the (high) heels of Sand in My Bra and Whose Panties Are These? comes this collection of the best in women’s travel and humor writing. These Ms-adventures take readers around the world and back again — and they’ll be happy to be reading rather than experiencing some of these adventures. Subjects include learning how to go to the bathroom with a pig in Thailand, trying to explain that sex toy to customs while Mother is watching, attending naked wedding ceremonies on Valentine’s Day in Jamaica, conquering that consuming fear of wooden puppets with a visit to Prague, boarding a crusty old Soviet Bomber in Laos, and more. Contributors include such notable writers and comedians as Jill Connor Browne, Wanda Sykes, Laurie Notaro, Wendy Dale, and Ayun Halliday.

You are about to embark on a truly weird, interesting, and entertaining experience... So begins the “odyssey of awkwardness” that is Call Me Clumsy, the my-life-so-far memoir of Matthew Weinrich. Through utterly humbling experiences that span the decades of his life, Weinrich provides anecdotes that are equally cringe-inducing and laugh-out-loud funny. From his experience as a consummate slacker to his marriage proposal gone horribly awry to an unfortunate run-in with the fine men and women of the TSA, Weinrich brings you along as he strolls down memory lane, for better or for worse. Ultimately, Weinrich gives us a heart-warming picture of the humility of a child of God who knows, without a doubt, that the old adage applies to him: God is God, and I am not... ...not even close.

The first extended study of the renowned artists’ collective Fluxus, Corporate Imaginations examines the group as it emerged on three continents from 1962 to 1978 in its complexities, contradictions, and historical specificity. The collective’s founder, George Maciunas, organized Fluxus like a multinational corporation, simulating corporate organization and commodity flows, yet it is equally significant that he imagined critical art practice in this way at that time. For all its avant-garde criticality, Fluxus also ambivalently shared aspects of the rising corporate culture of the day. In this book, Mari Dumett addresses the “business” of Fluxus and explores the larger discursive issues of organization, mediatization, routinization, automation, commoditization, and systematization that Fluxus artists both manipulated and exposed. A study of six central figures in the group—George Brecht, Alison Knowles, George Maciunas, Nam June Paik, Mieko Shiomi, and Robert Watts—reveals how they developed historically specific strategies of mimicking the capitalist system. These artists appropriated tools, occupied spaces, revealed operations, and, ultimately, “performed the system” itself via aesthetics of organization, communication, events, branding, routine, and global mapping. Through “corporate imaginations,” Fluxus artists proposed “strategies for living” as conscious creative subjects within a totalizing and increasingly global system, demonstrating how these strategies must be repeated in an ongoing negotiation of new relations of power and control between subject and system.

Featuring essays by Myla Goldberg, Helen Epstein, Jan Morris, and Francine Prose, "Travelers' Tales Prague" collects over 20 stories from the city that inspired compositions from Mozart and novels from Kafka. The pieces in this book are both a charming enticement for prospective travelers and a welcome companion for those already there.

The Best Travel Writing, Volume 9 is the latest in the annual Travelers' Tales series launched in 2004 to celebrate the world's best travel writing — from Nobel Prize winners to emerging new writers. The points of view and perspectives are global, and themes encompass high adventure, spiritual growth, romance, hilarity and misadventure, service to humanity, and encounters with exotic cuisines and cultures.