Sanora Babb’s long-hidden novel Whose Names Are Unknown tells of the High Plains farmers who fled drought and dust storms during the Great Depression. Written with empathy for the farmers’ plight, this powerful narrative is based upon the author’s firsthand experience. Babb submitted the manuscript for this book to Random House for consideration in 1939. Editor Bennett Cerf planned to publish this “exceptionally fine” novel but when John Steinbeck’s The Grapes of Wrath swept the nation, Cerf explained that the market could not support two books on the subject.

Sanora Babb’s long-hidden novel Whose Names Are Unknown tells an intimate story of the High Plains farmers who fled drought dust storms during the Great Depression. Written with empathy for the farmers’ plight, this powerful narrative is based upon the author’s firsthand experience. This clear-eyed and unsentimental story centers on the fictional Dunne family as they struggle to survive and endure while never losing faith in themselves. In the Oklahoma Panhandle, Milt, Julia, their two little girls, and Milt’s father, Konkie, share a life of cramped circumstances in a one-room dugout with never enough to eat. Yet buried in the drudgery of their everyday life are aspirations, failed dreams, and fleeting moments of hope. The land is their dream. The Dunne family and the farmers around them fight desperately for the land they love, but the droughts of the thirties force them to abandon their fields. When they join the exodus to the irrigated valleys of California, they discover not the promised land, but an abusive labor system arrayed against destitute immigrants. The system labels all farmers like them as worthless “Okies” and earmarks them for beatings and worse when hardworking men and women, such as Milt and Julia, object to wages so low they can’t possibly feed their children. The informal communal relations these dryland farmers knew on the High Plains gradually coalesce into a shared determination to resist. Realizing that a unified community is their best hope for survival, the Dunnes join with their fellow workers and begin the struggle to improve migrant working conditions through democratic organization and collective protest. Babb wrote Whose Names are Unknown in the 1930s while working with refugee farmers in the Farm Security Administration (FSA) camps of California. Originally from the Oklahoma Panhandle are herself, Babb, who had first come to Los Angeles in 1929 as a journalist, joined FSA camp administrator Tom Collins in 1938 to help the uprooted farmers. As Lawrence R. Rodgers notes in his foreword, Babb submitted the manuscript for this book to Random House for consideration in 1939. Editor Bennett Cerf planned to publish this “exceptionally fine” novel but when John Steinbeck’s The Grapes of Wrath swept the nation, Cerf explained that the market could not support two books on the subject. Babb has since shared her manuscript with interested scholars who have deemed it a classic in its own right. In an era when the country was deeply divided on social legislation issues and millions drifted unemployed and homeless, Babb recorded the stories of the people she greatly respected, those “whose names are unknown.” In doing so, she returned to them their identities and dignity, and put a human face on economic disaster and social distress.

Based upon the author's firsthand experience while working with refugee farmers in the Farm Security Administration camps of California. Born in 1907 in an Otoe Indian community in the Oklahoma Territory, Babb joined the FSA camp in California in 1938 to help uprooted farmers. She submitted the manuscript for this book in 1939, but it was shelved because of John Steinbeck's 1939 best-selling novel, The grapes of wrath.

A stunning novel of hopes and dreams, guilt and love—a book that offers a resonant new definition of what it means to be American and "illuminates the lives behind the current debates about Latino immigration" (The New York Times Book Review). When fifteen-year-old Maribel Rivera sustains a terrible injury, the Riveras leave behind a comfortable life in Mexico and risk everything to come to the United States so that Maribel can have the care she needs. Once they arrive, it’s not long before Maribel attracts the attention of Mayor Toro, the son of one of their new neighbors, who sees a kindred spirit in this beautiful, damaged outsider. Their love story sets in motion events that will have profound repercussions for everyone involved. Here Henríquez seamlessly interweaves the story of these star-crossed lovers, and of the Rivera and Toro families, with the testimonials of men and women who have come to the United States from all over Latin America.

Thanks in part to the Ken Burns documentary The Dust Bowl, Sanora Babb is perhaps best known today for her novel Whose Names Are Unknown (2004), which might have been published in 1939 had her publisher not thought the market too small for two Dust Bowl novels, hers and Steinbeck’s The Grapes of Wrath. Into the twenty-first century, Babb wrote and published lyrical prose and poetry that revealed her prescient ideas about gender, race, and the environment. The essays collected in Unknown No More recover and analyze her previously unrecognized contributions to American letters. Editors Joanne Dearcopp and Christine Hill Smith have assembled a group of distinguished scholars who, for the first time in book-length form, explore the life and work of Sanora Babb. This collection of pathbreaking essays addresses Babb’s position within the literature of the Great Plains and American West, her leftist political odyssey as a card-carrying Communist who ultimately broke with the Party, and her ecofeminist leanings as reflected in the environmental themes she explored in her fiction and nonfiction. With literary sensibilities reminiscent of Willa Cather, Ralph Ellison, and Meridel LeSueur, Babb’s work revealed gender-based, environmental, and working-class injustices from the Depression era to the late twentieth century. No longer unknown, Sanora Babb’s life and work form a prism through which the peril and promise of twentieth-century America may be seen.

From acclaimed author Dinaw Mengestu, a recipient of the National Book Foundation’s 5 Under 35 award, The New Yorker’s 20 Under 40 award, and a 2012 MacArthur Foundation genius grant, comes an unforgettable love story about a searing affair between an American woman and an African man in 1970s America and an unflinching novel about the fragmentation of lives that straddle countries and histories. All Our Names is the story of two young men who come of age during an African revolution, drawn from the safe confines of the university campus into the intensifying clamor of the streets outside. But as the line between idealism and violence becomes increasingly blurred, the friends are driven apart—one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom. Elegiac, blazing with insights about the physical and emotional geographies that circumscribe our lives, All Our Names is a marvel of vision and tonal command. Writing within the grand tradition of Naipul, Greene, and Achebe, Mengestu gives us a political novel that is also a transfixing portrait of love and grace, of self-determination and the names we are given and the names we earn. This eBook edition includes a Reading Group Guide.

Edwardian Romance and History Gains a Twist of Suspense Rosemary Gresham has no family beyond the band of former urchins that helped her survive as a girl in the mean streets of London. Grown now, they concentrate on stealing high-value items and have learned how to blend into upper-class society. But when Rosemary must determine whether a certain wealthy gentleman is loyal to Britain or to Germany, she is in for the challenge of a lifetime. How does one steal a family's history, their very name? Peter Holstein, given his family's German blood, writes his popular series of adventure novels under a pen name. With European politics boiling and his own neighbors suspicious of him, Peter debates whether it might be best to change his name for good. When Rosemary shows up at his door pretending to be a historian and offering to help him trace his family history, his question might be answered. But as the two work together and Rosemary sees his gracious reaction to his neighbors' scornful attacks, she wonders if her assignment is going down the wrong path. Is it too late to help him prove that he's more than his name?