One of the music industry's most honored and significant figures for a quarter-century, Anderson also has another story to tell. His personal struggle when his family becomes the victim of a drunk driver makes a gripping human interest drama that will reach far beyond the boundaries of country music. 20 photos.

Whisperin' Bill: An Unprecedented Life in Country Music presents a revealing portrait of Bill Anderson, one of the most prolific songwriters in the history of country music. Mega country music hits like "City Lights," (Ray Price), "Tips Of My Fingers," (Roy Clark, Eddy Arnold, Steve Wariner), "Once A Day," (Connie Smith), "Saginaw, Michigan," (Lefty Frizzell), and many more flowed from his pen, making him one of the most decorated songwriters in music history. But the iconic singer, songwriter, performer, and TV host came to a point in his career where he questioned if what he had to say mattered anymore. Music Row had changed, a new generation of artists and songwriters had transformed the genre, and the Country Music Hall of Fame member and fifty-year Grand Ole Opry star was no longer relevant. By 1990, he wasn't writing anymore. Bad investments left him teetering at bankruptcy's edge. His marriage was falling apart. And in Nashville, a music town where youth often carries the day, he was a museum piece--only seen as a nostalgia act, waving from the stage of the Grand Ole Opry. Anderson was only in his fifties when he assumed he had climbed all the mountains he was intended to scale. But in those moments plagued with self-doubt, little did he know, his most rewarding climb lie ahead. A follow-up to his 1989 autobiography, this honest and revealing book tells the story of a man with an unprecedented gift, holding on to it in order to share it. Known as "Whisperin' Bill" to generations of fans for his soft vocalizations and spoken lyrics, Anderson is the only songwriter in country music history to have a song on the charts in each of the past seven consecutive decades. He has celebrated chart-topping success as a recording artist with eighty charting singles and thirty-seven Top Ten country hits, including "Still," "8 x 10," "I Love You Drops," and "Mama Sang A Song." A six-time Song of the Year Award-winner and BMI Icon Award recipient, Anderson has taken home many CMA and ACM Award trophies and garnered multiple GRAMMY nominations. His knack for the spoken word has also made him a successful television host, having starred on "The Bill Anderson Show," "Opry Backstage," "Country's Family Reunion," and others. Moreover, his multi-faceted success extends far beyond the country format with artists like James Brown, Aretha Franklin, Dean Martin, and Elvis Costello recording his songs. Today, thanks to the support of musical peers and a few famous friends who believed in him, Anderson continues to forge the path of lyrical integrity in music, harnessing his ability to craft a song that tells a familiar story, grabs you by the heart and moves you. Modern day examples include "Whiskey Lullaby" (Brad Paisley and Allison Krauss), "Give It Away" (George Strait), "A Lot of Things Different" (Kenny Chesney), and "Which Bridge to Cross" (Vince Gill). A product of a long-gone Nashville, Anderson worked to reinvent himself, and this biography documents Anderson's fifty-plus-year career--a career he once thought unattainable. Richly illustrated with black-and-white photos of Anderson interacting with the superstars of American music, including such legends as Patsy Cline, Vince Gill, and Steve Wariner, this book highlights Anderson's trajectory in the business and his influence on the past, present, and future of this dynamic genre.

Col. Bruce Hampton was a charismatic musical figure who launched and continued to influence the jam band genre over his fifty-plus years performing. Part bandleader, soul singer, storyteller, conjuror, poet, preacher, comedian, philosopher, and trickster, Col. Bruce actively sought out and dealt in the weird, wild underbelly of the American South. The Music and Mythocracy of Col. Bruce Hampton is neither a true biography in the Boswellian sense nor a work of cultural studies, although it combines elements of both. Even as biographer Jerry Grillo has investigated and pursued the facts, this life history of Col. Bruce reads like a novel—one full of amazing tales of a musical life lived on and off the road. Grillo’s interviews with Hampton and his bandmates, family, friends, and fans paint a fascinating portrait of an artist who fostered some of the best music ever played in America. Grillo aims not so much to document and demystify the self-mythologizing performer as to explain why his fans and friends loved him so dearly. Hampton’s family history, his place in Atlanta and southeastern musical history, his significant friendships and musical relationships, and the controversies over personnel in his Hampton Grease Band over the years are all discussed. What emerges is a portrait of a P. T. Barnum of the musical world, but one who included his audience and invited them through the tent door to share his inside joke, with plenty of joy to go around.

Arguably the most important polka practitioner of his generation, reedist/vocalist Jimmy Sturr has won an eye-popping 18 Grammy Awards, and when you hear his exuberant brand of the music that is his heart and soul, you'll understand why. Blending the timeless elements of traditional polka music with hints of country, Cajun, and rock and roll, Sturr's unique sound has taken polka to new heights of accessibility and popularity, and his modernized renditions of polka standards and renditions of rock classics have captured the imagination (and feet) of listeners throughout the world. In his memoir Polka King, you'll meet the man behind the beer barrel. In his lively, oftentimes hilarious literary debut, Jimmy chronicles how a small-town boy from tiny Florida, N.Y., made good, ultimately becoming a respected bandleader, entrepreneur, and Grammy winner with guest appearances on Saturday Night Live. He'll take you into the recording studio and onto the stage, where he's shared the microphone with the likes of Willie Nelson, The Oak Ridge Boys, and Charlie Daniels. Featuring forewords by Willie Nelson, Bobby Vinton, and “Whispering" Bill Anderson, Polka King will introduce the world to a one-of-a-kind artist who has taken one of the world's most beloved musical genres and made it his own.

While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie’s Orchid Lounge, Robert’s Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. “Harper Valley PTA” Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history.

Founded in 1924 by self-made millionaire George Francis Willis, Avondale Estates is a unique planned community--the only documented one of its kind in Georgia and the Southeast in the early twentieth century. Located just 7 miles east of downtown Atlanta, Avondale Estates is the antithesis of the bustling metropolis, with beautifully landscaped parks and plazas, an abundance of community-oriented facilities, and historic architecture reminiscent of an English village. A community seemingly frozen in time, it was to its founder the "ideal city." In this collection of over 200 vintage images, the history of Avondale Estates is uncovered, from the development of its early businesses to the citizens who first called it home. The impressive commercial buildings, designed by prominent Atlanta architect Arthur Neal Robinson, showcase the only fully-developed Tudor Revival style in Georgia. The small, closely knit community has seen its fair share of local residents achieve fame and notoriety. Noted sculptor Gutzon Borglum, who not only started the carving of Stone Mountain in Georgia but also went on to carve Mount Rushmore, once called Avondale home. Avondale High School was the 1950s alma mater of "Whispering Bill" Anderson, singer, songwriter, and television star of Grand Old Opry fame. Within these pages, readers will discover these and other fascinating characters who emerged from the community.