This classic manifesto is “a foundational text for anyone hoping to understand transgender politics and culture in the U.S. today.” (NPR) *Named as one of 100 Best Non-Fiction Books of All Time by Ms. Magazine* In Whipping Girl, biologist and trans activist Julia Serano shares her experiences and insights—both pre- and post-transition—to reveal the ways in which fear, suspicion, and dismissiveness toward femininity shape our attitudes toward trans women, as well as gender and sexuality as a whole. Serano's well-honed arguments and pioneering advocacy stem from her ability to bridge the gap between the often-disparate biological and social perspectives on gender. In this provocative manifesto, she exposes how deep-rooted the cultural belief is that femininity is frivolous, weak, and passive. In addition to debunking popular misconceptions about being transgender, Serano makes the case that today's feminists and transgender activists must work to embrace and empower femininity—in all of its wondrous forms.

While many feminist and queer movements are designed to challenge sexism, they often simultaneously police gender and sexuality—sometimes just as fiercely as the straight, male-centric mainstream does. Among LGBTQ activists, there is a long history of lesbians and gay men dismissing bisexuals, transgender people, and other gender and sexual minorities. In each case, exclusion is based on the premise that certain ways of being gendered or sexual are more legitimate, natural, or righteous than others. As a trans woman, bisexual, and femme activist, Julia Serano has spent much of the last ten years challenging various forms of exclusion within feminist and queer/LGBTQ movements. In Excluded, she chronicles many of these instances of exclusion and argues that marginalizing others often stems from a handful of assumptions that are routinely made about gender and sexuality. These false assumptions infect theories, activism, organizations, and communities—and worse, they enable people to vigorously protest certain forms of sexism while simultaneously ignoring and even perpetuating others. Serano advocates for a new approach to fighting sexism that avoids these pitfalls and offers new ways of thinking about gender, sexuality, and sexism that foster inclusivity rather than exclusivity.

FTW is a zine by trans women, about the sex lives of trans women. It is an educational and instructional tool as much as it is a creative exploration of how we have sex.

A classmate recently remarked "That was so long ago I can't remember if I ever had a childhood." Return to those thrilling days of yesteryear the 1950's when the big entertainment was at the State Theater, featuring "Ma and Pa Kettle" and "Francis the Talking Mule." This is the true story of life in small town America, one kid's experience of growing up in a large Irish Catholic family of 10 kids with all the required ritualistic Catholic ceremonies. Formal schooling started for this youngster with a 3-year stretch in the joint at St. Aloysius Military Academy, marching to the tune of some of the sweetest old ladies dressed in black. Followed by those exciting days at St. Teresa's, run by two of the toughest Sisters of Charity in the system, Sister Mary Raphael, a.k.a. "Bucky Beaver," the principal, and her sidekick, Sister Augustine, up against Woody and his fun loving instigator pal. It is a fast moving and funny story of numerous mishaps by a carefree fifty's kid. A kid who accidentally freezes his spirited horse, "Shorty", gets canned as an altar boy after one long week, becomes a young entrepreneur selling dirt. There are stories about camping out, Boy Scouts, BB guns, Irish Nannies, Nuns in charge, ringing the holy fire bell at St. Teresa's. Then there is a description of what life was like before McDonald's. There is never a dull moment. It's a childhood autobiography filled with memorable surprises. Learn, as I did, everything you'll ever need to know about f growing up from Woody, the street-smart Italian kid that somehow knew how life really worked. Woody was a true "biker" from the 4th grade on. Enjoy reliving the tranquil 1950's with someone that still remembers being there.

The devotees at the convent of St.Quay are subject to a harsh regime of corporal punishment and humiliation. For Lalage Vergelesses, the torment is double, for she is a whipping girl, assigned to take the punishments otherwise due to a noble's errant daughter. But the demure Demoiselle is not who she seems, and behind the arcane SM rituals, the convent hides some sinister secrets too. Part of the Scarlet Gothic series. Other titles include Scarlet Vice and Sin's Apprentice.

Through an irresistible brush with the supernatural, a lonely young girl enters into an incredible odyssey—a mystical double life—not merely the fantasy or escape she expects, but a strange, wonderful and enchanting means by which she fulfils her most heartfelt desires for romance, friendship and popularity. She gradually learns this bounty comes at a price. The creature staging these incidental exoduses into the unknown appears to know more about her than she knows about herself. In time, far darker desires propel her into a more dangerous world where psychedelic orgies of violence and eroticism are the norm. Yet her lurid adventure is merely a diversion, the catalyst to a far more terrifying fate that imperils not only herself, but all of mankind. Whipping Girl strives to elevate the much-maligned genre of erotica, to make of it an arena of both insight and imagination, and also serves as a testament of the widely misunderstood and very much stereotyped phenomenon of sadomasochism—an uncommon premise which has proven surprisingly fertile ground for drama and suspense. It employs the essential techniques of storytelling that readers not merely expect but demand from any genre. to enhance this rich adventure, Whipping Girl is accompanied by photorealistic artwork and soundtrack, as well as a précis of the novel, viewable at www.whippinggirlnovel.com. This as well should serve as proof that its author has spared no effort to seduce his prospective readers with a unique and veritable saga incorporating drama, romance, mystery, tragedy and dark humor.

Sexual Deceit is an extended ethical analysis of the phenomenon of sexual identity passing — i.e. socially presenting as X, when one understands oneself as Y, where the variables represent any contemporary sexual identity — alongside identity passing in the contexts of race, gender, and briefly, religion and class. The analysis of passing utilizes and challenges traditional moral understandings of identity falsification, complicating our understandings of moral obligations under systemic oppression. Tracing the intervention of social construction theory on contemporary political understandings of LGBT communities and activism, Sexual Deceit argues against social construction models of identity — notably performativity, promulgated by the work of Judith Butler and consumed and repeated by many scholars and theory educated queer people. A new model of identity is constructed, based on a phenomenological concept of style that provides for a socially adjustable yet rooted notion of sexual identity. The ethical implications of sexual identity passing are considered in the context of eschatological images of social justice and within practical matters such as military service, leadership, and sexual harassment law.