While national crime rates have recently fallen, crimes committed by women have risen 200 percent, yet we continue to transform female violence into victimhood by citing PMS, battered wife syndrome, and postpartum depression as sources of women?s actions. When She Was Bad convincingly overturns these perceptions by telling the stories of such women as Karla Faye Tucker, who was recently executed for having killed two people with a pickax; Dorothea Puente, who murdered several elderly tenants in her boarding house; and Aileen Wuornos, a Florida woman who shot seven men. Patricia Pearson marshals a vast amount of research and statistical support from criminologists, anthropologists, psychiatrists, and sociologists, and includes many revealing interviews with dozens of men and women in the criminal justice system who have firsthand experience with violent women. When She Was Bad is a fearless and superbly written call to reframe our ideas about female violence and, by extension, female power.

The most terrifying novel you will read this year... Two hot young lovers who also happen to be cold-blooded killers . . . Lily deVries suffers from DVD, a psychiatric condition known as dissociative identity disorder. Triggered by a devastating childhood trauma, her mind has fragmented into different personalities known as 'alters'. There's the gentle, child-like Lily; the sexually insatiable Lilah; and Lilith - the violent psychopath. Now Lily has found herself in the Reed-Chase mental institution where they're hoping to find a cure. But there's another patient undergoing treatment at the Institute. Fellow DID sufferer Ulysses Maxwell faces life imprisonment following the rape and murder of a dozen women. When Lilith and Max - Maxwell's psychopathic alter - meet, the reaction is dynamite. And when the ingenious lovers engineer a bloody escape, it's only ex-FBI Agent Pender who has any chance of stopping the ensuing carnage. Teaming up with Dr Irene Cogan, a brilliant psychiatrist, he must take on a pair of killers who win hearts as easily as they slit throats.

________ 'A fresh, clever psychological thriller. I loved it!' CLARE MACKINTOSH You see the people you work with every day. But what can't you see? ________ Amira, Sarah, Paula, Ewan and Charlie have worked together for years. They know how each one likes their coffee, whose love life is a mess, whose children keep them up at night...But their comfortable routine life is suddenly shattered when an aggressive new boss walks in. Now, there's something chilling in the air. Who secretly hates everyone? Who is tortured by their past? Who is capable of murder? ________ 'Ingeniously sharp thriller, set in an office' HEAT MAGAZINE, 5 * ' Tammy Cohen is rapidly becoming one of my favourite authors' EMMA KAVANAGH 'Psychological thrillers don't get much better than this!' C L TAYLOR 'Truly terrifying' RUTH WARE 'A thriller with startling twists and a kick to the finish' Sunday Mirror 'This was so gripping!' Red Magazine 'Unsettling, tense and utterly unputdownable' Woman & Home 'Will keep you guessing right until the end' i magazine ________ THRILLER OF THE MONTH, Good Housekeeping ***OUT NOW Tammy Cohen's latest suspenseful and gripping thriller: STOP AT NOTHING***

A pair of shape-shifting Alpha males get their romantic comeuppance in two paranormal romances--Miss Congeniality by Shelly Laurenston, as a handsome shape-shifter rescues Professor Irene Conridge from her enemies, and Cynthia Eden's Wicked Ways, in which the hero helps gorgeous MIranda Shaw escape a killer vampire. Original.

Passions they cannot control bring down four women: a beautiful politician, a respected judge and her unusual daughter, and an abandoned wife.

In this funny and chilling novel, the setting is a small town in the 1940s Midwest, and the subject is the heart of a wounded and ferociously moralistic young woman, one of those implacable American moralists whose "goodness" is a terrible disease. When she was still a child, Lucy Nelson had her alcoholic failure of a father thrown in jail. Ever since then she has been trying to reform the men around her, even if that ultimately means destroying herself in the process. With his unerring portraits of Lucy and her hapless, childlike husband, Roy, Roth has created an uncompromising work of fictional realism, a vision of provincial American piety, yearning, and discontent that is at once pitiless and compassionate.

Christine Terry is rescued after spending 19 days in the Caribbean on a life raft, then mysteriously escapes from the hospital before she can be questioned about the wreck and disappearance of the yacht she was on—and its owners. Cynical but likable reporter Dan Stark is suspicious but obsessed, and soon finds that she is absolutely nothing that she pretends to be. He agrees to help her retrieve a fortune in stolen emeralds from the sunken boat, but when she abandons him on an empty atoll, he vows revenge. Soon, like Chantal (her real name), he learns to change himself and his appearance to fit the situations he meets in pursuit of her. After more than one dangerous engagement with her over the next several years, he discovers a much more personal reason for tracking her down to a final confrontation. . . .