As Mary Malbunka shares her stories of playing with friends, building cubby houses, climbing trees, collecting sugarbag, digging for honey ants, hunting for lizards, and learning about the seasons, animals and plants, she creates a vivid picture of a truly Australian childhood in which country - ngurra is life itself. Warm and accessible, this is essentially an oral story, and it contains a number of words in Luritja whose meaning is explained in context and also within an extensive glossary. The book also interprets recurring symbols used in traditional Aboriginal painting. 'This beautiful work is a gift to children, education and reconciliation.' - Jackie Huggins AM, Co-Chair, Reconciliation Australia 'Mary Malbunka's story is simply bursting with details of her childhood in Papunya - the bush tucker and medicines, the animals, the sense of family and community, the Dreaming stories, the country itself and the difficulties of fitting in to the white man's world. I'm sure readers young and old will find the vibrant picture it paints to be irresistible. It is also an important story because it helps Aboriginal people reclaim our traditional culture.' - Professor Lowitja O'Donoghue

Caldecott Honor Book! "An evocative remembrance of the simple pleasures in country living; splashing in the swimming hole, taking baths in the kitchen, sharing family times, each is eloquently portrayed here in both the misty-hued scenes and in the poetic text." -Association for Childhood Education International

A grandmother tells her grandson what life was like when she was as little as he is now.

"When I was little, I could hardly do anything. But now I can do lots of things, like braid my own hair and go to nmusery school. I'm not a baby anymore. I'm me!"Jamie Lee Curtis and Laura Cornell perfectly capture a little girl's simple, childlike celebration of herself, as she looks back on her childhood from the lofty height of four and a half years. This spirited view of growing up is perfect for the youngest readers.

Snappsy the alligator is having a normal day when a pesky narrator steps in to spice up the story. Is Snappsy reading a book ... or is he making CRAFTY plans? Is Snappsy on his way to the grocery store ... or is he PROWLING the forest for defenseless birds and fuzzy bunnies? Is Snappsy innocently shopping for a party ... or is he OBSESSED with snack foods that start with the letter P? What's the truth? Snappsy the Alligator (Did Not Ask to Be in This Book) is an irreverent look at storytelling, friendship, and creative differences, perfect for fans of Mo Willems.

NATIONAL BESTSELLER A charmingly relatable and wise memoir-in-essays by acclaimed writer and bookseller Mary Laura Philpott, “the modern day reincarnation of…Nora Ephron, Erma Bombeck, Jean Kerr, and Laurie Colwin—all rolled into one” (The Washington Post), about what happened after she checked off all the boxes on a successful life’s to-do list and realized she might need to reinvent the list—and herself. Mary Laura Philpott thought she’d cracked the code: Always be right, and you’ll always be happy. But once she’d completed her life’s to-do list (job, spouse, house, babies—check!), she found that instead of feeling content and successful, she felt anxious. Lost. Stuck in a daily grind of overflowing calendars, grueling small talk, and sprawling traffic. She’d done everything “right” but still felt all wrong. What’s the worse failure, she wondered: smiling and staying the course, or blowing it all up and running away? And are those the only options? Taking on the conflicting pressures of modern adulthood, Philpott provides a “frank and funny look at what happens when, in the midst of a tidy life, there occur impossible-to-ignore tugs toward creativity, meaning, and the possibility of something more” (Southern Living). She offers up her own stories to show that identity crises don’t happen just once or only at midlife and reassures us that small, recurring personal re-inventions are both normal and necessary. Most of all, in this “warm embrace of a life lived imperfectly” (Esquire), Philpott shows that when you stop feeling satisfied with your life, you don’t have to burn it all down. You can call upon your many selves to figure out who you are, who you’re not, and where you belong. Who among us isn’t trying to do that? “Be forewarned that you’ll laugh out loud and cry, probably in the same essay. Philpott has a wonderful way of finding humor, even in darker moments. This is a book you’ll want to buy for yourself and every other woman you know” (Real Simple).

Slowly, slowly, slowly . . . that's the way the sloth moves. Slowly, it eats and then, slowly, it falls asleep. "What strange kind of creature is this?" the other animals wonder. Why doesn't it run or fly or play or hunt like the rest of us? "Why are you so slow?" the howler monkey inquires. But the sloth doesn't answer any questions until the jaguar asks, "Why are you so lazy?" Anyone who has ever felt too busy will appreciate the sloth's peaceful lifestyle and realize that it's okay to take time to enjoy life. Eric Carle' s dazzling collage illustrations introduce readers to the exotic beauty of the Amazon rain forest and the many unusual animals living there.