Western Theatre in Global Contexts
Title | Western Theatre in Global Contexts PDF eBook |
Author | Yasmine Marie Jahanmir |
Publisher | Routledge |
Total Pages | 324 |
Release | 2020-08-12 |
Genre | Drama |
ISBN | 0429534000 |
Western Theatre in Global Contexts explores the junctures, tensions, and discoveries that occur when teaching Western theatrical practices or directing English-language plays in countries that do not share Western theatre histories or in which English is the non-dominant language. This edited volume examines pedagogical discoveries and teaching methods, how to produce specific plays and musicals, and how students who explore Western practices in non-Western places contribute to the art form. Offering on-the-ground perspectives of teaching and working outside of North American and Europe, the book analyzes the importance of paying attention to the local context when developing theatrical practice and education. It also explores how educators and artists who make deep connections in the local culture can facilitate ethical accessibility to Western models of performance for students, practitioners and audiences. Western Theatre in Global Contexts is an excellent resource for scholars, artists, and teachers that are working abroad or on intercultural projects in theatre, education and the arts.
Western Theatre in Global Contexts
Title | Western Theatre in Global Contexts PDF eBook |
Author | Jillian Campana |
Publisher | Routledge |
Total Pages | 274 |
Release | 2020 |
Genre | Performing Arts |
ISBN | 9780367204990 |
Western Theatre in Global Contexts explores the junctures, tensions, and discoveries that occur when teaching Western theatrical practices or directing English-language plays in countries that do not share Western theatre histories or in which English is the non-dominant language. This edited volume examines pedagogical discoveries and teaching methods, how to produce specific plays and musicals, and how students who explore Western practices in non-Western places contribute to the art form. Offering on-the-ground perspectives of teaching and working outside of North American and Europe, the book analyzes the importance of paying attention to the local context when developing theatrical practice and education. It also explores how educators and artists who make deep connections in the local culture can facilitate ethical accessibility to Western models of performance for students, practitioners and audiences. Western Theatre in Global Contexts is an excellent resource for scholars, artists, and teachers that are working abroad or on intercultural projects in theatre, education and the arts.
World Theatre
Title | World Theatre PDF eBook |
Author | E. J. Westlake |
Publisher | Taylor & Francis |
Total Pages | 210 |
Release | 2017-03-31 |
Genre | Performing Arts |
ISBN | 131756183X |
World Theatre: The Basics presents a well-rounded introduction to non-Western theatre, exploring the history and current practice of theatrical traditions in Asia, Africa, the Middle East, Oceania, the Caribbean, and the non-English-speaking cultures of the Americas. Featuring a selection of case studies and examples from each region, it helps the reader to understand the key issues surrounding world theatre scholarship and global, postcolonial, and transnational performance practices. An essential read for anyone seeking to learn more about world theatre, World Theatre: The Basics provides a clear, accessible roadmap for approaching non-Western theatre.
Theatre and the World
Title | Theatre and the World PDF eBook |
Author | Rustom Bharucha |
Publisher | Routledge |
Total Pages | 469 |
Release | 2003-09-02 |
Genre | Performing Arts |
ISBN | 113487314X |
In this passionate and controversial work, director and critic Rustom Bharucha presents the first major critique of intercultural theatre from a 'Third World' perspective. Bharucha questions the assumptions underlying the theatrical visions of some of the twentieth century's most prominent theatre practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook. He contends that Indian theatre has been grossly mythologised and taken out of context by Western directors and critics. And he presents a detailed dramaturgical analysis of what he describes as an intracultural theatre project, providing an alternative vision of the possibilities of true cultural pluralism. Theatre and the World bravely challenges much of today's 'multicultural' theatre movement. It will be vital reading for anyone interested in the creation or discussion of a truly non-Eurocentric world theatre.
Theatrical Worlds (Beta Version)
Title | Theatrical Worlds (Beta Version) PDF eBook |
Author | Charles Mitchell |
Publisher | Orange Grove Texts Plus |
Total Pages | 0 |
Release | 2014 |
Genre | Arts |
ISBN | 9781616101664 |
"From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well." -- Open Textbook Library.
Soyinka
Title | Soyinka PDF eBook |
Author | Wole Soyinka |
Publisher | |
Total Pages | 228 |
Release | 2005 |
Genre | Africa |
ISBN |
The Use of Asian Theatre for Modern Western Theatre
Title | The Use of Asian Theatre for Modern Western Theatre PDF eBook |
Author | Min Tian |
Publisher | Springer |
Total Pages | 313 |
Release | 2018-11-27 |
Genre | Performing Arts |
ISBN | 3319971786 |
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.