The West Wing meets The Office in this “funny, moving story about working in the White House that is a must read for anyone who misses having Barack Obama as President” (Dan Pfeiffer, cohost of Pod Save America), directly from his senior writer and former Deputy Director of Messaging. West Winging It is the “fitfully funny…warm and observant” (Kirkus) story of Pat Cunnane and his journey from outsider to insider—from his dreary job at a warehouse to his dream job at the White House. Pat pulls the drapes back on the most famous and exclusive building in the United States, telling the story of the real West Wing with compelling and quirky portraits of the people who populate the place, from the President to the press corps. Pat takes you into the Oval Office, providing a “snappy, sunny” (USA TODAY) insider’s glimpse of what it’s really like—from the minutiae to the momentous—to work at 1600 Pennsylvania Avenue. Along the way, Pat draws an intimate portrait of the side of President Obama that few were privy to—the funnyman, the nerd, the athlete, the caring parent. He describes both the small details—the time he watched in horror as the President reached over the sneeze guard at Chipotle—and the larger, historic moments, such as watching the President handle the news of the 2015 terrorist attacks in Paris. In some ways, working at the White House is a lot like every office, and in some ways, it’s like no office ever. Pat recounts the time he accidentally slammed a door on Joe Biden, plotted to have the Pope bless him by faking a sneeze, and almost killed America’s First Dog. “West Winging It is a fun, poignant reminder that the best part about working in the Obama White House was the people working with you, and knowing that everyone was there for the right reason: to try to do as much good, for as many people, as we possibly could” (Jay Carney, former press secretary). At its core, it’s a fish-out-of-water story—only these fish are trying to run the United States of America.

The show that won 9 Emmy Awards - an all time record - in September 2000- is now being screened on British TV. Author Paul Challen takes a detailed look at this hugely popular show: how it's put together, what ideas and political themes drive its plots, and ultimately, why it's so popular. Through in-depth interviews, commentary from political and entertainment industry observers, plus extensive searches of the numerous official and unofficial show websites, Challen provides a comprehensive view for diehard fans and casual watchers alike. Another first from ECW.

The West Wing premiered in 1999. That's a long time ago. Back then, we were worrying about the Millennium Bug, paying $700 for DVD players, and using pagers. 1999: a century ago. And yet, the show continues to have an impact that is arguably unique. If you live or work in DC, references to it are inescapable. People have walked down the aisle to the theme music. Or they’ve named children, pets, GPS systems, and even an iPhone app after the characters. Or they’ve started Twitter accounts as the characters to continue the storyline and comment on current political events. Or they credit it for closer relationships with their family members or a way out of depression. In this anthology of quotes and essays, contributors from six countries, ranging in age from twenty to seventy years old, tell their West Wing stories.

Step inside the Bartlet Administration in this detailed official companion to one of televisions most sophisticated dramatic series. Created by Aaron Sorkin, The West Wing won nine Emmy Awards in its first season alone, and is acclaimed for its writing, portrayals, and an intelligent, authentic depiction of White House life.

With its fast and furious dialogue, crackling wit, and political savvy, The West Wing became appointment TV for millions during its seven-season run between 1999 and 2006. The behind-the-scenes ensemble drama about Washington politics premiered on the wake of the Monica Lewinsky scandal, was the first series to respond to the 9/11 terrorist attacks, and concluded in the closing years of the Bush administration. Its subject matter was ambitious and germane, its cast star-studded, its production team acclaimed. In this volume, Janet McCabe explores The West Wing as both a space for political and social discourse and a force that reshaped contemporary television. McCabe begins by examining the series' broadcasting history, including its scheduling in the United States and around the world, and how the show defines channels and television markets. McCabe goes on to explore the role of the show's creator Aaron Sorkin as a TV auteur and investigates the program's aesthetic principles, including the distinctive look, feel, and sounds of the series. McCabe concludes by considering the political discourse of The West Wing, as the show spoke back to a U.S. culture divided by politics, race, and gender as well as the trauma of 9/11 and anxieties over terrorism and the wars in Iraq and Afghanistan. McCabe's analysis of The West Wing provides an intriguing look at the institutional, formal, and cultural politics of television. Fans of the series as well as students and teachers of television history will enjoy this detailed volume.