This memoir shares the early, troubled years of the author's wife and transitions to their first meeting, relationship, and marriage. A woman with low self-esteem found courage, comfort, and support and dared to dream again. Friends and family often referred to their marriage as a romance meant to be. Frontotemporal Dementia, FTD, interrupted that love story. The author devotedly cared for his wife until her passing. He weaves in journals, letters, and posts and lays bare their life through her incurable disease. Throughout much of the book, the author offers dementia mileposts, tips, and observations to assist those struggling in their own journeys. While dementia will differ person to person, many will find similarities to their own experiences. The book serves two purposes as both an aid to those in a dementia care partner role but also as a love story.

“Captivating…equal parts memoir and cultural history, Henry Alford seamlessly interweaves heartwarming and hilarious anecdotes about his deep dive into all things dance” (Misty Copeland, The New York Times Book Review). When Henry Alford wrote about his experience with a Zumba class for The New York Times, little did he realize that it was the start of something much bigger. Dance would grow and take on many roles for Henry: exercise, stress reliever, confidence builder, an excuse to travel, a source of ongoing wonder, and—when he dances with Alzheimer’s patients—even a kind of community service. Tackling a wide range of forms (including ballet, hip-hop, jazz, ballroom, tap, contact improvisation, Zumba, swing), Alford’s grand tour takes us through the works and careers of luminaries ranging from Bob Fosse to George Balanchine, Twyla Tharp to Arthur Murray. Rich in insight and humor, Alford mines both personal experience and fascinating cultural history to offer a witty and ultimately moving portrait of how dance can express all things human. And Then We Danced “is in one sense a celebration of hoofer in all its wonder and variety, from abandon to refinement. But it is also history, investigation, memoir, and even, in its smart, sly way, self-help…very funny, but more, it is joyful—a dance all its own” (Vanity Fair).

Autobiography of a Ziegfeld Follies star, an copartner of Arthur Murray Dance Studios, a quarter horse ranch owner in Oklahoma, and at age 88, the recipient of a Bachelor of Arts degree from the University of Oklahoma.

Bounded by the Great War on one side and by the looming shadow of the Second World War on the other, the inter-war period has characteristically been portrayed as a time of great and unrelenting depression. In Martin Pugh's lively and thought-provoking book, however, the acclaimed historian vividly shows how the British people reacted to the privations of wartime by indulging in leisure and entertainment activities of all kinds - from dancing and cinema going to smoking, football pools and paid holidays. He explodes the myths of a nation of unwed women, revealing that in the 1930s the institution of marriage was reaching its heyday, and points to a rise in real incomes, improvements in diet and health and the spread of cheap luxuries. The result is an extraordinary, engaging work of history that presents us with a fresh perspective and brings out both the strangeness and the familiarity of this point in time.

A conversation between a Tel Aviv waitress and her elderly customer sparks a journey of healing in this compelling novel by the author of Light Fell. At eighty-four, Teo, one of the world’s most influential choreographers, is ready to withdraw from the bombast and romance surrounding his long and illustrious career. But then he meets Vivi, a waitress at a Tel Aviv café, and the slumbering passions of his youth are rouses once more. Suddenly and unexpectedly, his desire for a woman’s touch, his anguished memories of World War II, and his complex, soulful engagement with dance all come rushing back. Vivi’s life will change, too, as Teo’s affection forces her to confront her guilt over an illicit relationship during her days as a soldier. Soon their interactions with art, their very investment in living, will reawaken ghosts of their painful, suppressed pasts—from Warsaw to Copenhagen, from Berlin to Tel Aviv—that cry out for forgiveness and peace.

The Winter We Danced is a vivid collection of writing, poetry, lyrics, art and images from the many diverse voices that make up the past, present, and future of the Idle No More movement. Calling for pathways into healthy, just, equitable and sustainable communities while drawing on a wide-ranging body of narratives, journalism, editorials and creative pieces, this collection consolidates some of the most powerful, creative and insightful moments from the winter we danced and gestures towards next steps in an on-going movement for justice and Indigenous self-determination.

Marriage is like dancing. To learn to dance, you follow the steps on a paper chart, placing each foot in the footsteps on the floor as indicatedbut it takes lots of practice to dance fluidly with great finesse. Often when we marry, we believe we are in love and marriage cant get any better. However, there will be times where we swing and our partner sways. There are going to be times when both partners are fighting for the lead. At other times we just melt together and everything is totally synchronized. Is it possible to keep that synchronization forever? In We Danced, author Lin Sons presents a story-like couples devotional using her 40-year marriage intertwined with a theme of dance. Lin offers life lessons applicable to any couple, whatever their own personal story. Each life lesson is followed by a dance tip designed to bring couples finesse in their dance of marriage. The message in We Danced is clear: the marriage dance takes lots of practice. By invitation, the Lord provides the strength, joy and finesse.