The poetry of Benoist Saul Lhoni is a commitment act and a pursuit of the absolute. This volume which is the sum of his poetic work, responds to a double paradigm, the exploration of form and that of meaning, to better bringing out the dazzling truth. The poetic structure chiselled, with minimalist footage that makes its intensity and which, thus collected and precise, says a lot without unnecessary chatter. Benoist Saul Lhoni's poetic art possesses a vivid aesthetic , a fiery metaphorical sense, ready to pounce... He opens the corners of his itinerary as a man, a son and a lover. Fragments of truths are hidden there that lead us back to our back roads.

From its beginnings in fascist northern Italy in the early 1940s, this novel reaches into the London of the 1950s and 1970s, drawing on the author's personal experiences of the London theatre of the time. It follows the progress of Walter Napley, gifted in the arts but intent on a life as a business entrepreneur.

This extensive reference volume presents the etymological history of thousands of English words. The story of how words come to be is the story of how humans think, and how we fashion our civilizations. Words can be the product of long and intertwining histories, migrations from other languages, or new coinages of science or slang. This diversity of origins is part of what gives the English language its beauty and power. In Dictionary of Word Origins, etymologist Joseph T. Shipley provides a fascinating window into the evolution of modern English, from the onomatopoetic aspect of “abash” to the animalistic origins of “zodiac.”

This book does not find its starting point in a theory but in the recognition that the word "Wanderer," and other forms based on the common root of the verbs to "wander" and "wandern," recur with conspicuous frequency in the writings of Goethe and English Romantic poets such as William Wordsworth and Lord Byron. A notable scholar, Professor L. A. Willoughby sought an explanation for this phenomnon in Carl G. Jung's theory of the unconscious but Willoughby's sole ambit of reference was what he termed "Goethe's poetry." This restriction could not allow the scope necessary for the study of the collective aspect of the mind's power and influence. This study poses the attempt to widen the survey of "wandering" to a comparison of texts found in a wide variety of authors including Milton, Shakespeare and William Blake.

Reprint of the original, first published in 1869.