In Waiting for the Cool Moon Wendy Matsumura interrogates the erasure of colonial violence at the heart of Japanese nation-state formation. She critiques Japan studies’ role in this effacement and contends that the field must engage with anti-Blackness and anti-Indigeneity as the grounds on which to understand imperialism, colonialism, fascism, and other forces that shape national consciousness. Drawing on Black radical thinkers’ critique of the erasure of the Middle Passage in universalizing theories of modernity’s imbrication with fascism, Matsumura traces the consequences of the Japanese empire’s categorization of people as human and less-than-human as manifested in the 1920s and 1930s, and the struggles of racialized and colonized people against imperialist violence. She treats the archives safeguarded by racialized, colonized women throughout the empire as traces of these struggles, including the work they performed to keep certain stories out of view. Matsumura demonstrates that tracing colonial sensibility and struggle is central to grappling with their enduring consequences for the present.

Rosenblatt's hymn to our noblest qualities: embracing life, sharing love, and accepting responsibility toward one another.

For one young boy, it’s a perfect summer day to spend at the beach with his family. He scours the high tide line for treasures, listens to the swizzling sound of barnacles, and practices walking the plank. But mostly he waits for high tide. Then he’ll be able to swim and dive off the log raft his family is building. While he waits, sea birds and other creatures mirror the family’s behaviors: building and hunting, wading and eating. At long last the tide arrives, and human and animal alike savor the water. Another beautiful ode to life lived in harmony with nature, and by the labor of one’s own hands, from an artist of great warmth and clarity.

In the tradition of The Alchemist, Way of the Peaceful Warrior, and The Celestine Prophecy, this enchanting semiautobiographical parable follows the inquisitive Scott as he finds himself in a parking lot where he meets a cardboard-sign-toting homeless man named Robert with a penchant for changing lives. With Robert and the sleepy black lab Puppy Don at his side, Scott embarks on a spiritual awakening and attempts to heal his past while confronting the spirit of his dead fiancée, learning the power of nature, exploring the spirit plane, and discovering the true nature of the universe. On this unique journey of self-discovery, various healing and spiritual modalities are revealed, including shamanic soul retrieval, ancestral healing, harnessing of lunar energy, conscious cooking, kirtan, manifesting, and lightworking. This easy-to-read book is a charming and affecting story of one humble soul’s profound awakening on the path to facing an extraordinary dilemma between his spiritual calling and earthly life purpose.

There was once a little raccoon who wanted to go out in the night -- to know an owl, to see if the moon is a rabbit, and to find out how dark is the dark. But his mother said, "Wait. Wait till the moon is full." So the little raccoon waited and wondered, while the moon got bigger and bigger and bigger. Until at last, on a very special evening, the moon was full.

In Archaism and Actuality eminent Marxist historian Harry Harootunian explores the formation of capitalism and fascism in Japan as a prime example of the uneven development of capitalism. He applies his theorization of subsumption to examine how capitalism integrates and redirects preexisting social, cultural, and economic practices to guide the present. This subsumption leads to a global condition in which states and societies all exist within different stages and manifestations of capitalism. Drawing on Japanese philosophers Miki Kiyoshi and Tosaka Jun, Marxist theory, and Gramsci’s notion of passive revolution, Harootunian shows how the Meiji Restoration of 1868 and its program dedicated to transforming the country into a modern society exemplified a unique path to capitalism. Japan’s capitalist expansion in the nineteenth and twentieth centuries, rise as an imperial power, and subsequent transition to fascism signal a wholly distinct trajectory into modernity that forecloses any notion of a pure or universal development of capitalism. With Archaism and Actuality, Harootunian offers both a retheorization of capitalist development and a reinterpretation of epochal moments in modern Japanese history.