Winner of the 2020 Costa Children's Book Award A Kirkus Reviews Best Children's Book of 2021 A Times and Sunday Times Best Book of the Year In the aftermath of World War One, everyone in the small town of Barton is rebuilding their lives. Ben needs to find his brother, Sam—who was wounded in action and is now missing—if he wants to avoid being sent to the orphanage. Lotti’s horrible aunt and uncle want to send her away from her beloved home to boarding school, just when she has successfully managed to get expelled from her last one. When a chance encounter brings the two children together, each recognizes the other as a kindred spirit. But just as they’ve found their feet, disaster strikes, and Ben and Lotti must run away. They hatch a plan to cross the English Channel on Ben’s narrowboat, the Sparrowhawk, and track down Sam in France. But there’s something in France that Lotti is looking for, too. . . . Funny, heartwarming, and wise, Voyage of the Sparrowhawk is full of high stakes, twists and connections, and—most of all—adventure.

"During the century 1850-1950 Vancouver Island attracted Imperial officers and other Imperials from India, the British Isles, and elsewhere in the Empire. Victoria was the main British port on the north-west Pacific Coast for forty years before the city of Vancouver was founded in 1886 to be the coastal terminus of the Canadian Pacific Railway. These two coastal cities were historically and geographically different. The Island joined Canada in 1871 and thirty-five years later the Royal Navy withdrew from Esquimalt, but Island communities did not lose their Imperial character until the 1950s."--P. [4] of cover.

On the Scottish island of Skua, friendship develops between the lonely and mysterious Perdita and a blind girl, Janey. Both possess a kind of second sight - Janey's is the ability to hear, feel and remember more than others, and Perdita's is the ominous legacy of her being a witch's daughter. When Janey's brother, Tom, starts investigating a cluster of mysterious events and suspicious characters, all three become entwined in an adventure of hidden jewels, desperate criminals and dangerous detection. Written in 1963, The Witch's Daughter showcases Nina Bawden's innate regard for the integrity of her young characters. As she has said: 'I like writing for children. It seems to me that most people underestimate their understanding and the strength of their feelings and in my books for them I try to put this right.' Hugely admired on publication by both reviewers and readers, it was described as 'thrilling' by the Times Literary Supplement.

The classic military adventure: a gripping tale of honour, duty, and sacrifice during the Afghan war of 1919 in British India. 'A writer who never disappoints one. He has an extraordinary power of treating military disaster in depth and yet with pace, whether on the frontiers of Rome or British India, and of analysing the tensions of command. Gripping as an action story, deeply moving on the individual level, it involves one as an eye-witness from beginning to end.' Mary Renault This classic military adventure is a gripping insight into life on an exposed outpost of the Afghan frontier. Major Charles Sandeman is an unlikely hero: an intellectual soldier, repeatedly passed over for promotion in the British Indian Army. When war suddenly erupts between India and Afghanistan in 1919, Sandeman is caught, as the locals say, 'between the leopard and the cliff'. Facing an uprising of hostile border tribes and mutinies, he must rise to the challenge and lead the retreat of his soldiers in a bleak trek through unforgiving terrain. Brimming with action, suspense, and psychological power, The Leopard and the Cliff is a masterful military adventure which has never felt more prophetic, offering insights into colonialism and tribal divides that haunt the world today. 'Gripping ... Brings out movingly and with skill points of vital importance to an understanding of British India and the Frontier ... Highly dramatic.' Philip Mason

The hotly anticipated new standalone from the bestselling and award-winning Queen of Historical Fiction, Emma Carroll. Britain, 1962 'Who are you?' I asked. 'You don't know who I am? You mean, it's not been on the news?' The girl glanced from Ray to me and back again. 'It's better I don't tell you,' she said firmly. Nothing ever happens in World's End Close. So when Stevie discovers a runaway girl in her coal shed, the first thing she does is fetch her best friend, Ray. Both are dying for a bit of adventure, and when the girl begs for help, they readily agree. Yet they soon realise they've taken on more than they bargained for. The girl, Anna, reveals she's on the run from people who are trying to poison her. Meanwhile, on the news, the Americans and Russians are arguing over missiles in Cuba. As the threat of war grows, Anna's behaviour becomes more mysterious. And when Stevie unearths a dark family secret, she wonders if Anna has come to World's End Close on purpose, with a special message just for her . . . An enthralling thriller, perfect for our tumultuous times. 'The Hilary Mantel of children's fiction.' The Telegraph 'Rightfully owns the title "Queen of Historical Fiction".' BookTrust 'Historical fiction at its finest.' Bookseller 'Echoes of Michael Morpurgo and Nina Bawden.' The Times

In 1995, Peter Johnson went looking for a rare set of petroglyphs located on the outer coast of Vancouver Island near an abandoned whaling village. Encouraged by archival research that yielded court records, 90-year-old correspondence and a tantalizing 1926 newspaper article, Peter sought to tie these glyphs to the 1869 wreck of the trading barque John Bright and the bizarre colonial trial that followed. He found more questions than answers. Why, for example, were two Nuu-chah-nulth men so readily hung from a gallows erected in front of their village at Hesquiat? And how did this event relate to the rock carvings that Peter knew existed in a cove many miles south, along the life-saving West Coast Trail by the Graveyard of the Pacific? This story explores the significance of particular petroglyphs, colonial injustice and the European trading mentality on the west coast at the time of contact. Peter interweaves a personal journal with historical narrative in order to produce a lively account of the relationship between our coastal history and a little-known Aboriginal art form.