Eyewitness accounts intended to introduce readers to a wide variety of primary literary sources for studying the Old South.

The groundbreaking, bestselling history of slavery, with a new foreword by Pulitzer Prize–winning historian Annette Gordon-Reed With the publication of the 1619 Project and the national reckoning over racial inequality, the story of slavery has gripped America’s imagination—and conscience—once again. No group of people better understood the power of slavery’s legacies than the last generation of American people who had lived as slaves. Little-known before the first publication of Remembering Slavery over two decades ago, their memories were recorded on paper, and in some cases on primitive recording devices, by WPA workers in the 1930s. A major publishing event, Remembering Slavery captured these extraordinary voices in a single volume for the first time, presenting them as an unprecedented, first-person history of slavery in America. Remembering Slavery received the kind of commercial attention seldom accorded projects of this nature—nationwide reviews as well as extensive coverage on prime-time television, including Good Morning America, Nightline, CBS Sunday Morning, and CNN. Reviewers called the book “chilling . . . [and] riveting” (Publishers Weekly) and “something, truly, truly new” (The Village Voice). With a new foreword by Pulitzer Prize–winning scholar Annette Gordon-Reed, this new edition of Remembering Slavery is an essential text for anyone seeking to understand one of the most basic and essential chapters in our collective history.

Discover the contributions notable Black South Carolinians gave to bring encouragement and inspiration to their communities. Did you know that eighty-eight years before Rosa Parks's historic protest, a courageous black woman in Charleston kept her seat on a segregated streetcar? What about Robert Smalls, who steered a Confederate warship into Union waters, freeing himself and some of his family, and later served in the South Carolina state legislature? In this inspiring collection, historian Damon L. Fordham relates story after story of notable black South Carolinians, many of whose contributions to the state's history have not been brought to light until now. From the letters of black soldiers during the Civil War to the impassioned pleas by students of "Munro's School" for their right to an education, these are the voices of protest and dissent, the voices of hope and encouragement and the voices of progress.

In the late 1920s, Reverend A. W. Nix (1880–1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix’s recordings, were linked to the image of the “Old Negro” by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern “New Negro” citizen. Through interviews with family members, musical analyses of the sounds on Nix’s recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The “moaning voice” used by Nix and other ministers was a direct connection to the “blues moan” employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the “Father of Gospel Music,” Thomas A. Dorsey. The success of Nix’s recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.

At the beginning of the Civil War, President Abraham Lincoln and his highest-ranking general, George B. McClellan, agreed that the United States must preserve the Union. Their differing strategies for accomplishing that goal, however, created constant conflict. In Lincoln and McClellan at War, Chester G. Hearn explores this troubled relationship, revealing its complexity and showing clearly why the two men -- both inexperienced with war -- eventually parted ways. A staunch Democrat who never lost his acrimony toward Republicans -- including the president -- McClellan first observed Lincoln as an attorney representing the Illinois Central Railroad and immediately disliked him. This underlying bias followed thirty-five-year-old McClellan into his role as general-in-chief of the Union army. Lincoln, a man without military training, promoted McClellan on the advice of cabinet members and counted on "Little Mac" to whip the army into shape and end the war quickly. McClellan comported himself with great confidence and won Lincoln's faith by brilliantly organizing the Army of the Potomac. Later, however, he lost Lincoln's trust by refusing to send what he called "the best army on the planet" into battle. The more frustrated Lincoln grew with McClellan's inaction, the more Lincoln studied authoritative works on military strategy and offered strategic combat advice to the general. McClellan resented the president's suggestions and habitually deflected them. Ultimately, Lincoln removed McClellan for what the president termed "the slows." According to Hearn, McClellan's intransigence stemmed largely from his reluctance to fight offensively. Thoroughly schooled in European defensive tactics, McClellan preferred that approach to fighting the war. His commander-in-chief, on the other hand, had a preference for using offensive tactics. This compelling study of two important and diverse figures reveals how personality and politics prolonged the Civil War.

"Coming Through marks the first complete publication of these interviews with former slaves and their descendants living in the Waccamaw Neck region of South Carolina as collected by Genevieve W. Chandler in the 1930s as part of the WPA Federal Writers' Project. Between 1936 and 1938 Chandler interviewed more than one hundred individuals in and around All Saints Parish, a portion of Horry and Georgetown counties located between the Waccamaw River and the Atlantic Ocean. Her subjects spoke freely with her on topics ranging from slave punishment to folk medicine, from conditions in the Jim Crow South to the exploits of Brer Rabbit." "Coming Through consists primarily of interviews with forty-nine Gullah-speaking African American informants sharing life experiences with Chandler. The subjects range in age from 9-year-old George Kato Singleton to 104-year-old Welcome Bees. A biography of each subject accompanies the interviews. Collectively these interviews form an intimate portrait of a fascinating subculture of the Carolina coast and the Sea Islands as shared with a remarkable woman who had special access to converse with the people of this traditionally insular world. Moreover they provide an unparalleled firsthand account of the African American experience in South Carolina in the words of those who lived it."--BOOK JACKET.