Childhood stories of family, country and belonging What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, showcases many diverse voices, experiences and stories in order to answer that question. Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart – sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect. This groundbreaking collection will enlighten, inspire and educate about the lives of Aboriginal people in Australia today. Contributors include: Tony Birch, Deborah Cheetham, Adam Goodes, Terri Janke, Patrick Johnson, Ambelin Kwaymullina, Jack Latimore, Celeste Liddle, Amy McQuire, Kerry Reed-Gilbert, Miranda Tapsell, Jared Thomas, Aileen Walsh, Alexis West, Tara June Winch, and many, many more. Winner, Small Publisher Adult Book of the Year at the 2019 Australian Book Industry Awards ‘Growing Up Aboriginal in Australia is a mosaic, its more than 50 tiles – short personal essays with unique patterns, shapes, colours and textures – coming together to form a powerful portrait of resilience.’ —The Saturday Paper ‘... provides a diverse snapshot of Indigenous Australia from a much needed Aboriginal perspective.’ —The Saturday Age

Aboriginal literature is a growing field with a rapidly expanding global audience. The book represents a range of writers; it includes highly acclaimed Aboriginal writers whose works are widely recognised (Kim Scott, Doris Pilkington Garimara, Melissa Lucashenko) and other writers whose works are on the ascendancy (Romaine Moreton and Jeanine Leane). This book contributes to the understanding of Aboriginal literature and of how these writers developed as writers. See www.cambriapress.com/books/9781604979114.cfm for reviews, author bio, and more book information on this Cambria Press publication. "This book is an essential resource for anyone with more than a passing interest in Aboriginal writing and Australian literature." - Philip Morrissey, Head of Australian Indigenous Studies, University of Melbourne

Australian aboriginal people have lived in harmony with the earth for perhaps as long as 100,000 years; in their words, since the First Day. In this absorbing work, Lawlor explores the essence of their culture as a source of and guide to transforming our own world view. While not romanticizing the past or suggesting a return to the life of the hunter/gatherer, Voices of the First Day enables us to enter into the mentality of the oldest continuous culture on earth and gain insight into our own relationship with the earth and to each other. This book offers an opportunity to suspend our values, prejudices, and Eurocentrism and step into the Dreaming to discover: • A people who rejected agriculture, architecture, writing, clothing, and the subjugation of animals • A lifestyle of hunting and gathering that provided abundant food of unsurpassed nutritional value • Initiatic and ritual practices that hold the origins of all esoteric, yogic, magical, and shamanistic traditions • A sexual and emotional life that afforded diversity and fluidity as well as marital and social stability • A people who valued kinship, community, and the law of the Dreamtime as their greatest "possessions." • Language whose richness of structure and vocabulary reveals new worlds of perception and comprehension. • A people balanced between the Dreaming and the perceivable world, in harmony with all species and living each day as the First Day. Voices of the First Day is illustrated throughout with more than 100 extraordinary photographs, bark paintings, line drawings and engravings. Many of these photographs are among the earliest ever made of the Aboriginal people and are shown here for the first time.

Beginning in the early 1980s Aboriginal Australians found in music, radio, and filmic media a means to make themselves heard across the country and to insert themselves into the center of Australian political life. In The Voice and Its Doubles Daniel Fisher analyzes the great success of this endeavor, asking what is at stake in the sounds of such media for Aboriginal Australians. Drawing on long-term ethnographic research in northern Australia, Fisher describes the close proximity of musical media, shifting forms of governmental intervention, and those public expressions of intimacy and kinship that suffuse Aboriginal Australian social life. Today’s Aboriginal media include genres of country music and hip-hop; radio requests and broadcast speech; visual graphs of a digital audio timeline; as well as the statistical media of audience research and the discursive and numerical figures of state audits and cultural policy formation. In each of these diverse instances the mediatized voice has become a site for overlapping and at times discordant forms of political, expressive, and institutional creativity.

This book calls for a re-imagining of Australia by revisiting the history of its relations with its Indigenous inhabitants and Asian neighbours in remote parts of Northern and Western Australia during pre-Federation times. We have compiled stories told by Australian Indigenous descendants of Filipino pearl divers in the nineteenth century that, several generations later, reveal the descendants' more nuanced and diverse approaches to identity taking. Their stories dating from a period of global migration and trade were underpinned by intersections of colonial cultural assertion, foreign missionary endeavours, and early infrastructure economic development before British Australia and Spanish Philippines became independent nations. Their forebears, then collectively called Manilamen during the pearling industry boom in the 1880s, faced challenges to obtaining equal rights with British subjects and securing stable employment and settlement so that some, even after living in the country for decades with their Indigenous families, were disenfranchised and treated as 'aliens'. Indigenous and Asian people experienced the effects of laws that reinforced hierarchies based on race. These laws were indicative of the state's effort to define and assert its sovereignty in times that marked Australia's emergence into nationhood, gradually incorporating people entering the country from diverse cultural backgrounds. The stories of Manilamen descendants demonstrate a more intimate connection between Indigenous Australians and Asians than is presently recognised.

This book is a collection of key legal decisions affecting Indigenous Australians, which have been re-imagined so as to be inclusive of Indigenous people’s stories, historical experience, perspectives and worldviews. In this groundbreaking work, Indigenous and non-Indigenous scholars have collaborated to rewrite 16 key decisions. Spanning from 1889 to 2017, the judgments reflect the trajectory of Indigenous people’s engagements with Australian law. The collection includes decisions that laid the foundation for the wrongful application of terra nullius and the long disavowal of native title. Contributors have also challenged narrow judicial interpretations of native title, which have denied recognition to Indigenous people who suffered the prolonged impacts of dispossession. Exciting new voices have reclaimed Australian law to deliver justice to the Stolen Generations and to families who have experienced institutional and police racism. Contributors have shown how judicial officers can use their power to challenge systemic racism and tell the stories of Indigenous people who have been dehumanised by the criminal justice system. The new judgments are characterised by intersectional perspectives which draw on postcolonial, critical race and whiteness theories. Several scholars have chosen to operate within the parameters of legal doctrine. Some have imagined new truth-telling forums, highlighting the strength and creative resistance of Indigenous people to oppression and exclusion. Others have rejected the possibility that the legal system, which has been integral to settler-colonialism, can ever deliver meaningful justice to Indigenous people.

The second edition of Our Voices is a ground-breaking collection of writings from Aboriginal social work educators who have collaborated to develop a toolkit of appropriate behaviours, interactions, networks, and intervention. The text explores a range of current and emerging social work practice issues such as cultural supervision, working with communities, understanding trauma, collaboration and relationship building, and the ubiquity of whiteness in Australian social work. It covers these issues with new and innovative approaches and provides valuable insights into how social work practice can be developed, taught and practiced in ways that more effectively engage Indigenous communities.