In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people—hundreds altogether—participated in special “handling sessions,” in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum’s institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage.

A how-to guide for researching your ancestors, discovering your ancestral towns, and planning a meaningful trip to explore your ancestral homeland.

Stories in this book should make it easier to virtually travel back in time to a past where we can imagine what emotions were experienced by our ancestors during some of their life events. These stories provide a small window into some of those experiences that formed who they were to a small degree. They acted as we would have acted under similar circumstances but by a different set of values that defined their "time", not ours. Maybe when reading some of these stories, it might remind you of a family member that you know. For example at my age when I look into a mirror I see my father. I'm sure I have inherited many of his characteristics since he was my first and most important teacher/mentor. My ancestors, who are the subjects of these stories, discovered, as we have, that the world of our youth expands quickly as we mature and leave the nest.

Pursued through poetic pastures of faith, love, and time by an Omuhimba muse who alternately challenges and enchants him, D. Stevenson presents Ancestors and Other Visitors, a poetry anthology that is as sweepingly existential as it is personal and as sagely simple as it is complex. An immigrant, artist and spoken wordsmith observing the world through a traveler soul, Stevenson journeys through time and literary style to pay homage to influence such as e.e. cummings, W.B. Yeats and Robert Hayden in a wonderfully intimate selection of poems. Set primarily in Windhoek, Namibia, Stevenson’s home of 37 years, Ancestors is at once a musing on self, surroundings and the local artists who inflame his imagination: a young Namibian painter, a dance troupe that inspired ‘Arc magnificent’ and ‘Unseen’, with original ballet, and the assorted upcoming poets who fees his passion and whose stage he shares. Offering up exposition as well as desperate, imagined and curious conversations. Ancestors is a welcome and unprecedented addition to the Namibian poetry landscape.

Our Indigenous Ancestors complicates the history of the erasure of native cultures and the perceived domination of white, European heritage in Argentina through a study of anthropology museums in the late nineteenth and early twentieth centuries. Carolyne Larson demonstrates how scientists, collectors, the press, and the public engaged with Argentina’s native American artifacts and remains (and sometimes living peoples) in the process of constructing an “authentic” national heritage. She explores the founding and functioning of three museums in Argentina, as well as the origins and consolidation of Argentine archaeology and the professional lives of a handful of dynamic curators and archaeologists, using these institutions and individuals as a window onto nation building, modernization, urban-rural tensions, and problems of race and ethnicity in turn-of-the-century Argentina. Museums and archaeology, she argues, allowed Argentine elites to build a modern national identity distinct from the country’s indigenous past, even as it rested on a celebrated, extinct version of that past. As Larson shows, contrary to widespread belief, elements of Argentina’s native American past were reshaped and integrated into the construction of Argentine national identity as white and European at the turn of the century. Our Indigenous Ancestors provides a unique look at the folklore movement, nation building, science, institutional change, and the divide between elite, scientific, and popular culture in Argentina and the Americas at a time of rapid, sweeping changes in Latin American culture and society.

People involve their ancestors in every aspect of culture. Individuals and societies worldwide and throughout history have incorporated ancestors into rituals public and private, religious and secular. Societies often organize their aristocracies, tribes, and other kinship groups around ancestral constructions which are defined through laws and customs governing marriage, naming, guardianship, inheritance, and other social practices. Medical professionals consider ancestral information important to a patient’s diagnosis and to the study of disease; many psychiatrists consider one’s relationship to ancestors important in understanding the mental and emotional disposition of subjects. Ancestry and perceptions of ancestry frequently function as a determinant of personal, ethnic, racial, and national identity. For all its larger philosophical, medical, psychological, and religious implications, one fascinating aspect of ancestry is how passionately many people hold to ‘their own’ ancestry, and to their own perceptions of the same. In Ancestors, David Hertzel offers an introductory foray into the nature of relationships people today have with their ancestors, and explores the significance of ancestry and ancestral belief in our modern world. Guided by two questions—“who are your ancestors?” and “what is your relationship to your ancestors?”—Hertzel interviewed thirty-five elders and people of prominence within particular social or intellectual communities. Interviewees were accomplished in an area related to ancestry, its nature or its meaning, and included genealogists, geneticists, tribal chiefs and elders, researchers in some aspect of family or ancestry, family elders, and experienced practitioners or supervisors of particular ancestral rituals. Interviewees were selected from a variety of cultural backgrounds for purposes of contrast, comparison, and breadth—but they are not spokespeople and were not asked to ‘represent’ particular belief systems, doctrines, or Peoples. Rather, the interviewees describe their own personal experiences and beliefs involving ancestors. From these interviews, Hertzel identifies common themes to ancestral practices and beliefs, such as the way we sanctify our ancestors, how we create a living narrative of our ancestry, and how experiences like suffering and love are shared across generations and appear to transcend death. Excerpts from interviews serve as examples throughout his narrative exploration of the concept of ancestry; a selection of full interviews are embedded throughout the text and offer glimpses into the diversity of ways that people think about who they are and where they come from.

This fully revised second edition of Rosemary Wenzerul's lively and informative guide to researching Jewish history will be absorbing reading for anyone who wants to find out about the life of a Jewish ancestor. In a clear and accessible way she takes readers through the entire process of research. She provides a brief social history of the Jewish presence in Britain and looks at practical issues of research – how to get started, how to organize the work, how to construct a family tree and how to use the information obtained to tell the story of a family. In addition she describes, in practical detail, the many sources that researchers can go to for information on their ancestors, their families and Jewish history.