The first six books of David Hadbawnik's astonishing modern translation of the Aeneid appeared from Shearsman Books in 2015. He now brings the whole project to a spectacular conclusion in a volume accompanied by Omar Al-Nakib's dramatic abstract illustrations. "Few narrative poems have possessed the Western imagination like Virgil's twelve-book epic written during Augustus's triumphant consolidation of the Roman Empire. [...] This new volume goes a long way toward moving the narrative into the hands of contemporary readers, drawing out a playful understanding of the ancient story while exhibiting modern preferences for poetic interaction and inquiry into the history and terms of poetic form and translation. Hadbawnik shows the fun to be had in language's etymological resonance, and he delights in scenes of dramatic fulfillment and failure. His translation distills the essence of the narrative by directing a reader's perception of the tale. [...] The turbulent energy Hadbawnik frames in the Aeneid is reinforced by Omar Al-Nakib's illustrations. The images are extraordinarily active, shimmering. Figurative abstractions in black and red ink commit visual renderings that merge a new language with the text. A kind of haptic interplay takes place in textures of visual and auditory modes that interact in the experience of reading. The interplay between the text and images vividly enhance the poem's movements. Readers enter it anew as a work of contemporary art and not as a furzy excavation or dour education in classical writing. It is instead a vivid opportunity to confront our own pleasure for words and images violently imagined in the ancient corpus." -from Dale Martin Smith's Introduction, 'The Warrior Agōn'.

This is the second volume of R. Deryck Williams' classic edition of the Aeneid, covering books VII and XII. It includes the Latin text, with English introduction, an extensive commentary and notes by this renowned Virgilian scholar. Designed for upper school and university students, the commentary interprets the poetic methods and intentions of the Aeneid, and explains not only what Virgil says, but how he says it and why he says it in the particular way which he chooses. The outstanding and long-lived ‘red Macmillan' series of editions survived on the basis of T. E. Page's perceptive and exemplary editions of Virgil, dating from the closing decade of the nineteenth century. In the early 1970s, replacement editions were prepared by the outstanding Virgilian scholar R.D. Williams, to take account of more modern approaches to Virgil and of the needs of new generations of upper school and university students. The scale of the edition required brevity and immediate relevance to the text but Williams achieved his aim of being ‘concise rather than omissive' and his notes remain an example of clarity and good sense for any student approaching the second half of the Aeneid in whole or in part.