Modern historiography embraces the notion that time is irreversible, implying that the past should be imagined as something ‘absent’ or ‘distant.’ Victims of historical injustice, however, in contrast, often claim that the past got ‘stuck’ in the present and that it retains a haunting presence. History, Memory, and State-Sponsored Violence is centered around the provocative thesis that the way one deals with historical injustice and the ethics of history is strongly dependent on the way one conceives of historical time; that the concept of time traditionally used by historians is structurally more compatible with the perpetrators’ than the victims’ point of view. Demonstrating that the claim of victims about the continuing presence of the past should be taken seriously, instead of being treated as merely metaphorical, Berber Bevernage argues that a genuine understanding of the ‘irrevocable’ past demands a radical break with modern historical discourse and the concept of time. By embedding a profound philosophical reflection on the themes of historical time and historical discourse in a concrete series of case studies, this project transcends the traditional divide between ‘empirical’ historiography on the one hand and the so called ‘theoretical’ approaches to history on the other. It also breaks with the conventional ‘analytical’ philosophy of history that has been dominant during the last decades, raising a series of long-neglected ‘big questions’ about the historical condition – questions about historical time, the unity of history, and the ontological status of present and past –programmatically pleading for a new historical ethics.

Explores the relation between histories of violence and their contemporary commemoration.

"Violence has powerfully shaped the history and memory of the past in Matabeleland, from the wars of colonial conquest in the 1890s to the devastating post-colonial violence of the 1980s. The story told in this book concerns the remote, forested wilderness of the Shangani Reserve. It is the story of the settlement of a disease-ridden frontier and its transformation, first into the rural heartland of a nationalist movement, and later into a refuge for post-liberation 'dissidents'." "Silence has surrounded the history of this region of Zimbabwe, and this silence has produced a profound sense of exclusion from national memory. This book helps to break that silence and redress the imbalances of national history."--Back cover.

Scholars from a variety of disciplines explore the intersections of violence, memory, and sacred space

This collection of consistently interesting articles contributes to the very boom in studies of memory towards which the editors ambiguously claim some skepticism. JRAI [This volume] is an important anthropological contribution to this expanding field [of memories of past violence]...The ethnographic diversity of the chapters allows for cross-cultural comparison and, as the editors themselves underscore, for different methodological and analytical approaches. Social Anthropology/Anthropologie sociale This collection of essays marks out fertile ground for anthropological investigations of memories of violence and trauma...the fine-grained analyses [ the wide ranging case studies contain] give the lie to any simplistic, ethnocentric and yet unversalising, explanations...it throws a stunning critical spotlight upon many contemporary 'Western' therapeutic approaches that insist upon the 'talking cure'...It makes a valuable contribution to the anthropology of time, memory and violence and is suitable for advanced undergraduate and postgraduate courses. Anthroplogical Notebooks This is a rich and stimulating collection...Taken together [these chapters] provide an excellent antidote to simplistic medical or psychological approaches to the long-term effects of violence on victims and their families. Paul Antze, York University, Toronto [A] timely and important collection that brings together a number of current literatures in anthropology and memory studies...The volume enriches and complicates the study of memory, while making at the same time a strong case for the distinctiveness of anthropology's potential to contribute to such an enterprise. Stuart McLean, University of Minnesota Psychologists have done a great deal of research on the effects of trauma on the individual, revealing the paradox that violent experiences are often secreted away beyond easy accessibility, becoming impossible to verbalize explicitly. However, comparatively little research has been done on the transgenerational effects of trauma and the means by which experiences are transmitted from person to person across time to become intrinsic parts of the social fabric. With eight contributions covering Africa, Central and South America, China, Europe, and the Middle East, this volume sheds new light on the role of memory in constructing popular histories - or historiographies - of violence in the absence of, or in contradistinction to, authoritative written histories. It brings new ethnographic data to light and presents a truly cross-cultural range of case studies that will greatly enhance the discussion of memory and violence across disciplines. Nicolas Argenti is a senior lecturer in social anthropology at Brunel University. He has conducted research in North West Cameroon and Southern Sri Lanka on youth, political violence, and embodied memory. His monograph, The Intestines of the State: Youth, Violence and Belated Histories in the Cameroon Grassfields, was published in 2007. Katharina Schramm is a senior lecturer in social anthropology at the Martin-Luther-University of Halle-Wittenberg. She has previously worked on the commemoration of the slave trade and cultural politics in Ghana. Her published works include African Homecoming: Panafricanism and the Politics of Heritage (2010) and Identity Politics and the New Genetics: Re/creating Categories of Difference and Belonging (201

Remembering Mass Violence breaks new ground in oral history, new media, and performance studies by exploring what is at stake when we attempt to represent war, genocide, and other violations of human rights in a variety of creative works. A model of community-university collaboration, it includes contributions from scholars in a wide range of disciplines, survivors of mass violence, and performers and artists who have created works based on these events. This anthology is global in focus, with essays on Africa, Asia, Europe, Latin America, and North America. At its core is a productive tension between public and private memory, a dialogue between autobiography and biography, and between individual experience and societal transformation. Remembering Mass Violence will appeal to oral historians, digital practitioners and performance-based artists around the world, as well researchers and activists involved in human rights research, migration studies, and genocide studies.

This book examines the struggles that unfolded in Latin America over the memory of the pasts of political violence experienced by the countries of the continent in the second half of the twentieth century: Argentina, Brazil, Chile, Colombia, the United States, Guatemala, El Salvador, Mexico, Paraguay, Peru, and Uruguay.