Set in post-Cold War Prague during the 1990s, chronicles the lives and fortunes of an array of characters, including a self-appointed rabbi who runs a synagogue for non-Jews and a would-be socialist trying to rouse the oppressed masses.

The ten stories in The View from Stalin’s Head unfold in the post–Cold War Prague of the 1990s—a magnet not only for artists and writers but also for American tourists and college grad deadbeats, a city with a glorious yet sometimes shameful history, its citizens both resentful of and nostalgic for their Communist past. Against this backdrop, Aaron Hamburger conjures an arresting array of characters: a self-appointed rabbi who runs a synagogue for non-Jews; an artist, once branded as a criminal by the Communist regime, who hires a teenage boy to boss him around; a fiery would-be socialist trying to rouse the oppressed masses while feeling the tug of her comfortable Stateside upbringing. European and American, Jewish and gentile, straight and gay, the people in these stories are forced to confront themselves when the ethnic, religious, political, and sexual labels they used to rely on prove surprisingly less stable than they’d imagined. As Christopher Isherwood did in his Berlin Stories, Aaron Hamburger offers a humane and subtly etched portrait of a time and place, of people wrestling with questions of love, faith, and identity. The View from Stalin’s Head is a remarkable debut, and the beginning of a remarkable career.

This debut collection features ten lucid, haunting, and darkly comic stories about Americans and Europeans in post-Cold War Prague.

An acclaimed short-story writer has created a miraculous first novel about an American family on the verge of a breakdown–and an epiphany. In the summer of 2000, Israel teeters between total war and total peace. Similarly on edge, Helen Michaelson, a respectable suburban housewife from Michigan, has brought her ailing husband and rebellious college-age son, Jeremy, to Jerusalem. She hopes the journey will inspire Jeremy to reconnect with his faith and find meaning in his life . . . or at least get rid of his nose ring. It’s not that Helen is concerned about Jeremy’s sexual orientation (after all, her other son is gay as well). It’s merely the matter of the overdose (“Just like Liza!” Jeremy had told her), the green hair, and what looks like a safety pin stuck through his face. After therapy, unconditional love, and tough love . . . why not try Israel? Yet in seductive and dangerous surroundings, with the rumbling of violence and change in the air, in a part of the world where “there are no modern times,” mother and son become new, old, and surprising versions of themselves. Funny, erotic, searingly insightful, and profoundly moving, Faith for Beginners is a stunning debut novel from a vibrant new voice in fiction.

A Newbery Honor Book. Sasha Zaichik has known the laws of the Soviet Young Pioneers since the age of six: The Young Pioneer is devoted to Comrade Stalin, the Communist Party, and Communism. A Young Pioneer is a reliable comrade and always acts according to conscience. A Young Pioneer has a right to criticize shortcomings. But now that it is finally time to join the Young Pioneers, the day Sasha has awaited for so long, everything seems to go awry. He breaks a classmate's glasses with a snowball. He accidentally damages a bust of Stalin in the school hallway. And worst of all, his father, the best Communist he knows, was arrested just last night. This moving story of a ten-year-old boy's world shattering is masterful in its simplicity, powerful in its message, and heartbreaking in its plausibility. One of Horn Book's Best Fiction Books of 2011

A primary source examination of the infiltration of Stalin's Soviet intelligence network by members of the American government during World War II reveals the dictator's dubious partnerships with such top-level figures as Vice President Henry Wallace andchief advisor Harry Hopkins.

When his ex-husband is accused of sexual harassment in the #metoo era, history professor Ari Silverman is forced to confront long-buried trauma from his childhood, where he and his high school crush bonded over the raw emotion of Kurt Cobain's lyrics in the segregated suburbs of 1990s Detroit.