Shares photographs and details of the author's experiences in space.

The view from above, or the 'bird's-eye' view, has become so ingrained in contemporary visual culture that it is now hard to imagine our world without it. It has risen to pre-eminence as a way of seeing, but important questions about its effects and meanings remain unexplored. More powerfully than any other visual modality, this image of 'everywhere' supports our idea of a world-view, yet it is one that continues to be transformed as technologies are invented and refined. This innovative volume, edited by Mark Dorrian and Frederic Pousin, offers an unprecedented range of discussions on the aerial view, covering topics from sixteenth-century Roman maps to the Luftwaffe's aerial survey of Warsaw to Google Earth. Underpinned by a cross-disciplinary approach that draws together diverse and previously isolated material, this volume examines the politics and poetics of the aerial view in relation to architecture, art, film, literature, photography and urbanism and explores its role in areas such as aesthetics and epistemology. Structured through a series of detailed case studies, this book builds into a cultural history of the aerial imagination.

Wilt Chamberlain--a man who was as uncompromising on the basketball court as he was in his life. Here, in his own words, are the outspoken opinions that made Wilt Chamberlain one of the most controversial sports icons in the world, such as his admission to bedding 20,000 women while supporting monogamy in marriage...why blacks dominate pro basketball...his initial doubts about Magic Johnson and how they were overcome...and why he made his #1 enemy on the court his #1 pick on his all-time all-star team. He was a legend in his own lifetime, a subject of controversy both on and off the court, and will go down in history as one of the greatest ever to play the game of basketball. This is his story. Book jacket.

These extraordinary views and analyses of historic battles use modern satellite images alongside specially commissioned maps. World War II from Above pairs modern satellite photographs with expertly illustrated historical battle maps. These captivating images bring the war vividly and dramatically to life by showing the actual landscapes where battles took place alongside annotations depicting troop movements, heroic last stands, and other notable events. Here you will find all the key milestones of World War II: the invasion of France, Germany’s first blitzkrieg offensives, the Battle of El Alamein, the invasion of Sicily, the Battle of the Bulge, Iwo Jima, the D-Day landings, and the final push to Berlin, along with a host of other strategic and battle maps from every geographical location.

A collection of aerial photographs of landforms, people, and buildings, each of which is accompanied by a brief paragraph outlining the history, social influences, or geographical information relating to the picture.

The role of aerial photography in the evolution of the concept of social space”and its impact on French urban planning in the mid-twentieth century. In mid-twentieth century France, the term “social space” (l'espace social)—the idea that spatial form and social life are inextricably linked—emerged in a variety of social science disciplines. Taken up by the French New Left, it also came to inform the practice of urban planning. In The View from Above, Jeanne Haffner traces the evolution of the science of social space from the interwar period to the 1970s, illuminating in particular the role of aerial photography in this new way of conceptualizing socio-spatial relations. As early as the 1930s, the view from above served for Marcel Griaule and other anthropologists as a means of connecting the social and the spatial. Just a few decades later, the Marxist urban sociologist Henri Lefebvre called the perspective enabled by aerial photography—a technique closely associated with the French colonial state and military—“the space of state control.” Lefebvre and others nevertheless used the notion of social space to recast the problem of massive modernist housing projects (grands ensembles) to encompass the modern suburb (banlieue) itself—a critique that has contemporary resonance in light of the banlieue riots of 2005 and 2007. Haffner shows how such “views” permitted new ways of conceptualizing the old problem of housing to emerge. She also points to broader issues, including the influence of the colonies on the metropole, the application of sociological expertise to the study of the built environment, and the development of a spatially oriented critique of capitalism.