In Victorian England there was interest in understanding the early Church as an inspiration for contemporary sanctity. This was manifested in a surge in archaeological inquiry and in the construction of new churches using medieval models. Janes seeks to understand the fierce passions that were unleashed by the contended practices.

In early Victorian England there was intense interest in understanding the early Church as an inspiration for contemporary sanctity. This was manifested in a surge in archaeological inquiry and also in the construction of new churches using medieval models. Some Anglicans began to use a much more complicated form of ritual involving vestments, candles, and incense. This "Anglo-Catholic" movement was vehemently opposed by evangelicals and dissenters, who saw this as the vanguard of full-blown "popery." The disputed buildings, objects, and art works were regarded by one side as idolatrous and by the other as sacred and beautiful expressions of devotion. Dominic Janes seeks to understand the fierce passions that were unleashed by the contended practices and artifacts - passions that found expression in litigation, in rowdy demonstrations, and even in physical violence. During this period, Janes observes, the wider culture was preoccupied with the idea of pollution caused by improper sexuality. The Anglo-Catholics had formulated a spiritual ethic that linked goodness and beauty. Their opponents saw this visual worship as dangerously sensual. In effect, this sacred material culture was seen as a sexual fetish. The origins of this understanding, Janes shows, lay in radical circles, often in the context of the production of anti-Catholic pornography which titillated with the contemplation of images of licentious priests, nuns, and monks.

Miriam Elizabeth Burstein studies the Protestant Reformation as it is represented and continually rewritten in 19th-century and Victorian fiction.

Too often, the Reformers and their doctrines have been caricatured, misrepresented or misappropriated in the service of agendas they would never have recognized, let alone endorsed. Happily, there has been a great deal of fine scholarship in recent years that has exploded some of these myths, but it has not always been accessible to non-specialists. The intention of Celebrating the Reformation is that Christians today will find new cause to rejoice in what God did in the sixteenth century through weak and fallible men and women. These people sought, in their own context, to submit themselves to the word of God and lead his people in a godly and faithful response to the gospel of grace. Three sections deal with the chief Reformers, key doctrines and the Reformation in retrospect. Each contribution seeks to connect its subject to the present, making clear its relevance for today. The Reformation is not a dead movement but a living legacy that can still capture the imagination and encourage men and women in their own Christian discipleship. The contributors are Andrew Bain, Colin R. Bale, Rhys S. Bezzant, Gerald Bray, Martin Foord, David A. Höhne, Chase Kuhn, Andrew Leslie, Edward Loane, John McClean, Joe Mock, Michael J. Ovey, Tim Patrick, Mark D. Thompson, Stephen Tong, Jane Tooher and Dean Zweck.

This book charts the writing of the English constitution through the work of four of the most influential jurists in the history of English constitutional thought—Edmund Burke, Thomas Babington Macaulay, Walter Bagehot and Albert Venn Dicey. Stretching from the French Revolution to the death of Queen Victoria, their writing is both representative of and formative to the Victorian constitution. Ian Ward traces how constitutional writing changed over the course of the long nineteenth century, from the poetics of Burke and the romance of Macaulay, to the pragmatism of Bagehot and the jurisprudence of Dicey. A century on, our perception of the English constitution is still shaped by this contested history.

In a church rocked by controversies over vernacular Scripture, iconoclasm, and the power of clergy, men and women arose in protest. Today we call this protest movement the Protestant Reformation. At its heart, the Reformation was a great revival of the church centered on the recovery of biblical truth and the gospel of free grace. This movement continues to instruct and inspire believers even into the present day. Reformation 500 celebrates the Reformation and probes the ways it has shaped our world for the better. With essays from an array of disciplines, this book explores the impact of the Reformation across a wide range of human experience. Literature, education, visual art, culture, politics, music, theology, church life, and Baptist history all provide prisms through which the Reformation legacy is viewed. From Augustine to Zwingli, historical figures like Luther, Calvin, Barth, Bonhoeffer, Rembrandt, Bach, Bunyan, and Wycliffe all find their way into this amazing 500-year story. From Anglicans to Baptists, scientists to poets, Reformation 500 weaves these many historical threads into a modern-day tapestry.

Assembled from a series of newspaper articles first published in the newspaper *Morning Chronicle* throughout the 1840s, this exhaustively researched, richly detailed survey of the teeming street denizens of London is a work both of groundbreaking sociology and salacious voyeurism. In an 1850 review of the survey, just prior to its initial book publication, William Makepeace Thackeray called it "tale of terror and wonder" offering "a picture of human life so wonderful, so awful, so piteous and pathetic, so exciting and terrible, that readers of romances own they never read anything like to it." Delving into the world of the London "street-folk"-the buyers and sellers of goods, performers, artisans, laborers and others-this extraordinary work inspired the socially conscious fiction of Charles Dickens in the 19th century as well as the urban fantasy of Neil Gaiman in the late 20th. Volume I explores the lives of: the "wandering tribes" costermongers sellers of fish, fruits and vegetables sellers of books and stationery sellers of manufactured goods women and children on the streets and more. English journalist HENRY MAYHEW (1812-1887) was a founder and editor of the satirical magazine *Punch.*