"A Girl of the Klondike" through Victoria Cross is a gripping tale set amidst the rugged landscapes of the Klondike Gold Rush generation. The tale follows the adventure of Nance Olden, a brave and determined younger female who embarks on an adventure to are in search of for her fortune within the unforgiving desolate tract of the Klondike. As Nance navigates the treacherous trails and confronts the cruel realities of life inside the goldfields, she faces severa traumatic situations and barriers. From braving the harsh weather to outsmarting ruthless declare jumpers, Nance proves herself to be imaginative and resilient within the face of adversity. Along the manner, Nance encounters a numerous solid of characters, together with fellow prospectors, opportunistic investors, and hardened criminals. Despite the risks and hardships, she encounters, Nance stays steadfast in her pursuit of achievement and independence. As the story unfolds, Nance's adventure turns into not fine a quest for gold but moreover an adventure of self-discovery and private boom. Through her trials and triumphs, Nance learns precious commands about courage, perseverance, and the proper which means of friendship.

Victoria Cross wrote a novel titled "Five Nights: A Novel," which was released in 1908. The protagonist of the tale is Lady Ursula, a woman compelled to stay in a haunted house for five nights in order to inherit her uncle's wealth. The spirit of a woman who passed away years ago is supposed to haunt and curse the house. Mr. Grey, a barrister and friend of Lady Ursula's, is skeptical about the otherworldly allegations. Lady Ursula starts to have weird and scary experiences as the evenings go by, which makes her doubt her sanity. Mr. Grey attempts to explain the happenings, but he soon comes to the conclusion that there might be a darker motive at work. This rare antiquarian book is a facsimile replica of the ancient original and can include some marks and annotations from libraries. We have made this work available as part of our dedication to safeguarding, preserving, and promoting the world's literature in reasonably priced, excellent, contemporary editions that are faithful to their original work because we think it is significant to culture.

In the past, while visiting the First World War battlefields, the author often wondered where the various Victoria Cross actions took place. He resolved to find out. In 1988, in the midst of his army career, research for this book commenced and over the years numerous sources have been consulted. Victoria Crosses on the Western Front: Battles of the Hindenburg Line - Havrincourt and Epehy is designed for the battlefield visitor as much as the armchair reader. A thorough account of each VC action is set within the wider strategic and tactical context. Detailed sketch maps show the area today, together with the battle-lines and movements of the combatants. It will allow visitors to stand upon the spot, or very close to, where each VC was won. Photographs of the battle sites richly illustrate the accounts. There is also a comprehensive biography for each recipient, covering every aspect of their lives warts and all: parents and siblings, education, civilian employment, military career, wife and children, death and burial/commemoration. A host of other information, much of it published for the first time, reveals some fascinating characters, with numerous links to many famous people and events.

Scholars of the middlebrow have demonstrated that the preferences and choices of both women writers and women readers have suffered considerably from the dismissive attitude of earlier critics. George Eliot’s famous attack on ‘Silly Novels by Lady Novelists’ set the tone for the long tradition of gendered disputes over the literary merit of works of fiction – a controversy which eventually coalesced with a class-based hegemony of taste in the so-called Battle of the Brows. The new research presented in this volume demonstrates that this gendered inflection of the critical debate is not only one-sided but tends to obfuscate the significance the middlebrow literary spectrum had for the wider dissemination of new concepts of gender. By exploring the scope of middlebrow media culture between 1890 and 1945, from household magazines to popular novels, the essays in this volume give evidence of the relative proximity that existed between middlebrow writers and the avant-garde in their concern for gender issues. Contributors: Nicola Bishop, Elke D’hoker, Petra Dierkes-Thrun, Stephanie Eggermont, Christoph Ehland, Wendy Gan, Emma Grundy Haigh, Kate Macdonald, Louise McDonald, Tara MacDonald, Isobel Maddison, Ann Rea, Cornelia Wächter, Alice Wood