The first definitive monograph of graphic designer Vaughan Oliver, one of the most consistently innovative & significant graphic designers to have emerged in the last 15 years.

Vaughan Oliver is one of the most powerful and explosive graphic designers of his time. This Rimy River is a catalog of an exhibition held at the Pacific Design Center in Los Angeles in 1994. Long out of print, it has been sought after by designers and collectors who have followed the work of V23. Most admired for his collaborative energy and imagination, Oliver set the stage for a graphic revolution in the eighties and nineties. His impact was left on the post-punk music industry and influenced a generation of designers exploring the possibilities of type and print. The book is produced in very high caliber, the process of production being an important element of the design. Those who have worked with Vaughan Oliver and V23 as collaborators or clients describe their recollections of the V23 design experience in probing commentary alongside the works shown.

The first official account of the iconic record label.

The first major monograph on the legendary American typographer and graphic designer Herb Lubalin.

This book explores influential designers’ sketchbooks as a truer reflection of a designer’s thought processes, preoccupations, and problem-solving strategies than can be had by simply viewing finished projects. Highly personal and idiosyncratic, sketchbooks offer an arena for unstructured exploration, a space free from all budgetary and client constraints. Visually arresting objects in their own right, this book aims to elevate sketches from mere ephemera to important documents where the reader can glean valuable insight into the creative process, and apply it to their own practices. Featured designers include Ralph Caplan, Nigel Holmes, Chris Bigg, Eva Jiricna, Jason Munn, Gary Baseman, Marian Bantjes, and many others.

“Joy is not made to be a crumb,” writes Mary Oliver, and certainly joy abounds in her new book of poetry and prose poems. Swan, her twentieth volume, shows us that, though we may be “made out of the dust of stars,” we are of the world she captures here so vividly. Swan is Oliver’s tribute to “the mortal way” of desiring and living in the world, to which the poet is renowned for having always been “totally loyal.”