SHORTLISTED FOR HWA Crown Awards 2021 'A book to be treasured and returned to again and again' The Independent 'Funny, moving and utterly life-enhancing' Daily Mail With caustic wit and artful storytelling, Lissa Evans elegantly summons a time when the world could finally hope to emerge from the chaos of war. ___ It's late 1944. Hitler's rockets are slamming down on London with vicious regularity and it's the coldest winter in living memory. Allied victory is on its way, but it's bloody well dragging its feet. In a large house next to Hampstead Heath, Vee Sedge is just about scraping by, with a herd of lodgers to feed, and her young charge Noel ( almost fifteen ) to clothe and educate. When she witnesses a road accident and finds herself in court, the repercussions are both unexpectedly marvellous and potentially disastrous - disastrous because Vee is not actually the person she's pretending to be, and neither is Noel. The end of the war won't just mean peace, but discovery... ___ Readers love V For Victory: ***** 'The characters stay in the memory and heart.' ***** 'It's pitch perfect - funny, sad, moving, compelling' ***** 'Full of warmth, wit and wisdom, an absolute joy'

A noted historian examines the impact of culture and politics on the wartime attitudes and experiences of Americans and their expectations concerning the postwar world.

Tells of the Amerian efforts to provide equipment for World War II and tells of the situation in America at the time.

Describes life in the United States during World War II, discussing such activities as civil defense, the Japanese relocation, rationing, propaganda, and censorship.

Europe went to war in 1914 tot he sound of brass bands and cheering crowds; in every country, civilians and soldiers alike believed that the war would be won by Christmas time. By the time Christmas arrived, however, it became clear that this, indeed, would be a much longer war. In the months and years which followed, combatants perused the war with boundless intensity in order to emerge victorious. This was partially true of Germany where publicists pictured it as a life-and-death struggle for the survival of a nation surrounded by hostile enemies No nation involve din the conflict so completely mobilised its population, its resources, its energies into such a single-minded pursuit of the war. This unusual and incisive account chronicles Germany in World War 1 from the viewpoint of the solders who fought the battles and civilians who endured the ever increasing trauma of escalating casualties, widespread shortages, and declining conditions of living. It relates how Germany attempted to cope with a massive blockade, the scope of which had not been seen since the days of Napoleon, thus forcing German authorities to adopt a series of sometimes brutal measures, all of which rested on the underlying premise that victory, a clear-cut victory, could be the only acceptable option. Victory Must Be Ours explores the Germany which in 1914 took a prestigious leap into darkness. It explores the ingredients which make the Great War perhaps the single most fateful event in the Twentieth Century, setting in motion the most bloody conflict of all time, World War II.

"It seems strange now, looking back, that there was a time when the BBC - or an organisation paid for by the BBC - spoke to the people of Europe in this way. It seems even stranger that it gave them instructions in subversion and incited them to sabotage. There were parts of the establishment which never forgave this, and parts of the BBC too, but the legacy remains with us..." At the start of 1941, Britain stood alone and a great silence fell over occupied Europe. What were they thinking? Did they want to resist? Nobody knew - nor did they know how to build up the confidence of the occupied peoples so that, one day, they might want to fight back. The result was an extraordinary radio campaign, broadcast from London, and led by a man known to the world as 'Colonel Britton'. The V campaign caught the imagination of people around the world. It gave Churchill and de Gaulle their hand gestures. It inflamed what was already an almighty propaganda battle over the airwaves. But it was also furiously controversial in London, as rival government departments struggled to assert control over broadcasts to occupied Europe. This book tells the amazing story of how a radio campaign was able to shape resistance to the Nazis, and how and why - for a brief moment in time - Britain spoke fearlessly, passionately and positively to Europe.

Was World War II really the `Good War'? In the years since the declaration of peace in 1945 many myths have sprung up around the conflict in the victorious nations. In this book, Peter Hitchens deconstructs the many fables which have become associated with the narrative of the `Good War'. Whilst not criticising or doubting the need for war against Nazi Germany at some stage, Hitchens does query whether September 1939 was the right moment, or the independence of Poland the right issue. He points out that in the summer of 1939 Britain and France were wholly unprepared for a major European war and that this quickly became apparent in the conflict that ensued. He also rejects the retroactive claim that Britain went to war in 1939 to save the Jewish population of Europe. On the contrary, the beginning and intensification of war made it easier for Germany to begin the policy of mass murder in secret as well as closing most escape routes. In a provocative, but deeply-researched book, Hitchens questions the most common assumptions surrounding World War II, turning on its head the myth of Britain's role in a `Good War'.