Uprisings for the Earth delves into a new kinship with nature while acknowledging the treasures of urban life and the unique stake each person has in resolving critical and timely challenges. While avoiding doomsday scenarios, Lake offers a frank inquiry into a variety of causes leading to our current global peril while also providing a deep well of hope and profound insight. She weaves together history, ecology, culture, governance, women's leadership and the arts to map out an integrated approach to working in partnership with nature while creating a more just and sustainable future. Her wisdom, lyrical style, and thorough research frame chapters such as "Around the Fire: From Global Warming to a Renewed Hearth", "Anthem to Water", "Democracy Ancient and Modern" and "Honor the Women." Lake takes us along wild rivers as she explores water conservation and the mysteries of water science; sits us around a fire along with great minds of past and present to contemplate the climate crisis; and takes us to several continents where we navigate deeper into history of culture and land. Consider this book required reading for its inspiration, innovation and hope for the Earth and future generations.

Since 2013, the Middle East has experienced a double trend of chaos and civil war, on the one hand, and the return of authoritarianism, on the other. That convergence has eclipsed the political transitions that occurred in the countries whose regimes were toppled in 2011, as if they were merely footnotes to a narrative that naturally led from an "Arab Spring" to an "Arab Winter". This volume aims at rehabilitating those transitions, by considering them as expressions of a "revolutionary moment" whose outcome was never pre-determined, but depended on the choices of a large range of actors. It brings together leading scholars of Arab politics to adopt a comparative approach to a few crucial aspects of those transitions: constitutional debates, the question of transitional justice, the evolution of civil-military relations, and the role of specific actors, both domestic and international.

In recent and ongoing uprisings all around the world, from Santiago to Hong Kong, many of the protesters' aims have been consistent: justice, an end to political corruption, and a return to principles of collective good. Yet there are also specific and diverse struggles such as demands for direct democracy (as in France), the rejection of ethnic or sectarian identities (Iraq and Lebanon), and the fate of the planet itself. Uprisings provides one way to find a common thread in all this by examining the similarities and differences among a full range of rebellions in the past, from slave revolts in ancient Egypt to the fall of the Berlin Wall to the the women's revolution in Rojava, northern Syria. Whereas existing narratives of radical social change have debated the virtues and vices of individual heroes (Jesus, Mandela, Gandhi), Uprisings follows in the footsteps of Howard Zinn, viewing major events as the product of a confluence of efforts by multiple actors, usually from vastly different backgrounds that have tended to be marginalized, their perspectives written out of official history.

In July 1964, after a white police officer shot and killed an African American teenage boy, unrest broke out in Harlem and then Bedford-Stuyvesant. Protests rose up to call for an end to police brutality and the unequal treatment of Black people in a city that viewed itself as liberal. A week of upheaval ensued, including looting and property damage as well as widespread police violence, in what would be the first of the 1960s urban uprisings. Christopher Hayes examines the causes and consequences of the uprisings, from the city’s history of racial segregation in education, housing, and employment to the ways in which the police both neglected and exploited Black neighborhoods. While the national civil rights movement was securing substantial victories in the 1950s and 1960s, Black New Yorkers saw little or uneven progress. Faced with a lack of economic opportunities, pervasive discrimination, and worsening quality of life, they felt a growing sense of disenchantment with the promises of city leaders. Turning to the aftermath of the uprising, Hayes demonstrates that the city’s power structure continued its refusal to address structural racism. In the most direct local outcome, a broad, interracial coalition of activists called for civilian review of complaints against the police. The NYPD’s rank and file fought this demand bitterly, further inflaming racial tensions. The story of the uprisings and what happened next reveals the white backlash against civil rights in the north and crystallizes the limits of liberalism. Drawing on a range of archives, this book provides a vivid portrait of postwar New York City, a new perspective on the civil rights era, and a timely analysis of deeply entrenched racial inequalities.

Examining radical reinventions of traditional practices, ranging from a queer reclamation of the Jewish festival of Purim to an Indigenous remixing of musical traditions. Supposedly outmoded modes of doing and making—from music and religious rituals to crafting and cooking—are flourishing, both artistically and politically, in the digital age. In this book, Gabriel Levine examines collective projects that reclaim and reinvent tradition in contemporary North America, both within and beyond the frames of art. Levine argues that, in a time of political reaction and mass uprisings, the subversion of the traditional is galvanizing artists, activists, musicians, and people in everyday life. He shows that this takes place in strikingly different ways for Indigenous and non-Indigenous people in settler colonies. Paradoxically, experimenting with practices that have been abandoned or suppressed can offer powerful resources for creation and struggle in the present. Levine shows that, in projects that span “the discontinuum of tradition,” strange encounters take place across the lines of class, Indigeneity, race, and generations. These encounters spark alliance and appropriation, desire and misunderstanding, creative (mis)translation and radical revisionism. He describes the yearly Purim Extravaganza, which gathers queer, leftist, and Yiddishist New Yorkers in a profane reappropriation of the springtime Jewish festival; the Ottawa-based Indigenous DJ collective A Tribe Called Red, who combine traditional powwow drumming and singing with electronic dance music; and the revival of home fermentation practices—considering it from microbiological, philosophical, aesthetic, and political angles. Projects that take back the vernacular in this way, Levine argues, not only develop innovative forms of practice for a time of uprisings; they can also work toward collectively reclaiming, remaking, and repairing a damaged world.

"Thousands of representations of the gesture to say "NO," to shout "STOP," or to raise the banner "THEY SHALL NOT PASS" exist. They are known by women, men, and children, by workers, artists, and poets, by those who cry out and those who are silent, by those who weep, who mourn and those who make them. 'Uprisings' is a montage of these words, gestures, and actions, which defy submission to absolute power"--Page 8.

Syria has been at the center of world news since 2011, following the beginnings of a popular uprising in the country and its subsequent violent and murderous repression by the Assad regime. Eight years on, Joseph Daher analyzes the resilience of the regime and the failings of the uprising, while also taking a closer look at the counter revolutionary processes that have been undermining the uprising from without and within. Joseph Daher is the author of Hezbollah: The Political Economy of the Party of God, and founder of the blog Syria Freedom Forever.