“Intelligent and entertaining.” —Kirkus Reviews (starred review) “Even better than the first book.” —School Library Journal (starred review) Rowan and Citra take opposite stances on the morality of the Scythedom, putting them at odds, in the chilling sequel to the Printz Honor Book Scythe from New York Times bestseller Neal Shusterman, author of the Unwind dystology. Humans learn from their mistakes. I cannot. I make no mistakes. The Thunderhead is the perfect ruler of a perfect world, but it has no control over the scythedom. A year has passed since Rowan had gone off grid. Since then, he has become an urban legend, a vigilante snuffing out corrupt scythes in a trial by fire. His story is told in whispers across the continent. As Scythe Anastasia, Citra gleans with compassion and openly challenges the ideals of the “new order.” But when her life is threatened and her methods questioned, it becomes clear that not everyone is open to the change. Old foes and new enemies converge, and as corruption within the Scythedom spreads, Rowan and Citra begin to lose hope. Will the Thunderhead intervene? Or will it simply watch as this perfect world begins to unravel?

Putting the New Materialist figure of diffraction to use in a set of readings – in which cultural texts are materially read against their contents and their themes, against their readers or against other texts – this volume proposes a critical intervention into the practice of reading itself. In this book, reading and reading methodology are probed for their materiality and re-considered as being inevitably suspended between, or diffracted with, both matter and discourse. The history of literary and cultural reading, including poststructuralism and critical theory, is revisited in a new light and opened-up for a future in which the world and reading are no longer regarded as conveniently separate spheres, but recognized as deeply entangled and intertwined. Diffractive Reading ultimately represents a new reading of reading itself: firstly by critiquing the distanced perspective of critical paradigms such as translation and intertextuality, in which texts encountered, processed or otherwise subdued; secondly, showing how all literary and cultural readings represent different ‘agential cuts’ in the world-text-reader constellation, which is always both discursive and material; and thirdly, the volume materializes, dynamizes and politicizes the activity of reading by drawing attention to reading’s intervention in, and (co)creation of, the world in which we live.

A string of grisly murders in Pre-Civil War New York propels an unlikely pair of detectives into a deadly tinderbox in S. M. Goodwin's debut novel, a sure hit for fans of Will Thomas and C. S. Harris. Jasper Lightner is a decorated Crimean War hero and the most admired inspector in London's Metropolitan Police. Along with a chest full of medals, he's got a head injury that's left large chunks of his memory missing. But Jasper's biggest problem is his father, the Duke of Kersey, who, enraged by a series of front-page newspaper stories extolling Jasper's exploits, decides he's had enough of the embarrassment and uses his political connections to keep his son out of the headlines--and off the police force. Jasper is sent packing to New York City on a year-long assignment to train detectives, and discovers a police department hovering on the brink of armed conflict. Assigned to investigate the murder of philanthropist and reformer Stephen Finch, Jasper joins forces with a man who might be even more of an outsider than he is: Hieronymus Law, a detective who had investigated two almost identical killings--and who is rumored to have taken money to help frame an innocent woman for murder. Law is bent on restoring his good name. But can Jasper trust Hy enough to bring him into the investigation? As the city devolves into madness and law enforcement falls into the hands of dangerous gangs, this unlikely team has no choice but to work together to pursue an adversary more sinister than either has faced alone.