Strange things are afoot in the Buckeye State Across city and country, Ohio echoes with tales of creatures, ghosts, and other unexplained phenomena. A monster that appeared to be half man and half dog and wielding a 2-by-4 terrorized a small Northwest Ohio town during the summer of 1972. Over the years, visitors to a quiet Cincinnati suburb claim to have been accosted by a human-size, leathery frogman lurking near the riverbank. For generations, hikers and hunters have reported seeing Bigfoot throughout forests across Ohio, and some of the most notorious and well-documented UFO encounters on record have taken place here. Authors M. Kristina Smith and Kevin Moore parse urban legends from history as they explore the unnatural side of Ohio's heritage.

Strange things are afoot in the Buckeye State Across city and country, Ohio echoes with tales of creatures, ghosts, and other unexplained phenomena. A monster that appeared to be half man and half dog and wielding a 2-by-4 terrorized a small Northwest Ohio town during the summer of 1972. Over the years, visitors to a quiet Cincinnati suburb claim to have been accosted by a human-size, leathery frogman lurking near the riverbank. For generations, hikers and hunters have reported seeing Bigfoot throughout forests across Ohio, and some of the most notorious and well-documented UFO encounters on record have taken place here. Authors M. Kristina Smith and Kevin Moore parse urban legends from history as they explore the unnatural side of Ohio's heritage.

Turn on a night light, lock your door, and close the window blinds . . . Join investigative reporter James Renner as he looks into 13 tales of mysterious, creepy, and unexplained events in the Buckeye State, including: - The giant, spark-emitting Loveland Frog - The bloodthirsty Melon Heads of Kirtland - The lumber-wielding Werewolf of Defiance - The Mothman of the Ohio River - The UFO that inspired "Close Encounters of the Third Kind" - and more!

This anthology brings together essential essays on major facets of narrative dynamics, that is, the means by which "narratives traverse their often unlikely routes from beginning to end." It includes the most widely cited and discussed essays on narrative beginnings, temporality, plot and emplotment, sequence and progression, closure, and frames. The text is designed as a basic reader for graduate courses in narrative and critical theory across disciplines including literature, drama and theatre, and film. Narrative Dynamics includes such classic exponents as E. M. Forster on story and plot; Vladimir Propp on the structure of the folktale; R. S. Crane on plot; Boris Tomashevsky on story, plot, and, motif; M. M. Bakhtin on the chronotope; and Gerard Genette on narrative time. Richardson highlights essential feminist essays by Nancy K. Miller on plot and plausibility, Rachel Blau Duplessis on closure, and Susan Winnett on narrative and desire. These are complimented by newer pieces by Susan Stanford Friedman on spatialization and Robyn Warhol on serial fiction. Other major contributions include Edward Said on beginnings, Hayden White on historical narrative, Peter Brooks on plot, Paul Ricoeur on time, D. A. Miller on closure, James Phelan on progression, and Jacques Derrida on the frame. Recent essays from the perspective of cultural studies, postmodernism, and artificial intelligence bring this collection right up to the present.

Surveys many basic areas of narrative studies from an unnatural perspective: story, time, space, voice, minds, narrative levels, realism, nonfiction, hyperfiction, and narrative poetry.

Provides extensions and reconceptions of unnatural narratology, and intervenes in major debates in narratology, critical theory, and narrative analysis.