F-G Hourtoulle's excellent study in the Soldiers and Uniforms of the Napoleonic Wars. A colourful panorama of the most heroic facts and the most beautiful uniforms of the First Empire.

Here you will find most of the uniforms used during the Napoleonic Wars, between 1789 to1815.My goal was to gather a catalog that can serve as reference material for illustrators, writers, historians or for all those who, like me, are simply interested in World History.

For the first time in print a book identifies each regiment and illustrates the change in uniforms, the colour of the facings and the nature and shape of the lace for the officers, NCOs and private soldiers over the period of the Napoleonic War 1793-1815. In British Napoleonic Uniforms, Carl Franklin's lavishly illustrated third volume for The History Press, these changes to the uniforms of all the numbered regiments of cavalry and infantry are discussed in detail. It is illustrated with more than two hundred full-colour plates of the uniforms and every aspect of their regimental distinctions. The book is divided into four parts. Part One looks at the commonalities of the cavalry and considers uniforms appropriate to each regiment such as headwear, the evolution of the uniforms and horse furniture. Part Two considers the uniforms of the heavy and light cavalry regiments. It includes full-page colour illustrations of the Household Cavalry, the Heavy Cavalry (Dragoon Guards and Dragoons), and Light Cavalry (the Light Dragoons and Hussars). Part Three shows the commonalties of the infantry and considers the uniform appropriate to each regiment, such as those of the Drummers and Highland Regiments, as well as their tartans. Part Four discusses the uniforms and distinctions of the infantry, including the regiments of Foot Guards and Infantry of the Line (Fusiliers, Light Infantry, Riflemen and Highland Regiments). For this revised edition Carl Franklin has updated many of the artworks and provided a colour guide specifically for modellers.

Three talented French artists, Carle Vernet, Horace Vernet (son of Carle) and Eugène Lami, capitalised on the wave of nostalgia for the First Empire brought on by the death of Napoleon in 1821 by producing a series of prints of French military uniforms of the French revolutionary and imperial armies. These colourful lithographs, each accompanied by a text by an unidentified author describing the unit depicted, were published in book form in 1822 as Collection des Uniformes des Armées Françaises de 1791 à 1814 (Paris: Gide fils, 1822). The broad range of uniforms depicted includes many from infrequently-illustrated foreign and auxiliary units in the French army. The images also include unusual back and side views of uniforms. The images in this book are contemporary watercolor copies of the prints and are reproduced with permission from the Anne S. K. Brown Military Collection at Brown University in Providence, Rhode Island, USA, where they currently reside.

Napoleonic armies went into battle dressed in resplendent, brilliant uniforms. None were grander than those worn by Napoleon's own soldiers and the troops of imperial France dazzled Europe with their elegant and colorful turnout. In 1812 Napoleon was at the height of his powers and the uniform regulations issued in that year reflect the empire's power and prestige. Carle Vernet, a leading French military artist, was commissioned to paint the regulations so they could be published and circulated to military tailors. His paintings both reflect the brilliant elegance of the time and show the uniforms that were to be adopted in detail. Uniforms of Napoleon's Army has selected the best of Vernet's elegant images and covers the full range of French Army units: heavy cavalry, light cavalry, line infantry, light infantry, artillery, engineers and support troops. An Introduction charts the evolution of French military uniforms, examines the 1812 regulations in detail and places the images in context. Published for the first time in an accessible format, these brilliant images offer a unique insight into the art of the military tailor during the Napoleonic period.

The author of Battle for Paris 1815 examines the uniforms and equipment of the cavalry of Napoleon’s Imperial Guard. Few military formations have attracted more attention than Napoleon’s Imperial Guard, and fewer still have been so extravagantly clothed and accoutered with the finest materials and the brightest colors. On both campaign and parade, the Guard, and especially the cavalry regiments, provided a dazzling display of military grandeur. From the green and gold trappings of the Chasseurs à Cheval, to the multicolored Mamelukes, the Guard cavalry was among the most brilliantly dressed formations ever to grace the field of battle. In compiling this magnificent volume, the author has collected copies of almost all the surviving documents relating to the Guard, which includes a vast amount of material regarding the issuing of dress items, even in some instances down to company level. This information is supported by around 100 contemporary prints, many of which have never been published before, as well as images of original items of equipment held in museums and private collections across the globe. In addition, the renown military artist, Keith Rocco has produced a series of unique paintings commissioned exclusively for this book. This glorious book is, and will remain, unsurpassed as the standard work on the clothing and equipment of the cavalry of the Imperial Guard. It is sure to be treasured by reenactors, wargamers, and modelers, as well as historians and enthusiasts as one of the most important publications ever produced on this most famous of military formations.