This insightful book unfolds the boipara, exploring the acts of thinking and writing about space and place in the context of recent key conversations at the intersections of cultural geographies, mobilities, materialities and heritage studies. This book reconsiders how we can think about space, place and spatialisation using the book market as a case study. Focusing on everyday lived and imagined experiences within the space, it provides insights into the intricacies, complexities and mobilities involved in the many ways in which temporal, material, structural and sensorial experiences of spaces are inter-implicated. As expression and method, this work aims to be a writing of space (rather than a writing about space) produced through the interleafing of the author’s lived spatial experience of the boipara with the stories, experiences and memories of other regulars who have used and continue to use it, along with the non-human materialities and mobilities that characterise it. This book is essential reading for a wide international audience, particularly those interested in the evolving discussions on mobility, or writing about space and place, materiality, assemblage theory and heritage spaces in the South Asian context.

Early Career Teachers in Higher Education explores the experiences of Early Career Teachers (ECTs) through 13 personal teaching journeys from academics working across Africa, Asia, Australasia, Europe and South America. This edited volume contains the subjective narrative of each contributor's entry into academia, their pedagogic practice and the development of their multiple teaching identities. Their personal narratives and testimonies presented here will provide a valuable resource for ECTs and academics around the world as they begin teaching in higher education. In addition, this edited book highlights contemporary issues, such as precarity, casualisation, fragmentation of academic responsibilities and intersectionality, that shape contemporary ECT workloads.

Paris, Berlin, London, Singapore, New York, Chicago, Los Angeles -- these define "the city" in the world's consciousness. James Donald takes us on a psychic journey to these places that have inspired artists, writers, architects, and filmmakers for centuries. Considering the cultural and political implications of the "urban imaginary, " Donald explores the pleasures and challenges of modern living, contending that the imagined city remains the best lens for a future of democratic community. How can we think of Chicago without recalling the grittiness of The Asphalt Jungle's back alleys, or of London without the dank, foggy atmosphere so often evoked by Dickens? When de Certeau explores what it means to walk through a city, or Foucault dissects the elements of the modern attitude, what are they telling us about modernity itself? Through a discussion of these and many other questions about urban thought, Donald demonstrates how artists and social critics have seen the city as the locus not just of vanity, squalor, and injustice, but also of civilized society's highest aspirations. Imagining the modern City also looks at how artists have shaped cities through their creation of public spaces, sculpture, and architecture -- art forms that help determine our ideas about our place in the urban environment. Planners and architects such as Otto Wagner, Le Corbusier, and Bernard Tschumi present us with real and possible cities, showing a way forward to alternative social futures, Donald asserts. The modern city provides both a culturally resonant imagined space and a physical place for the everyday life of its residents. Imagining the Modern City is a rich and dazzling exploration of theways cities stir and shape our consciousness.

“Every practice is a mode of thought, already in the act. To dance: a thinking in movement. To paint: a thinking through color. To perceive in the everyday: a thinking of the world’s varied ways of affording itself.” —from Thought in the Act Combining philosophy and aesthetics, Thought in the Act is a unique exploration of creative practice as a form of thinking. Challenging the common opposition between the conceptual and the aesthetic, Erin Manning and Brian Massumi “think through” a wide range of creative practices in the process of their making, revealing how thinking and artfulness are intimately, creatively, and inseparably intertwined. They rediscover this intertwining at the heart of everyday perception and investigate its potential for new forms of activism at the crossroads of politics and art. Emerging from active collaborations, the book analyzes the experiential work of the architects and conceptual artists Arakawa and Gins, the improvisational choreographic techniques of William Forsythe, the recent painting practice of Bracha Ettinger, as well as autistic writers’ self-descriptions of their perceptual world and the experimental event making of the SenseLab collective. Drawing from the idiosyncratic vocabularies of each creative practice, and building on the vocabulary of process philosophy, the book reactivates rather than merely describes the artistic processes it examines. The result is a thinking-with and a writing-in-collaboration-with these processes and a demonstration of how philosophy co-composes with the act in the making. Thought in the Act enacts a collaborative mode of thinking in the act at the intersection of art, philosophy, and politics.

Drawing on six years of original research, this book explores what happens when the often contradictory motivations behind style and survival strategies are brought together in the second hand trade. What does second hand buying and selling tell us about the state of contemporary consumption?

This book develops a fresh and challenging perspective on the city. Drawing on a wide and diverse range of material and texts, it argues that too much contemporary urban theory is based on nostalgia for a humane, face-to-face and bounded city. Amin and Thrift maintain that the traditional divide between the city and the rest of the world has been perforated through urban encroachment, the thickening of the links between the two, and urbanization as a way of life. They outline an innovative sociology of the city that scatters urban life along a series of sites and circulations, reinstating previously suppressed areas of contemporary urban life: from the presence of non-human activity to the centrality of distant connections. The implications of this viewpoint are traced through a series of chapters on power, economy and democracy. This concise and accessible book will be of interest to students and scholars in sociology, geography, urban studies, cultural studies and politics. .

Investigates the art of reading by examining each aspect of reading, problems encountered, and tells how to combat them.