Two months before David Silverman’s 32nd birthday, he visited the Charles Schwab branch in the basement of the World Trade Center to wire his father’s life savings towards the purchase of the Clarinda Typesetting company in Clarinda, Iowa. Typo tells the true story of the Clarinda company’s last rise and fall — and with it one entrepreneur’s story of what it means to take on, run, and ultimately lose an entire life’s work. This book is an American dream run aground, told with humor despite moments of tragedy. The story reveals the impact of losing part of an entire industry and answers questions about how that impacts American business. The reader sees in Clarinda’s fate the potential peril faced by every company, and the lessons learned are applicable to anyone who wants to run his or her own business, succeed in a large corporation, and not be stranded by the reality of shifting markets, outsourcing, and, ultimately, capitalism itself.

Every day there is something happening in the world of typography and graphic design - the most inspiring, trendsetting and enduring stories, events and works have been collected here to guide the reader to the highlights: 52 for 52 weeks, written by more than 40 experts.

The signs of the times are missing apostrophes. The world needed a hero, but how would an editor with no off-switch answer the call? For Jeff Deck, the writing was literally on the wall: “NO TRESSPASSING.” In that moment, his greater purpose became clear. Dark hordes of typos had descended upon civilization… and only he could wield the marker to defeat them. Recruiting his friend Benjamin and other valiant companions, he created the Typo Eradication Advancement League (TEAL). Armed with markers, chalk, and correction fluid, they circumnavigated America, righting the glaring errors displayed in grocery stores, museums, malls, restaurants, mini-golf courses, beaches, and even a national park. Jeff and Benjamin championed the cause of clear communication, blogging about their adventures transforming horor into horror, it’s into its, and coconunut into coconut. But at the Grand Canyon, they took one correction too far: fixing the bad grammar in a fake Native American watchtower. The government charged them with defacing federal property and summoned them to court—with a typo-ridden complaint that claimed that they had violated “criminal statues.” Now the press turned these paragons of punctuation into “grammar vigilantes,” airing errors about their errant errand.. The radiant dream of TEAL would not fade, though. Beneath all those misspelled words and mislaid apostrophes, Jeff and Benjamin unearthed deeper dilemmas about education, race, history, and how we communicate. Ultimately their typo-hunting journey tells a larger story not just of proper punctuation but of the power of language and literacy—and the importance of always taking a second look.

A charming collection of typographical errors, slips of the pen, and embarrassing misprints, Just My Typo celebrates the awful and the sublime mistakes that riddle our feeble human attempts at communication. It's time to accept the truth: typos are everywhere. Legal documents are riddled with errors, headlines of respectable publications are rife with misspellings, and even your favorite books need a few reprints to get everything right. Isn't it time we learned to laugh at our mistakes instead of despairing? Just My Typo is an irresistible collection of the most humorous, mistakenly poignant, and downright awful typos in texts, from the Bible to insurance advertisements to political slogans. Within these pages, you’ll travel back in time with great figures from history, such as Sir Francis Drake (who circumcised the world in a small ship) and Rambo (the famous French poet). You’ll also find valuable moral instruction (“Blessed are the meek, for they shall irrigate the earth.”), and meet politicians who exploit disasters to boost their pubic profiles. Structured according to categories (such as, “To Be or To Be: Typos in Literature”), you’ll easily find either a quick laugh or a relaxing—and cringe-inducing—read. A few more of the gems within: · “The Queen pissed graciously over the Menai Bridge.” · “I am certain of one thing. Whatever may come between us—and wherever he may be on earth—Arthur will always remember that I love ham.” (The Parting, Millicent Hemming) · “Love is just a passing fanny.” Editors, proofreaders, and writers everywhere pull their hair out trying to eliminate mistakes, to no avail. Celebrating the humanity of our errors and the timelessness of mistakes, Just My Typo is essential reading for anyone who values the power and peril of the written word.

A Ride On the Wild Side The last place Catherine MacPherson ever expected to find herself was sitting on a Greyhound bus, handcuffed to a surly bounty hunter, with only a suitcase of her twin sister's flashy, shrink-wrap clothing to wear! Just two hours ago, the respectable schoolteacher was sitting quietly at home when this bi macho hunk crashed through her door, mistook her for her errant Miami showgirl sister, and hauled her off in his strong arms. And no matter how sexy he is, she's furious! Twins-ha! Sam McKade's the last person to ever fall for that line. He's finally got the gorgeous, leggy redhead just where he wants her-and no matter what outrageous tricks she pulls, he's not letting her get away. The problem is, she's a lot smarter-and sweeter-than he'd expected. And he's got this deep-buried tenderness she hadn't expected. And their kisses are so hot, they just might burn up ... before they sort it all out.

From the sublime to the ridiculous, 'Just My Typo' is a hilarious collection of typographical errors, slips of the pen and embarrassing misprints which, like any typo of any kind, should never have happened, cannot be excused, and must not in any way be glorified.

Kleur zal in de nabije toekomst een prominente rol gaan spelen binnen het moderne letterontwerpen en de typografie. Het?Novo Typo Color Book? is het resultaat van een onderzoek naar het gebruik hiervan. Voor deze uitgave heeft Van Wageningen een serie meerkleurige lettertypes ontworpen waarmee alle denkbare mogelijkheden en combinatie worden geïllustreerd. Hij toont dat kleur en meerkleurige lettertypes een interessante en waardevolle toevoeging zijn binnen het hedendaagse (typo)grafische ontwerp. Het concept wordt helder toegelicht en gevisualiseerd. Speciaal voor dit project zijn een serie nieuwe matrijzen en loden letters geproduceerd waarmee een gedeelte gedrukt is op een historische drukpers.