In the first part of this volume insights gained in the field of discourse analysis are applied to the description of the contrast between aorist and present verb forms. The author has endeavoured to provide an explicit account of the actual functioning of these verb forms in their contexts. Special care has been given to reducing technical jargon in the interest of those who feel themselves classicists rather than professional linguists. The second part offers an analysis of the use and distribution of the perfect in the classical period of ancient Greek, based on the complete relevant material in Aeschylus, Sophocles, Euripides (tragic poetry), Aristophanes (comic poetry), Thucydides, Xenophon's Anabasis (historical prose), Lysias (rhetorical prose) and Xenophon's Opuscula (various prose types). The material is made accessible by several indices.

The first part of this volume offers an analysis of the use and distribution of the perfect in the classical period of ancient Greek, based on the complete relevant material in Aeschylus, Sophocles, Euripides (tragic poetry), Aristophanes (comic poetry), Thucydides, Xenophon's Anabasis (historical prose), Lysias (rhetorical prose) and Xenophon's Opuscula (various prose types). The material is made accessible by several indices. In the second part insights gained in the field of discourse analysis are applied to the description of the contrast between aorist and present verb forms. The author has endeavoured to provide an explicit account of the actual functioning of these verb forms in their contexts. Special care has been given to reducing technical jargon in the interest of those who feel themselves classicists rather than professional linguists.

The verb is, in any language, the motor of all communication: no verb, no action. In Greek, verb forms change not only with person, number, tense, and voice, but in four possible moods as well. Available now in a special reprint for the North American market, The Syntax and Semantics of the Verb in Classical Greek is an incomparable resource to students and scholars charged with the considerable task of untangling the Greek language’s many complexities. With clear, concise instruction, Albert Rijksbaron shows how the various verb forms contribute to the richness of the Greek literature as we know it, in this essential guide for both novices and experienced practitioners. “[This study] belongs in the library of any Hellenist and any linguist interested in ancient Greek.”—Classics Newsletter (Anzeiger für die Altertumswissenschaft) “Every use is described with concision and clarity.”—Kratylos “The book offers an example of how the empirical thoroughness of traditional Classical scholarship can be brought into contact with general linguistic theory.”—Language

This study describes the usage of subclauses and participial clauses in Xenophon’s Hellenica and Anabasis, with additional examples from other texts by Xenophon, providing new insights into the distribution of these clauses by adopting a text grammar-oriented approach.

For the past 25 years, debate regarding the nature of tense and aspect in the Koine Greek verb has held New Testament studies at an impasse. The Greek Verb Revisited examines recent developments from the field of linguistics, which may dramatically shift the direction of this discussion. Readers will find an accessible introduction to the foundational issues, and more importantly, they will discover a way forward through the debate. Originally presented during a conference on the Greek verb supported by and held at Tyndale House and sponsored by the Faculty of Divinity of Cambridge University, the papers included in this collection represent the culmination of scholarly collaboration. The outcome is a practical and accessible overview of the Greek verb that moves beyond the current impasse by taking into account the latest scholarship from the fields of linguistics, Classics, and New Testament studies.