Twilight shares her creativity in the fifth book of this sparkly new chapter book series that follows the trials and triumphs of young foals attending Unicorn University—perfect for those who love magic, happiness, and My Little Pony! Unicorn University is putting on a carnival for past students and their families, and Twilight has been chosen to be in charge of the decorations! She can’t wait to show her family, who’s attending the celebration, how far she’s come since her first day of school. In addition to designing the booths and banners, Twilight’s also tasked with arranging a grand finale that’s supposed to be a magical end to a magical day. And what could be better than a fireworks display put on by a famous dragon? But when Twilight finds out the fireworks show must be cancelled, she fears the whole day is ruined. Her visiting sisters aren’t making things easier, either. Can Twilight take charge and show them she’s capable of saving the carnival?

The enchanting true story of Stephenie Meyer, the Queen of Twilight. On 2 June, 2003, Stephenie Meyer had a dream that would change her life forever. She dreamt of a young girl and her sparkling vampire lover lying in a field, and that dream became Twilight. Now, her vampire romance novels have become a publishing phenomenon, selling over 70 million books worldwide, and have been translated into 37 difference languages.

"First published in the United Kingdom in 2010 by Chicken House"--T.p. verso.

In 1978, Republican William P. Clements won the race for governor of the Lone Star State, marking the start of an interlude of two-party competition in the state. Eventually, Republican ascendancy would once again make Texas a "safe" place for a single party--but not the party that had dominated the state since the end of Reconstruction. At the time, observers asked whether the election of a Republican governor was a mere flash in the pan. For the previous twenty years, other races, at every level from national to local, had made inroads into Democratic strongholds, but that party's dominance by and large had held. In 1978, the situation changed. Now, historian Kenneth Bridges--drawing on polling data, newspaper reports, archival sources, and extensive interviews--both confirms the significance of the election and explains the many and complex forces at work in it. He analyzes a wide range of factors that includes the disaffection among Mexican American voters fanned by La Raza Unida, miscalculations by Democrat John Hill and his campaign staff, the superior polling techniques used by Clements, the unpopularity of the Democratic president, Jimmy Carter, the changing demographics of the state, and the unprecedented spending by the Clements team. In the process, Bridges describes not an ideological realignment among Texas voters, but a partisan one. Twilight of the Texas Democrats illuminates our understanding of both political science and regional history.

THE COMBATANTS Two godlike blood enemies engaged in a war older than history. THE BATTLEGROUND An out-of-control nuclear plant whose cataclysmic destruction will spell the end of the Earth. REFUGE None - on a planet swept up in the awesome terror of the last panic.

In a time of plague, fundamental questions become immediate and personal. The pandemic, droughts, floods, fire, political violence: the world has been grimly reminded of the proximity and inevitability of death. Jack Miles and Mark C. Taylor—acclaimed public intellectuals and scholars of religion, one a Christian and the other an atheist, close friends for fifty years—have spent their lives grappling with questions of ultimate concern. At the onset of the COVID-19 pandemic, locked down at home and facing an uncertain future, Miles and Taylor embarked on an extended conversation about living and dying in an imperiled world. A Friendship in Twilight is their plague journal. In raw and searching letters, written daily from the first lockdowns through the Capitol riot, Miles and Taylor reflect on life during overlapping crises. Amid the menace of the pandemic and the unceasing political turmoil, they debate the lessons that a catastrophic present can teach about the future and how to read, think, live, and face up to death. Confronting the vulnerability of their aging bodies and the frailty of American democracy, the two friends discuss why and how philosophical reflection matters for a wounded world. Their conversations are imbued with an ever-present sense of urgency about the worth of a life, the fragility of existence, and the uncertainty of endings. Seamlessly moving from heartfelt emotion to philosophical speculation, current events to great art and literature, this book is a powerful and moving testament to the precarity of life and to enduring friendship.

Rod Serling’s pioneering series TheTwilight Zone (1959 to 1964) is remembered for its surprise twist endings and pervading sense of irony.While other American television series of the time also experimented with ironic surprises, none depended on these as much as Serling’s. However, irony was not used merely as a structural device—Serling and his writers used it as a provocative means by which to comment on the cultural landscape of the time. Irony in The Twilight Zone: How the Series Critiqued Postwar American Culture explores the multiple types of irony—such as technological, invasive, martial, sociopolitical, and domestic—that Serling, Richard Matheson, Charles Beaumont, and other contributors employed in the show. David Melbye explains how each kind of irony critiqued of a specific aspect of American culture and how all of them informed one another, creating a larger social commentary. This book also places the show’s use of irony in historical and philosophical contexts, connecting it to a rich cultural tradition reaching back to ancient Greece. The Twilight Zone endures because it uses irony to negotiate its definitively modernist moment of “high” social consciousness and “low” cultural escapism. With its richly detailed, frequently unexpected readings of episodes, Irony in The Twilight Zone offers scholars and fans a fresh and unique lens through which to view the classic series.