Authors discussed include: Wendell Berry, Erskine Caldwell, Truman Capote, Ralph Ellison, William Faulkner, Shelby Foote, Zora Neal Hurston, Bobbie Ann Mason, Cormac McCarthy, Flannery O'Connor, William Styron, Anne Tyler, Alice Walker, Robert Penn Warren, Eudora Welty, Tennessee Williams, Thomas Wolfe, Richard Wright, and many more. By World War II, the Southern Renaissance had established itself as one of the most significant literary events of the century, and today much of the best American fiction is southern fiction. Though the flowering of realistic and local-color writing during the first two decades of the century was a sign of things to come, the period between the two world wars was the crucial one for the South's literary development: a literary revival in Richmond came to fruition; at Vanderbilt University a group of young men produced The Fugitive, a remarkable, controversial magazine that published some of the century's best verse in its brief run; and the publication and widespread recognition of Faulkner (among others) inaugurated the great flood of southern writing that was to follow in novels, short stories, poetry, and plays. With more than forty years of experience writing and reading about the subject, and friendships with many of the figures discussed, J. A. Bryant is uniquely qualified to provide the first comprehensive account of southern American literature since 1900. Bryant pays attention to both the cultural and the historical context of the works and authors discussed, and presents the information in an enjoyable, accessible style. No lover of great American literature can afford to be without this book.

Contributions by Destiny O. Birdsong, Jean W. Cash, Kevin Catalano, Amanda Dean Freeman, David Gates, Richard Gaughran, Rebecca Godwin, Joan Wylie Hall, Dixon Hearne, Phillip Howerton, Emily D. Langhorne, Shawn E. Miller, Melody Pritchard, Nick Ripatrazone, Bes Stark Spangler, Scott Hamilton Suter, Melanie Benson Taylor, Jay Varner, and Scott D. Yarbrough Twenty-First-Century Southern Writers: New Voices, New Perspectives, an anthology of critical essays, introduces a new group of fiction writers from the American South. These fresh voices, like their twentieth-century predecessors, examine what it means to be a southerner in the modern world. These writers’ works cover wide-ranging subjects and themes: the history of the region, the continued problems of the working-class South, the racial divisions that have continued, the violence of the modern world, and the difficulties of establishing a spiritual identity in a modern context. The approaches and styles vary from writer to writer, with realistic, place-centered description as the foundation of many of their works. They have also created new perspectives regarding point of view, and some have moved toward the inclusion of “magic realism” and even science fiction in their work. The nineteen essays in Twenty-First-Century Southern Writers feature a handful of fiction writers who are already well known, such as National Book Award–winner Jesmyn Ward, Tayari Jones, Michael Farris Smith, and Inman Majors. Others deserve greater recognition, and, in many cases, works in this anthology will be the first pieces of analysis dedicated to writers and their work. Twenty-First-Century Southern Writers aims to alert scholars of southern literature, as well as the reading public, to an exciting and varied group of writers, while laying a foundation for future examination of these works.

This engagingly-written survey examines the changes and constants of Southern culture. Always with a keen eye and sharp wit, Daniel takes the reader through a variety of topics that relate directly to the Southern experience: rural life, violence, music, literature, civil rights, unionism, urbanization, xenophobia, migration, religion, cockfighting, and stock car racing. This engagingly-written survey examines the changes and constants of Southern culture. Always with a keen eye and sharp wit, Daniel stresses the diversity of Southern life, which includes not only regional variations but also divisions between black and white, male and female, rural and urban. From "separate but equal" to the civil rights revolution of the 1960s and its legacy, Standing at the Crossroads explores the extraordinary changes that transformed the South. Daniel takes the reader through a variety of topics that relate directly to the Southern experience: rural life, violence, music, literature, civil rights, unionism, urbanization, xenophobia, migration, religion, cockfighting, and stock car racing.

During the Cold War, national discourse strove for unity through patriotism and political moderation to face a common enemy. Some authors and intellectuals supported that narrative by casting America’s complicated history with race and poverty as moral rather than merely political problems. Southern Literature, Cold War Culture, and the Making of Modern America examines southern literature and the culture within the United States from the period just before the Cold War through the civil rights movement to show how this literature won a significant place in Cold War culture and shaped the nation through the time of Hillbilly Elegy. Tackling cultural issues in the country through subtext and metaphor, the works of authors like William Faulkner, Lillian Smith, Robert Penn Warren, Eudora Welty, Ralph Ellison, Alice Walker, and Walker Percy redefined “South” as much more than a geographical identity within an empire. The “South” has become a racially coded sociopolitical and cultural identity associated with white populist conservatism that breaks geographical boundaries and, as it has in the past, continues to have a disproportionate influence on the nation’s future and values.

In the South today, the sight of a Latina in a NASCAR T-shirt behind the register at an Asian grocery would hardly draw a second glance. That scenario, and our likely reaction to it, surely signals something important--but what? Here some of the region’s most respected and readable observers look across the past century to help us take stock of where the South is now and where it may be headed. Reflecting the writers’ deep interests in southern history, politics, literature, religion, and other matters, the essays engage in new ways some timeless concerns about the region: How has the South changed--or not changed? Has the South as a distinct region disappeared, or has it absorbed the many forces of change and still retained its cultural and social distinctiveness? Although the essays touch on an engaging diversity of topics including the USDA’s crop spraying policies, Tom Wolfe’s novel A Man in Full, and collegiate women’s soccer, they ultimately cluster around a common set of themes. These include race, segregation and the fall of Jim Crow, gender, cultural distinctiveness and identity, modernization, education, and urbanization. Mindful of the South’s reputation for insularity, the essays also gauge the impact of federal assistance, relocated industries, immigration, and other outside influences. As one contributor writes, and as all would acknowledge, those who undertake a project like this “should bear in mind that they are tracking a target moving constantly but often erratically.” The rewards of pondering a place as elusive, complex, and contradictory as the American South are on full display here.

This work reaches across the colour line to examine how race, gender, class and individual subjectivity shaped the lives of black and white women in the 19th- and 20th-century American South.