Professor Dermot Keogh's Twentieth-Century Ireland, the sixth and final book in the New Gill History of Ireland series, is a wide-ranging, informative and hugely engaging study of the long twentieth century, surveying politics, administrative history, social and religious history, culture and censorship, politics, literature and art. It focuses on the consolidation of the new Irish state over the course of the twentieth century. Professor Keogh highlights the long tragedy of emigration, its effect on the Irish psyche and on the under-performance of the Irish economy. He emphasises the lost opportunities for reform of the 1960s and early 70s. Membership of the EU had a diminished impact due to short-term and sectionally motivated political thinking and an antiquated government structure. Professor Keogh looks at how the despair of the 1950s revisited the country in the 1980s as almost an entire generation felt compelled to emigrate, very often as undocumented workers in the United States. Professor Keogh also argues that the violence in Northern Ireland from the late 1960s was an Anglo-Irish failure which was turned around only when Britain acknowledged the role of the Irish government in its resolution. He extends his analysis of the twentieth-century to include a wide-ranging survey of the most contentious events—financial corruption, child sexual abuse, scandals in the Catholic Church—between 1994 and 2005. Twentieth-Century Ireland: Table of Contents - A War without Victors: Cumann na nGaedheal and the Conservative Revolution - De Valera and Fianna Fáil in Power, 1932–1939 - In the Time of War: Neutral Ireland, 1939–1945 - Seán MacBride and the Rise of Clann na Poblachta - The Inter-Party Government, 1948–1951 - The Politics of Drift, 1951&1959 - Seán Lemass and the 'Rising Tide' of the 1960s - The Shifting Balance of Power: Jack Lynch and Liam Cosgrave, 1966–1977 - Charles Haughey and the Poverty of Populism - Ireland in the New Century

In 1500, most of Ireland lay outside the ambit of English royal power. Only a small area around Dublin was directly administered by the crown. The rest of the island was run in more or less autonomous fashion by Anglo-Norman magnates or Gaelic chieftains.

With the emphasis on the South, this book looks at the island since partition and examines the performances of the two entities created by the collapse of the old Union. The author traces the establishment and development of the independent Irish state in detail, drawing on his knowledge of Irish government sources.

The eighteenth century is in many ways the most problematic era in Irish history. The years from 1700 to 1775 have been short-changed by historians, who have concentrated on the last quarter of the period. Ian McBrides new survey seeks to correct that balance.

To what extent did the Irish disappear from English politics, life and consciousness following the Anglo-Irish War? Mo Moulton offers a new perspective on this question through an analysis of the process by which Ireland and the Irish were redefined in English culture as a feature of personal life and civil society rather than a political threat. Considering the Irish as the first postcolonial minority, they argue that the Irish case demonstrates an English solution to the larger problem of the collapse of multi-ethnic empires in the twentieth century. Drawing on an array of new archival evidence, Moulton discusses the many varieties of Irishness present in England during the 1920s and 1930s, including working-class republicans, relocated southern loyalists, and Irish enthusiasts. The Irish connection was sometimes repressed, but it was never truly forgotten; this book recovers it in settings as diverse as literary societies, sabotage campaigns, drinking clubs, and demonstrations.

This book argues that populism has been a shaping force in Irish literary culture. Populist moments and movements have compelled authors to reject established forms and invent new ones. Sometimes, as in the middle period of W.B. Yeats's work, populism forces a writer into impossible stances, spurring ever greater rhetorical and poetic creativity. At other times, as in the critiques of Anna Parnell or Myles na gCopaleen, authors penetrate the rhetoric fog of populist discourse and expose the hollowness of its claims. Yet in both politics and culture, populism can be a generative force. Daniel O'Connell, and later the Land League, utilized populist discourse to advance Irish political freedom and expand rights. The most powerful works of Lady Gregory and Ernie O'Malley are their portraits of The People that borrows from the populist vocabulary. While we must be critical of populist discourse, we dismiss it at our loss. This study synthesizes existing scholarship on populism to explore how Irish texts have evoked The People--a crucial rhetorical move for populist discourse--and how some writers have critiqued, adopted, and adapted the languages of Irish populisms.

In the early twentieth century, publicly staged productions of significant historical, political, and religious events became increasingly popular—and increasingly grand—in Ireland. These public pageants, a sort of precursor to today’s opening ceremonies at the Olympic games, mobilized huge numbers of citizens to present elaborately staged versions of Irish identity based on both history and myth. Complete with marching bands, costumes, fireworks, and mock battles, these spectacles were suffused with political and national significance. Dean explores the historical significance of these pageants, explaining how their popularity correlated to political or religious imperatives in twentieth-century Ireland. She uncovers unpublished archival findings to present scripts, programs, and articles covering these events. The book also includes over thirty photographs of pageants, program covers, and detailed designs for costumes to convey the grandeur of the historical pageants at the beginning of the century and their decline in production standards in the 1970s and 1980s. Tracing the Irish historical pageant phenomenon through the twentieth century, Dean presents a nation contending with the violence and political upheaval of the present by reimagining the past.