In 1877, Erast Fandorin finds himself at the Bulgarian front in a war between Russia and the Ottoman Empire, where he assists a Russian woman who is risking her life for her fiancé, who has been falsely accused of espionage.

The Russo-Turkish war is at a critical juncture, and Erast Fandorin has gone to the front in an attempt to forget his sorrows. Captured by the Turks, he wins his freedom in a game of backgammon, before finding himself the unlikely rescuer of Varvara Suvorova - a "progressive" Russian woman trying to make her way to the Russian headquarters to join her fiance. Fandorin's efforts to steer clear of affairs of state are thwarted when a traitor is discovered within the Russian camp. Within days, Varvara's fiance has been accused of treason, a Turkish victory looms on the horizon, and there are rumours that one of Lady Astair's Azazel orphans may be making his own bid for power.

Soviet and Russian filmmakers have traditionally had uneasy relationships to the concept of genre. This volume rewrites that history by spotlighting some genres not commonly associated with cinema in the region, including Cold War spy movies and science-fiction films; blockbusters and horror films; remakes and adventure films; and chernukha films and serials. Introductory essays establish key aspects of these genres, and directors’ biographies provide the background for the key players. Building on the work of its predecessor, which explored cinema from the time of the tsars to the Putin era, this book will be warmly received by the serious film scholar as well as all those who love Russian cinema. Directory of World Cinema: Russia 2 is an essential companion to the filmic legacy of one of the world’s most storied countries.

In Special Assignments, Erast Fandorin, nineteenth-century Russia’s suavest sleuth, faces two formidable new foes: One steals outrageous sums of money, the other takes lives. “The Jack of Spades” is a civilized swindler who has conned thousands of rubles from Moscow’s residents–including Fandorin’s own boss, Prince Dolgorukoi. To catch him, Fandorin and his new assistant, timid young policeman Anisii Tulipov, must don almost as many disguises as the grifter does himself. “The Decorator” is a different case altogether: A savage serial killer who believes he “cleans” the women he mutilates and takes his orders from on high, he must be given Fandorin’s most serious attentions. Peopled by a rich cast of eccentric characters, and with plots that are as surprising as they are inventive, Special Assignments will delight Akunin’s many fans, while challenging the gentleman sleuth’s brilliant powers of detection. Praise from England: “Boris Akunin’s wit and invention are a source of constant wonder.” –Evening Standard “[Fandorin is] a debonair combo of Sherlock Holmes, D’Artagnan and most of the soulful heroes of Russian literature. . . . This pair of perfectly balanced stories permit the character of Fandorin to grow.” –The Sunday Telegraph “Agatha Christie meets James Bond: [Akunin’s] plots are intricate and tantalizing. . . . [These stories] are unputdownable and great fun.” –Sunday Express “The beguiling, super-brainy, sexy, unpredictable Fandorin is a creation like no other in crime fiction.” –The Times

Seeking to rebuild the Russian film industry after its post-Soviet collapse, directors and producers sparked a revival of nationalist and patriotic sentiment by applying Hollywood techniques to themes drawn from Russian history. Unsettled by the government's move toward market capitalism, Russians embraced these historical blockbusters, packing the American-style multiplexes that sprouted across the country. Stephen M. Norris examines the connections among cinema, politics, economics, history, and patriotism in the creation of "blockbuster history"—the adaptation of an American cinematic style to Russian historical epics.

A broken-hearted Erast Fandorin has gone to the front of the Russo-Turkish war. Captured by the Turks, he wins his freedom in a game of backgammon, before finding himself the unlikely rescuer of Varvara Suvorova, a Russian woman trying to make her way to the Russian headquarters to join her fiancé. A traitor is discovered within the Russian camp. Within days, Varvara's fiancé has been accused of treason and a Turkish victory looms on the horizon. Fandorin, the redoubtable gentleman sleuth will need to resurrect all of his dormant powers of detection if he is to unmask the traitor, help the Russians to victory and smoothe the path of young love.

This book draws on the latest archival releases – including those from the secret world of British intelligence – to offer the first comprehensive analysis of Anglo-Turkish relations during the Second World War, with a particular emphasis on Turkey's place in the changing relationship between Britain and the Soviet Union.