The second of three volumes by Alan Wald that track the political and personal lives of several generations of U.S. left-wing writers, Trinity of Passion carries forward the chronicle launched in Exiles from a Future Time: The Forging of the Mid-Twentieth-Century Literary Left. In this volume Wald delves into literary, emotional, and ideological trajectories of radical cultural workers in the era when the International Brigades fought in the Spanish Civil War (1936-39) and the United States battled in World War II (1941-45). Probing in rich and haunting detail the controversial impact of the Popular Front on literary culture, he explores the ethical and aesthetic challenges that pro-Communist writers faced. Wald presents a cross section of literary talent, from the famous to the forgotten, the major to the minor. The writers examined include Len Zinberg (a.k.a. Ed Lacy), John Oliver Killens, Irwin Shaw, Albert Maltz, Ann Petry, Chester Himes, Henry Roth, Lauren Gilfillan, Ruth McKenney, Morris U. Schappes, and Jo Sinclair. He also uncovers dramatic new information about Arthur Miller's complex commitment to the Left. Confronting heartfelt questions about Jewish masculinity, racism at the core of liberal democracy, the corrosion of utopian dreams, and the thorny interaction between antifascism and Communism, Wald re-creates the intellectual and cultural landscape of a remarkable era.

Today, the ideas of Carl von Clausewitz (1780-1831) are employed almost ubiquitously in strategic studies, military history and defence literatures, but often in a manner which distorts their true meaning. In this book, Waldman explores Clausewitz’s central theoretical device for understanding war - the ’remarkable trinity’ of politics, chance and passion. By situating the great Prussian in historical context, he presents a conception truer to Clausewitz’s intention. Seeking to achieve this through an in-depth reinterpretation of On War and Clausewitz’s other writings, conducted through the prism of the trinity, this book draws on existing studies but argues that there is room for clarification. It presents fresh perspectives into aspects of Clausewitz's thought and emphasises elements of his theory that have often been neglected. Furthermore, it provides a solid basis from which debate on the nature of modern war can move forward.

This is the first book to apply the Clausewitzian Trinity of 'passion, chance, and reason' to the experience of real war. It explores the depth and validity of the concept against the conflicts of former Yugoslavia - wars thought to epitomise a post-Clausewitzian age. In doing so it demonstrates the timeless message of the Trinity, but also ties the Trinitarian idea back into Clausewitz's political argument. Intended to build on the existing corpus of scholarship, this book differs from the existing literature in two ways. By applying the Trinity to the wars of former Yugoslavia 1991-1995, it explores war at its micro-foundations, assessing the complex cause-and-effect nexus of reciprocity produced by actions between belligerents embroiled in dynamic competition perpetuated by their own interaction. Providing valuable insights into the complexities of real war fuelled by passion, undermined by chance, and shaped by reason, it is the first study to bridge the Clausewitzian world of theory with real experience. Examining each part of the triad separately, the book explores the multiple manifestations of hostility and chance, before then assessing the influence of these elements on the policies of the belligerents as the war evolved.

By critically engaging Eberhard Jüngel's doctrine of the Trinity, this volume makes a broader, constructive contribution to contemporary trinitarian thought.The argument centers on the question - posed by the inconsistencies uncovered in Jüngel's doctrine of God - of how one can assert both divine freedom and the inter-subjectivity of God's trinitarian self-determination. Can one maintain God's freedom in the interest of divine spontaneity and creativity, while remaining committed to inter-subjective vulnerability which the Cross entails as an event of divine love? Malysz suggests that a resolution to this problem lies in a logic of divine freedom, which, next to the trinitarian logic of love, constitutes a different and simultaneous mode of trinitarian relationality. To develop this logic, Malysz draws on Jüngel's understanding of human freedom as rooted in the "elemental interruption" of the self-securing subject. Malysz thus not only brings Jüngel's view of divine freedom into correspondence with the anthropological effects that Jüngel ascribes to it, but, above all, offers an imaginative, new way of closely integrating the doctrine of God and theological anthropology.

The long text of the Showings (translated by Father John-Julian) is accompanied by commentary written by Frederick S. Roden, a lay affiliate member of the Order of Julian of Norwich. This companion is reflective yet learned and is designed to draw the reader more fully into an understanding and experience of what Julian tells us she saw and heard. In the text and commentary we begin to comprehend the truth summarized at the end of the Showings: Love was His meaning.