“A fantastic job of storytelling to the point that it literally sends shivers down the reader’s spine . . . entertaining and informative” (YES! Weekly). Don’t be fooled by the scenic beauty of North Carolina’s Piedmont Triad—the ghosts of the past haunt these rolling hills and unique cities. From the smallpox-stricken ghost that haunts Salem Tavern in Winston-Salem to the slain Revolutionary War soldiers who linger in the park surrounding Guilford Courthouse in Greensboro, these phantoms all have a tale to tell. Some ghosts even support education. Take Jane, the lonely spinster who haunts Aycock Auditorium at the UNC-Greensboro campus, or Herschel, High Point University’s ghost of the former Memorial Theater. And though Spookywoods Haunted Attraction in Kersey Valley often frightens and astounds, some of the resident ghosts aren’t just special effects. Join Camel City Spirit Seekers Michael Renegar and Amy Spease as they reveal the eerie and chilling stories from the heart of the Piedmont. Includes photos! “If you want some spooky ghost stories to get you in the mood for Halloween, Triad ghost-hunters/authors Michael Renegar and Amy Spease may have just what you’re looking for.” —The News & Record

Stories and photos that reveal the paranormal history of this picturesque Winston-Salem district. Hidden behind the preserved eighteenth-century colonial buildings of the Old Salem Historic District in Winston-Salem is a haunted history of spine-tingling tales . . . Find the harrowing stories of Salem Cemetery and the anonymous headstones of the “Strangers’ Graveyard.” Learn the origins of the inexplicable sounds at Salem College. Meet the tavern traveler who refuses to check out. Follow the story of Andreas Kresmer’s tragic death and the subsequent appearance of the “Little Red Man.” In this book, author G.T. Montgomery takes you on a frightening and fascinating journey to discover the most notorious haunts to wander Salem’s streets.

From clanking and wailing in an abandoned house and strange lights on a Civil War battlefield to eerie voices heard on a tape recorder left on in a cemetery at night, there are thousands of haunted places. Why do some spirits of the dead remain on earth and what can be done about them?

Few people can claim the distinction of experiencing first-hand such occurrences as hauntings and the presence of poltergeists, but countless numbers of people are fascinated by these unexplainable events. Written by the world's most knowledgeable authorities in this field, the essays in this work promote a better understanding of the manifestations of and various reasons for hauntings and poltergeist phenomena. The experts come from such backgrounds as anthropology, history, philosophy, psychiatry, and sociology, and provide sober yet highly readable in-depth discussions of numerous ideas and rationalizations for hauntings and poltergeists, from a critical and scientific perspective. Divided into three major sections--sociocultural, physical and physiological, and psychological perspectives--this work provides an overview of each perspective and also addresses the general psychology of belief in the paranormal and how that belief relates to experiences with ghosts and poltergeists.

In 1896, Maxim Gorky declared cinema "the Kingdom of Shadows." In its silent, ashen-grey world, he saw a land of spectral, and ever since then cinema has had a special relationship with the haunted and the ghostly. Cinematic Ghosts is the first collection devoted to this subject, including fourteen new essays, dedicated to exploring the many permutations of the movies' phantoms. Cinematic Ghosts contains essays revisiting some classic ghost films within the genres of horror (The Haunting, 1963), romance (Portrait of Jennie, 1948), comedy (Beetlejuice, 1988) and the art film (Uncle Boonmee Who Can Recall His Past Lives, 2010), as well as essays dealing with a number of films from around the world, from Sweden to China. Cinematic Ghosts traces the archetype of the cinematic ghost from the silent era until today, offering analyses from a range of historical, aesthetic and theoretical dimensions.

Do spirits feel & think? Does death automatically promote them to a paradise-or as some believe, a hell?