* THE NO. 1 BESTSELLER (The Times) * SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2023 ** WINNER OF THE BRITISH BOOK AWARDS BOOK OF THE YEAR: DEBUT FICTION ** WINNER OF THE AN POST IRISH BOOK AWARDS NOVEL OF THE YEAR 2022 ** SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2022 ** AN OBSERVER BEST DEBUT NOVELIST OF 2022 ** A BBC RADIO 4 BOOK AT BEDTIME *_______________'Like Sally Rooney mixed with a political thriller' RUSSELL KANE'Intense, unflinchingly honest, it broke my heart a million times' MARIAN KEYES'Absolutely loved it' MAX PORTER 'A beautiful, devastating novel' NICK HORNBYOne by one, she undid each event, each decision, each choice. If Davy had remembered to put on a coat.If Seamie McGeown had not found himself alone on a dark street.If Michael Agnew had not walked through the door of the pub on a quiet night in February in his white shirt. There is nothing special about the day Cushla meets Michael, a married man from Belfast, in the pub owned by her family. But here, love is never far from violence, and this encounter will change both of their lives forever.As people get up each morning and go to work, school, church or the pub, the daily news rolls in of another car bomb exploded, another man beaten, killed or left for dead. In the class Cushla teaches, the vocabulary of seven-year-old children now includes phrases like 'petrol bomb' and 'rubber bullets'. And as she is forced to tread lines she never thought she would cross, tensions in the town are escalating, threatening to destroy all she is working to hold together.Tender and shocking, Trespasses is an unforgettable debut of people trying to live ordinary lives in extraordinary times.______________A 2022 BOOK OF THE YEAR FOR: THE TIMES * SUNDAY TIMES * GUARDIAN * TELEGRAPH * NEW STATESMAN * DAILY MAIL * IRISH TIMES * IRISH INDEPENDENT * BELFAST TELEGRAPH

A series of vividly rendered personal narratives, Trespasses: A Memoir recounts the coming of age of three generations in the rural Great Plains. In examining how class, race, and gender play out in the lives of two farm families who simultaneously love and hate the place they can’t escape, Lacy Johnson presents rural whiteness as an ethnicity worthy of study. As she dismantles the complex history of a forgotten place while fighting to keep its people whole, Johnson reflects on a place that outsiders can cross into or pass through, but may never fully know. From formal and informal research methods, Johnson has produced an innovative collection of prose poems and essays that together create an exciting work of contemporary nonfiction. Examining region through the lenses of memory (experience), history (memory made public), and theory (experience abstracted), Trespasses is a deeply intelligent work, at the center of which is the author, always feeling as if she doesn’t belong but not sure where she else she should be. In this profound work, Johnson drifts gracefully back and forth between timelines and voices in a way that illustrates how her present is connected to the many pasts she chronicles.

The vast majority of our country is entirely unknown to us because we are banned from setting foot on it. By law of trespass, we are excluded from 92 per cent of the land and 97 per cent of its waterways, blocked by walls whose legitimacy is rarely questioned. But behind them lies a story of enclosure, exploitation and dispossession of public rights whose effects last to this day. The Book of Trespass takes us on a journey over the walls of England, into the thousands of square miles of rivers, woodland, lakes and meadows that are blocked from public access. By trespassing the land of the media magnates, Lords, politicians and private corporations that own England, Nick Hayes argues that the root of social inequality is the uneven distribution of land. Weaving together the stories of poachers, vagabonds, gypsies, witches, hippies, ravers, ramblers, migrants and protesters, and charting acts of civil disobedience that challenge orthodox power at its heart, The Book of Trespass will transform the way you see the land.

Set in Northern Ireland during the Troubles, a shattering novel about a young woman caught between allegiance to community and a dangerous passion. Amid daily reports of violence, Cushla lives a quiet life with her mother in a small town near Belfast. By day she teaches at a parochial school; at night she fills in at her family’s pub. There she meets Michael Agnew, a barrister who’s made a name for himself defending IRA members. Against her better judgment – Michael is not only Protestant but older, and married – Cushla lets herself get drawn in by him and his sophisticated world, and an affair ignites. Then the father of a student is savagely beaten, setting in motion a chain reaction that will threaten everything, and everyone, Cushla most wants to protect. As tender as it is unflinching, Trespasses is a heart-pounding, heart-rending drama of thwarted love and irreconcilable loyalties, in a place what you come from seems to count more than what you do, or whom you cherish.

Celia feels conspicuous as the daughter of the principal at her small Catholic high school, and when friends start pressuring her to date and her best friend is pursued by a stalker, her stress levels rise accordingly.

An evil woman steals an identity and uses it to acquire caregiving positions in which she does the unthinkable. It is up to Kinsey Millhone to discover the truth.

Forgive Us Our Trespasses concerns a boy who makes his way in the world alone. It tells of the conversion of an embittered young cynic to a belief in the magic power of forgiveness, combined with a touch of mildly mystic communion with an undefined Deity. The narrative covers the ancestral background and the life up to the late twenties of a child born unhappily into a hostile environment and equipped with the soul of a rebel. Lloyd C. Douglas was an American minister and author born in Indiana in 1877. He was married and had two children. He did not write his first novel until the age of 50 but was considered to be one of the most popular writers of his time. His works usually had a moral and religious tone. Two of his best known works were The Robe and The Big Fisherman, which were made into major motion pictures. The Robe, written in 1942, sold over two million copies in hardcover alone. It held the number one position on the New York Times Best Seller list for over a year and remained on the list for an additional two years. The film version of The Robe hit the movie screens in 1953 and starred Richard Burton.