Publishing in association with The National Churches Trust, this book offers a luxurious guide to the amazing architecture, art and furniture found in Churches across England.

The author concentrates on the furnishing and works of art to be found in the churches - from Saxon times to the present - and sets them in the context of adapting religious requirements and changing aesthetic tastes, blending social history and art history.

This celebration of some of the greatest art, architecture and furniture to be found in English churches offers a fascinating account of centuries of accumulated wealth, and is set off by a selection of breathtaking photographs by Matthew Byrne. It covers changing architectural styles across the centuries, and prominent examples of artistic work, including stained glass, rood screens, church monuments and curious carvings. This book is published in association with The National Churches Trust, a national, independent charity dedicated to supporting church buildings across the UK.

The author concentrates on the furnishing and works of art to be found in English parish churches from Saxon times to the 20th century. The book consists of a fairly short narrative text and a useful gazetteer complimented by detailed photographs.

Simon Jenkins has travelled the length and breadth of England to select his thousand best churches. Organised by county, each church is described - often with delightful asides - and given a star-rating from one to five. All of the county sections are prefaced by a map locating each church, and lavishly illustrated with colour photos from the Country Life archive. Jenkins contends that these churches house a gallery of vernacular art without equal in the world. Here, he brings that museum to public attention.

An enthralling guide to the largely unrecognised treasures of England's remarkable Parish Churches, 'the supreme treasury of English vernacular art and memory'. Our parish churches constitute a living patrimony without precise European parallel. Their cultural riches are astonishing, not only for their quality and quantity, but also their diversity and interest. Fine art and architecture here combine unpredictably with the functional, the curious and the naïve, from prehistory to the present day, to form an unsung national museum which presents its contents in an everyday setting without curators or formal displays. Because church treasures usually remain in the buildings they were created for, properly interpreted they tell from thousands of local perspectives the history of the nation, its people and their changing religious observance. John Goodall's weekly series in Country Life has celebrated particular objects in or around churches that are of outstanding artistic, social or historical importance, to underline both the intrinsic interest of parish churches and the insights that they and their contents offer into English history of every period. Parish Church Treasures incorporates and significantly expands this material to tell afresh the remarkable history of the parish church. It celebrates the special character of churches as places to visit whilst providing an authoritative and up-to-date history at a time when the use and upkeep of these buildings and the care of their contents is highly contentious.

A landmark illustrated history of rural church monuments - the forgotten national treasures of England and Wales Deep in the countryside, away from metropolitan abbeys and cathedrals, thousands of funerary monuments are hidden in parish churches. These artworks - medieval brasses and elegant marble effigies, stone tomb chests and grand mausoleums - are of great historical and cultural significance, but have, due to their relative inaccessibility, faded from accounts of our art history. Over twenty-five years, C. B. Newham FSA has visited and photographed more than eight thousand rural churches, cataloguing the monumental sculptures encountered on his quest. In Country Church Monuments, he presents 365 of the very best, each accompanied by detailed photographs, biographies of both the deceased and their sculptors and a wealth of contextual material. Many of these works commemorate famous historical figures, from scheming Tudor courtier Richard Rich to Victorian prime minister William Ewart Gladstone. But more moving are the countless others - minor aristocrats, small-time industrialists, much-loved mothers, fathers and children - who, if not for their memorials, would wholly be lost to time. As Newham blows the dust off these artworks and breathes life into the stories they tell, a new aesthetic history of rural England and Wales emerges. Country Church Monuments is a poignant record of the art we make at the borders of life and death, of our ceaseless human striving for eternity.