It is often claimed that we know ourselves and the world through narratives. In this book, Robert D. Newman portrays narrative engagement as a process grounded in psychoanalytic theory to explain how readers (or listeners or viewers) manage to engage with specific narratives and derive from them a personal experience. Newman describes this psychodrama of narrative engagement as that of exile and return, an experience in which narrative becomes a type of homeland, beckoning and elusive, endlessly defining and disrupting the borders of a reader's identity. Within this paradigm, he considers a fascinating variety of narrative texts: from the Jim Jones episode in Guyana to Freud's repression of personal history in his story of Moses; from a surrealistic collage novel by Max Ernst to the horror films of Alfred Hitchcock; from the works of James Joyce, Ariel Dorfman, Milan Kundera, and D. M. Thomas to the tales of abjection in pornography. Transgressions of Reading is itself an engaging work, as interesting for its provocative readings of particular works as for its theoretical insights. It will appeal to readers from all fields in which narrative plays a crucial role, in the study of film and art, modern and contemporary literature, popular culture, and feminist, psychoanalytic, and reader response theory.

The book's breadth and grounding in labor law make it most accessible and useful to a professional audience, but even nonspecialists and lay readers will appreciate Blackett's insights about law and domestic work and provocative issues such as social stratification and immigration.― Choice Adelle Blackett tells the story behind the International Labour Organization's (ILO) Decent Work for Domestic Workers Convention No. 189, and its accompanying Recommendation No. 201 which in 2011 created the first comprehensive international standards to extend fundamental protections and rights to the millions of domestic workers laboring in other peoples' homes throughout the world. As the principal legal architect, Blackett is able to take us behind the scenes to show us how Convention No. 189 transgresses the everyday law of the household workplace to embrace domestic workers' human rights claim to be both workers like any other, and workers like no other. In doing so, she discusses the importance of understanding historical forms of invisibility, recognizes the influence of the domestic workers themselves, and weaves in poignant experiences, infusing the discussion of laws and standards with intimate examples and sophisticated analyses. Looking to the future, she ponders how international institutions such as the ILO will address labor market informality alongside national and regional law reform. Regardless of what comes next, Everyday Transgressions establishes that domestic workers' victory is a victory for the ILO and for all those who struggle for an inclusive, transnational vision of labor law, rooted in social justice.

Elizabeth is a modern woman. Smart. Independent. As sexual as she wants to be–with whomever she wants to be. But a breakup with her academic boyfriend has hit her harder than she cares to admit. And while her latest gig, translating a glitzy Czech thriller into English, offends her literary sensibilities, it arouses others with its steamy scenes of eroticism, violence, submission, and dominance. Then, when her favorite Van Morrison CD disappears from its rack and her house is inexplicably violated, Elizabeth is afraid she’s starting to lose it–she even consults a local vicar about the possibility of poltergeists. But what this woman in the lovely Victorian is experiencing is not supernatural. Nor is it madness. For in the dead of night, she will suddenly come face-to-face with her tormentor. She will smell him, she will touch him, and she will make a choice. Then the real haunting will begin.

This detailed commentary on the action and argument of Sophocles' Antigone is meant to be a reflection on and response to Hegel's interpretation in the Phenomenology (VI.A.a-b). It thus moves within the principles Hegel discovers in the play but reinserts them into the play as they show themselves across the eccentricities of its plot. Wherever plot and principles do not match, there is a glimmer of the argument: Haemon speaks up for the city and Tiresias for the divine law but neither for Antigone. The guard who reports the burial and presents Antigone to Creon is as important as Antigone or Creon for understanding Antigone. The Chorus too in their inconsistent thoughtfulness have to be taken into account, and in particular how their understanding of the canniness of man reveals Antigone in their very failure to count her as a sign of man's uncanniness: She who is below the horizon of their awareness is at the heart of their speech. Megareus, the older son of Creon, who sacrificed his life for the city, looms as large as Eurydice, whose suicide has nothing in common with Antigone's. She is "all-mother"; Antigone is anti-generation.

Taboos and Transgressions: Stories of Wrongdoings, is an anthology that includes fiction and nonfiction. It was edited by Luanne Smith, Kerry Neville, and Devi S. Laskar, and focuses on breaking the rules with stories by Pam Houston, Bonnie Jo Campbell, Joyce Carol Oates, and Kim Addonizio alongside exceptional work by both noted and emerging writers. The anthology offers a scope of voices, styles, stories, and wrongdoings. From infidelity to family prejudices, from breaking the law to broken promises, from losing everything to finding empowerment, characters in these pieces offer a look at stepping over the line in all too human ways. Edited by Luanne Smith, Kerry Neville, and Devi S. Laskar, the anthology represents the best of both solicited and unsolicited work. Unsolicited material has been read by judge Maurice Carlos Ruffin and prizes awarded to one winning story and two runners up.

A tale of love and war, Transgression by James W. Nichol is part romance, part mystery, and part riveting historical novel set during World War Two in Europe and in North America in the years directly following the terrible conflict. Nichol—winner of the Arthur Ellis Award and shortlisted for the UK’s Gold Dagger Award for his debut novel Midnight Cab—tells the haunting story of a young French woman undone by love during the Nazi occupation of her country and branded a “horizontal collaborator” after its liberation. Beautifully written and unforgettable, Transgression is a novel about secrets and survival and the high price that must be paid for passion.

A comparative look at female political activism in today's most influential Israeli and Palestinian religious movements How do women in conservative religious movements expand spaces for political activism in ways that go beyond their movements' strict ideas about male and female roles? How and why does this activism happen in some movements but not in others? Righteous Transgressions examines these questions by comparatively studying four groups: the Jewish settlers in the West Bank, the ultra-Orthodox Shas, the Islamic Movement in Israel, and the Palestinian Hamas. Lihi Ben Shitrit demonstrates that women's prioritization of a nationalist agenda over a proselytizing one shapes their activist involvement. Ben Shitrit shows how women construct "frames of exception" that temporarily suspend, rather than challenge, some of the limiting aspects of their movements' gender ideology. Viewing women as agents in such movements, she analyzes the ways in which activists use nationalism to astutely reframe gender role transgressions from inappropriate to righteous. The author engages the literature on women's agency in Muslim and Jewish religious contexts, and sheds light on the centrality of women's activism to the promotion of the spiritual, social, cultural, and political agendas of both the Israeli and Palestinian religious right. Looking at the four most influential political movements of the Israeli and Palestinian religious right, Righteous Transgressions reveals how the bounds of gender expectations can be crossed for the political good.