'Transforming Tales' examines the idea of bodily transformation in French literature composed between the 12th and the 15th centuries, exploring the ways in which stories of transformation enable an insight into medieval ideas about humanity and arguing that metamorphosis can be read as a metaphor for rewriting in the Middle Ages.

This book reveals the true impact of stories on our lives and how stories can create feelings of hope, take away psychological distress and even stimulate the immune system. It contains over 90 short stories, and allows readers to understand the patterns storytellers use to captivate attention and how truths are often encapsulated in stories.

Fairy-tale adaptations are ubiquitous in modern popular culture, but readers and scholars alike may take for granted the many voices and traditions folded into today's tales. In Fairy Tales Transformed?: Twenty-First-Century Adaptations and the Politics of Wonder, accomplished fairy-tale scholar Cristina Bacchilega traces what she terms a "fairy-tale web" of multivocal influences in modern adaptations, asking how tales have been changed by and for the early twenty-first century. Dealing mainly with literary and cinematic adaptations for adults and young adults, Bacchilega investigates the linked and yet divergent social projects these fairy tales imagine, their participation and competition in multiple genre and media systems, and their relation to a politics of wonder that contests a naturalized hierarchy of Euro-American literary fairy tale over folktale and other wonder genres. Bacchilega begins by assessing changes in contemporary understandings and adaptations of the Euro-American fairy tale since the 1970s, and introduces the fairy-tale web as a network of reading and writing practices with a long history shaped by forces of gender politics, capitalism, and colonialism. In the chapters that follow, Bacchilega considers a range of texts, from high profile films like Disney's Enchanted, Guillermo del Toro's Pan's Labyrinth, and Catherine Breillat's Bluebeard to literary adaptations like Nalo Hopkinson's Skin Folk, Emma Donoghue's Kissing the Witch, and Bill Willingham's popular comics series, Fables. She looks at the fairy-tale web from a number of approaches, including adaptation as "activist response" in Chapter 1, as remediation within convergence culture in Chapter 2, and a space of genre mixing in Chapter 3. Chapter 4 connects adaptation with issues of translation and stereotyping to discuss mainstream North American adaptations of The Arabian Nights as "media text" in post-9/11 globalized culture. Bacchilega's epilogue invites scholars to intensify their attention to multimedia fairy-tale traditions and the relationship of folk and fairy tales with other cultures' wonder genres. Scholars of fairy-tale studies will enjoy Bacchilega's significant new study of contemporary adaptations.

The Road Within is a book of transformation, of lessons learned, maps drawn and burned, and spiritual blessings bestowed by that great and hard teacher -- travel. Learn what mystics and saints have always known -- that wondrous things await people who are in touch with themselves, with the world, and with God. Authors featured in this very different kind of travel book include Annie Dillard, Huston Smith, Natalie Goldberg, Andrew Harvey, Barry Lopez, and Bill Buford.

In 1768, at the age of nineteen, Johann Wolfgang von Goethe began to study hermetic literature. This exploration had a huge impact on the early aesthetic education of Europe's great man of letters, the last renaissance titan. In the years that followed, Goethe immersed himself in the hermetic tradition, and even set up an alchemic laboratory and attempted to make an elixir of immortality. Although he eventually gave up his alchemical experiments, he was to believe in the validity of the Great Work for the rest of his life. Alchemic symbolism is prominent in many of Goethe's works, and it is particularly abundant in the tales of self-mastery and transformation presented in this collection. Included here are new translations of "Fairy Tale" ("Marchen"), Goethe's alchemical allegory; "The Counselor" and "The New Melusina," stories of temptation and the tests of love; "The Good Woman," a curious discourse on aesthetics and the rights of women; and the lyrical prose masterpiece "Novelle." Here also for the first time in English is "The Magical Flute," Goethe's sequel to Mozart's opera, with themes of initiation, the magical power of music, and liberated genius.

Five original stories where strange changes occur, from a boy and a cat changing places and a young man learning the price of selfishness to an invisible princess finding herself.

The late seventeenth century was a pivotal moment in American history, full of upheavals and far-flung conspiracies. In the spring of 1676, Nathaniel Bacon, a hotheaded young newcomer to Virginia, led a revolt against the colony's Indian policies. Bacon's Rebellion turned into a civil war within Virginia--and a war of extermination against the colony's Indian allies--that lasted into the following winter, sending shock waves throughout the British colonies and into England itself. Historian James Rice captures the swirling rumors and central events of Bacon's Rebellion and its aftermath, weaving them into a dramatic tale that is part of the founding story of America.--From publisher description.