The author critiques the depictions of multiracial Americans in contemporary culture.

Black Indian, searing and raw, is Amy Tan’s The Joy Luck Club and Alice Walker’s The Color Purple meets Leslie Marmon Silko’s Ceremony—only, this isn’t fiction. Beautifully rendered and rippling with family dysfunction, secrets, deaths, alcoholism, and old resentments, Shonda Buchanan’s memoir is an inspiring story that explores her family’s legacy of being African Americans with American Indian roots and how they dealt with not just society’s ostracization but the consequences of this dual inheritance. Buchanan was raised as a Black woman, who grew up hearing cherished stories of her multi-racial heritage, while simultaneously suffering from everything she (and the rest of her family) didn’t know. Tracing the arduous migration of Mixed Bloods, or Free People of Color, from the Southeast to the Midwest, Buchanan tells the story of her Michigan tribe—a comedic yet manically depressed family of fierce women, who were everything from caretakers and cornbread makers to poets and witches, and men who were either ignored, protected, imprisoned, or maimed—and how their lives collided over love, failure, fights, and prayer despite a stacked deck of challenges, including addiction and abuse. Ultimately, Buchanan’s nomadic people endured a collective identity crisis after years of constantly straddling two, then three, races. The physical, spiritual, and emotional displacement of American Indians who met and married Mixed or Black slaves and indentured servants at America’s early crossroads is where this powerful journey begins. Black Indian doesn’t have answers, nor does it aim to represent every American’s multi-ethnic experience. Instead, it digs as far down into this one family’s history as it can go—sometimes, with a bit of discomfort. But every family has its own truth, and Buchanan’s search for hers will resonate with anyone who has wondered "maybe there’s more than what I’m being told."

"Transcending the Color Line", by sociologist and professor Bobby E. Mills, PhD, represents a philosophical attempt to make sense out of American black collective experience. This collection of essays does not reflect traditional sociological perspectives and methodological considerations. Instead, the query is: How do we live? More importantly, what are we willing to sacrifice in order to live the way we say we want to live? In other words, these essays dig deeper to the moral and spiritual issues that lie beneath the more obvious sociological ones. Invariably the search for moral understanding and spiritual meaning is neither easy nor popular. Yet it is the abstract, empirical (amoral and apolitical) character of traditional sociology that has all but rendered it irrelevant to the resolution of contemporary social ills. The biased theoretical assumptions of the scientific method (i.e., abstract empiricism) are the social basis for the collective bias otherwise known as the illusion of value neutrality. This collective cultural bias is the social foundation for institutional racism, sexism, theological dogmatism (i.e., denominationalism), and above all, authoritarianism. Indeed, every "ism" is a schism, and schisms divide. Our either/or logic fosters cultural extremism rather than a universal perspective on humanity. By digging deep to the true source of our sociological and leadership issues, these essays not only call black and white individuals accountable to the dysfunction present in our shared social experience, but inspire all people to transcend the color line and become part of the solution.

The animal-rights organization PETA asked “Are Animals the New Slaves?” in a controversial 2005 fundraising campaign; that same year, after the Humane Society rescued pets in the aftermath of Hurricane Katrina while black residents were neglected, some declared that white America cares more about pets than black people. These are but two recent examples of a centuries-long history in which black life has been pitted against animal life. Does comparing human and animal suffering trivialize black pain, or might the intersections of racialization and animalization shed light on interlinked forms of oppression? In Afro-Dog, Bénédicte Boisseron investigates the relationship between race and the animal in the history and culture of the Americas and the black Atlantic, exposing a hegemonic system that compulsively links and opposes blackness and animality to measure the value of life. She analyzes the association between black civil disobedience and canine repression, a history that spans the era of slavery through the use of police dogs against protesters during the civil rights movement of the 1960s to today in places like Ferguson, Missouri. She also traces the lineage of blackness and the animal in Caribbean literature and struggles over minorities’ right to pet ownership alongside nuanced readings of Derrida and other French theorists. Drawing on recent debates on black lives and animal welfare, Afro-Dog reframes the fast-growing interest in human–animal relationships by positioning blackness as a focus of animal inquiry, opening new possibilities for animal studies and black studies to think side by side.

In Transcending the Talented Tenth, Joy James provocatively examines African American intellectual responses to racism and the role of elitism, sexism and anti-radicalism in black leadership politics throughout history. She begins with Du Bois' construction of "the Talented Tenth" as an elite leadership of race managers and takes us through the lives and work of radical women in the anti-lynching crusades, the civil rights and black liberation movements, as well as explores the contemporary struggles among black elites in academe.

Transcending geographic and cultural lines, From Toussaint to Tupac is an ambitious collection of essays exploring black internationalism and its implications for a black consciousness. At its core, black internationalism is a struggle against oppression, whether manifested in slavery, colonialism, or racism. The ten essays in this volume offer a comprehensive overview of the global movements that define black internationalism, from its origins in the colonial period to the present. From Toussaint to Tupac focuses on three moments in global black history: the American and Haitian revolutions, the Garvey movement and the Communist International following World War I, and the Black Power movement of the late twentieth century. Contributors demonstrate how black internationalism emerged and influenced events in particular localities, how participants in the various struggles communicated across natural and man-made boundaries, and how the black international aided resistance on the local level, creating a collective consciousness. In sharp contrast to studies that confine Black Power to particular national locales, this volume demonstrates the global reach and resonance of the movement. The volume concludes with a discussion of hip hop, including its cultural and ideological antecedents in Black Power. Contributors: Hakim Adi, Middlesex University, London Sylvia R. Frey, Tulane University William G. Martin, Binghamton University Brian Meeks, University of the West Indies, Mona, Jamaica Marc D. Perry, University of Illinois, Urbana-Champaign Lara Putnam, University of Pittsburgh Vijay Prashad, Trinity College Robyn Spencer, Lehman College Robert T. Vinson, College of William and Mary Michael O. West, Binghamton University Fanon Che Wilkins, Doshisha University, Kyoto, Japan

This innovative collection examines the transnational movements, effects, and transformations of religion in the contemporary world, offering a fresh perspective on the interrelation between globalization and religion. Transnational Transcendence challenges some widely accepted ideas about this relationship—in particular, that globalization can be understood solely as an economic phenomenon and that its religious manifestations are secondary. The book points out that religion's role remains understudied and undertheorized as an element in debates about globalization, and it raises questions about how and why certain forms of religious practice and intersubjectivity succeed as they cross national and cultural boundaries. Framed by Thomas J. Csordas's introduction, this timely volume both urges further development of a theory of religion and globalization and constitutes an important step toward that theory.