Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,0, Technical University of Chemnitz (Anglistik / Amerikanistik), course: Hauptseminar: Postcolonialism in the Metropolis, language: English, abstract: The 20th century is often referred to as the century of rising cities and of an urbanisation of society due to factors like the Industrialisation, which had a tremendous influence on society. In the beginning 21st century, those developments have even gained in speed and dimension, while further impacts and consequences of this process can only vaguely be anticipated. Moreover, the term ‘globalisation’ can literally be found at every corner. As a result of this long-lasting trend, huge metropolises have been constructed all over the globe. One of them, namely London, will be in the centre of this term paper. Yet, the focus will lie more on some individuals than on the great mass of people living in such a city, as I will examine the portrayal of the main protagonists of the movie titled Dirty Pretty Things (2002), directed by Stephen Frears. I am going to analyse the movie, which must be seen just like any other literary genre, with the focus on its content. The drama Dirty Pretty Things portraits the faith of undocumented – and hence illegal – immigrants to Great Britain and their gloomy everyday-life with an ever insecure future of being allowed to stay in their chosen residence or not. Always hiding and being forced to adapt to other lifestyles with different customs, traditions, or a different language – or generally speaking, another culture – their identity is put into question. Being deeply despaired and seeing no other chances for an improved life, some even risk to sacrifice a kidney for the opportunity of a passport, which is the main issue of Dirty Pretty Things. Can the protagonists Okwe and Senay cope with those difficult circumstances? And how does their identity develop in such an environment of exploitation and assimilation? Can they maintain their cultural roots and form a diaspora, or will they break to pieces under the immense pressure surrounding them?

In recent years the borders of Europe have been perceived as being besieged by a staggering refugee and migration crisis. The contributors to The Borders of "Europe" see this crisis less as an incursion into Europe by external conflicts than as the result of migrants exercising their freedom of movement. Addressing the new technologies and technical forms European states use to curb, control, and constrain what contributors to the volume call the autonomy of migration, this book shows how the continent's amorphous borders present a premier site for the enactment and disputation of the very idea of Europe. They also outline how from Istanbul to London, Sweden to Mali, and Tunisia to Latvia, migrants are finding ways to subvert visa policies and asylum procedures while negotiating increasingly militarized and surveilled borders. Situating the migration crisis within a global frame and attending to migrant and refugee supporters as well as those who stoke nativist fears, this timely volume demonstrates how the enforcement of Europe’s borders is an important element of the worldwide regulation of human mobility. Contributors. Ruben Andersson, Nicholas De Genova, Dace Dzenovska, Evelina Gambino, Glenda Garelli, Charles Heller, Clara Lecadet, Souad Osseiran, Lorenzo Pezzani, Fiorenza Picozza, Stephan Scheel, Maurice Stierl, Laia Soto Bermant, Martina Tazzioli

How insurgencies—enabled by digital devices and a vast information sphere—have mobilized millions of ordinary people around the world. In the words of economist and scholar Arnold Kling, Martin Gurri saw it coming. Technology has categorically reversed the information balance of power between the public and the elites who manage the great hierarchical institutions of the industrial age: government, political parties, the media. The Revolt of the Public tells the story of how insurgencies, enabled by digital devices and a vast information sphere, have mobilized millions of ordinary people around the world. Originally published in 2014, The Revolt of the Public is now available in an updated edition, which includes an extensive analysis of Donald Trump’s improbable rise to the presidency and the electoral triumphs of Brexit. The book concludes with a speculative look forward, pondering whether the current elite class can bring about a reformation of the democratic process and whether new organizing principles, adapted to a digital world, can arise out of the present political turbulence.

The Bulletin of the Atomic Scientists is the premier public resource on scientific and technological developments that impact global security. Founded by Manhattan Project Scientists, the Bulletin's iconic "Doomsday Clock" stimulates solutions for a safer world.

#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.

This is a print on demand edition of a hard to find publication. Examines terrorists¿ involvement in a variety of crimes ranging from motor vehicle violations, immigration fraud, and mfg. illegal firearms to counterfeiting, armed bank robbery, and smuggling weapons of mass destruction. There are 3 parts: (1) Compares the criminality of internat. jihad groups with domestic right-wing groups. (2) Six case studies of crimes includes trial transcripts, official reports, previous scholarship, and interviews with law enforce. officials and former terrorists are used to explore skills that made crimes possible; or events and lack of skill that the prevented crimes. Includes brief bio. of the terrorists along with descriptions of their org., strategies, and plots. (3) Analysis of the themes in closing arguments of the transcripts in Part 2. Illus.

Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: very good, University of Paderborn (Anglistics), course: Proseminar: Biofictions, 17 entries in the bibliography, language: English, abstract: "Post-modernist fiction often presents us with a pastiche of genres and styles."3 This is especially true with regard to A. S. Byatt′s Possession. A Romance4. In her metafictional novel, Byatt connects a bygone time with the present, interweaving a personal quest for identity with a literary search and patterns of romance, and thus providing the reader with letters, diary extracts and poems that interrupt the outer narrative. The novel reflects upon the question of how lives can be recapitulated and represented, but it also focuses on the difficulty of remaining objective versus certain topics or persons. Furthermore, it also conveys the postmodern idea of the scattered self. The novel ponders over the question if someone can really seize another person, especially when there is a distance of more than a hundred years to overcome. Considering knowledge, for instance, about a bygone time, we have to admit that this knowledge is always based on second-hand information. Thus any information we obtain is an imparted truth unless we experience it ourselves. In Possession, the author juxtaposes the Victorian age with the post-freudian time, as the two young literary scholars Roland Michell and Maud Bailey unexpectedly become figures of romance when they discover a surprising link between the two poets on whom they are authorities, namely Randolph Henry Ash and Christabel LaMotte. The chase for bits of information regarding the Victorian poets′ lives and the unfolding story of a secret love-affair between them triggers the development of a romantic relationship between the two scholars. Thus, Byatt connects the two time-levels by implicating the academics in a postmodernist mirror-game. Byatt′s interruptions of the narrative, confronting the reader with some narrative situations and a postscript taking place in the (dead) past, provide the stimulus of a living past. Containing poems as well as letters and journals from the past, Possession is a richly layered patchwork connecting the bygone Victorian age with the present. The patchwork also allows Byatt to play with literary genres such as fairy-tale, romantic quest, myth and detective story. [...] _____ 3 Giobbi, Giuliana: "Know the past: know thyself. Literary pursuits and quest for identity in A. S. Byatt′s Possession and in F. Duranti′s Effetti Personali." Journal of European Studies 24:1 (93): March 1994, p. 41. 4 Byatt, A.S.: Possession. London: Vintage Books, 1991. Hereafter cited as Byatt: Possession.