In its early years, Toronto was a city of small businesses of astonishing variety. Unlike today, manufacturers held a prominent place in the city. Enterprising Torontonians ran and worked in factories making suits, carpets, home appliances, shoes and much more. The city also boasted lively retail and entertainment sectors. There were confectionaries, barbershops, burlesques, sports arenas — and many others. While many of these businesses are long gone, their histories live on in paintings, archival photographs, and preserved signs and storefronts still scattered across the city. In this book, photographer and blogger Katherine Taylor recounts the stories of these old businesses and their owners and workers. Each is richly illustrated with a variety of archival images and occasionally contemporary photographs of lingering signs, buildings and storefronts. Familiar places in the city take on new meaning as she explores both famous and forgotten businesses from Toronto’s past. This book offers a new take on Toronto’s rich commercial history.

A treasure trove of incredible lives lived. — RICK MERCER, comedian and author Muir sets out to restore the faces of women who worked and struggled in nineteenth-century Toronto. A fascinating read. — WARREN CLEMENTS, author and publisher Emphasizes the enormously influential role women had in laying the groundwork for life in the city today. — DR. ROSE A. DYSON, author of Mind Abuse: Media Violence and Its Threat to Democracy Women in nineteenth-century Toronto were integral to the life of the growing city. They contributed to the city’s commerce and were owners of stores, factories, brickyards, market gardens, hotels, and taverns; as musicians, painters, and writers, they were a large part of the city’s cultural life; and as nurses, doctors, religious workers, and activists, they strengthened the city’s safety net for those who were most in need. Their stories are told in this wide-ranging collection of biographies, the result of Muir’s research on early street directories and city histories, personal diaries, and other historical works. Muir references over four hundred women, many of whom are discussed in detail, and describes the work they undertook during a period of great change for Toronto.

When looking at old pictures of Toronto, it is clear that the city’s urban, economic, and social geography has changed dramatically over the generations. Historic photos of Toronto’s streetcar network offer a unique opportunity to examine how the city has been transformed from a provincial, industrial city into one of North America’s largest and most diverse regions. Streetcars and the Shifting Geographies of Toronto studies the city’s urban transformations through an analysis of photographs taken by streetcar enthusiasts, beginning in the 1960s. These photographers did not intend to record the urban form, function, or social geographies of Toronto; they were "accidental archivists" whose main goal was to photograph the streetcars themselves. But today, their images render visible the ordinary, day-to-day life in the city in a way that no others did. These historic photographs show a Toronto before gentrification, globalization, and deindustrialization. Each image has been re-photographed to provide fresh insights into a city that is in a constant state of flux. With gorgeous illustrations, this unique book offers an understanding of how Toronto has changed, and the reasons behind these urban shifts. The visual exploration of historic and contemporary images from different parts of the city helps to explain how the major forces shaping the city affect its form, functions, neighbourhoods, and public spaces.

Deserves a place on every Toronto history buff's bookshelf. -- Canadian Book Review Annual Toronto Street Names provides a highly visible record of the past of Canada's largest city. It commemorates the people and events that have shaped the place and tells the fascinating and curious stories of how more than 340 Toronto streets got their names. This edition has been thoroughly updated and revised, and it now includes four walking-tour maps and a historical index. A new essay by Charis Cotter (author of Toronto Between the Wars: Life in the City 1919--1929, winner of the 2005 Heritage Toronto Award of Excellence) explores the history of the iconic Toronto streetcar and how the development of streetcar routes along certain streets helped mold the city we know today. The names of Toronto's streets map the trails and portages of the First Nations inhabitants, the arrival of the early explorers and the founding of York at the end of the 18th century. They trace the growth and political turmoil of the 19th century, the modernization of the 20th century and beyond, and the emergence of one of the world's most culturally diverse cities. The lives of brewers, politicians, architects, royalty, explorers and farmers can be traced in the city's street names. From the grand estates of Toronto's early upper class to the villages and homes that immigrants left behind, Toronto's street names tell many stories. Toronto Street Names is easy to read, intriguing and ideal for the traveler who prefers exploring off the beaten track. It is also a fascinating source of information for readers interested in the history of North America's great cities. The book is illustrated with period photographs and is fully indexed and cross-referenced.

Unbuilt Toronto explores the failed architectural dreams of Toronto. Delving into unfulfilled & largely forgotten visions for grand public buildings, landmark skyscrapers, roads & highways, transit systems, & sports & recreation venues, the authors outline such ambitious but ultimately unrealised schemes as St. Alban's Cathedral, the "Newark 2011" subway system, & a 1911 city plan that would have resulted in a Paris-by-the-Lake. Readers will lament the loss of some projects (such as the planned construction boom for the Olympics), be thankful for the loss of others ("City Hall was supposed to look like that?!?"), & marvel at the downtown that could have been (with underground roads & walkways in the sky). With an eye on the future as well as the past, the author takes stock of Toronto's status quo in 2008 & offers some bold predictions on the city's architectural future.

It is widely believed that only the growth of mass suburbs after World War II brought suburban living within reach of blue-collar workers, immigrants, and racial minorities. But in this original and intensive study of Toronto, Richard Harris shows that even prewar suburbs were socially and ethnically diverse, with a significant number of lower-income North American families making their homes on the urban fringe. In the United States and Canada, lack of planning set the stage for a uniquely North American tragedy. Unplanned Suburbs serves as a reminder of the dangers of unchecked suburban growth.

The 1950s were the golden years of haute couture, captured by iconic images of glamorous models wearing dramatic clothes. Yet the real women who wore these clothes adapted them to suit their own tastes, altered them to extend their life, and often could not bear to part with them long after the dresses had outlived their use. This gorgeously illustrated book demonstrates why so many of these designs are still in existence and why we are fascinated by them fifty years later. Couture and Commerce investigates how and why postwar couture fashion was important in its own day. The Paris couture houses survived due to the enthusiasm of the North American fashion press and commercial buyers. Alexandra Palmer traces the European haute couture trade with North America by following actual surviving couture dresses from the design house sketch, through the model used in New York fashion shows and as a template for copies and knock-offs, and finally to the consumer. Couture and Commerce is a remarkable mixture of accessible text, color photographs of the original garments, design house sketches and photographs, retailers’ advertisements, and society page images. Weaving together analysis of the clothes and interviews with those who traded, sold, and wore couture, Alexandra Palmer vividly recreates the 1950s fashion world.