Dr. Gregory goes behind the scenes to reveal the inside story on the inner politics, corruption of character, power struggles and hypocracy that have existed in super churches hiding behind the claims of being houses of God.

He wanted revenge. She wanted escape. Neither wanted the love of a lifetime . . .A lord so sinful he is dubbed the "Duke of Rogues," Damian Westmore lives for pleasure--until the day his brother dies at the hands of pirates. Abandoning the libertine life to pursue revenge, Damian finds the criminals he seeks and joins their crew in disguise, waiting for the chance to strike the brigands down. But he never imagined there would be a woman on board--or that the stunning siren would inflame the very passions Damian swore to resist until his brother's death was avenged.Beautiful, fiery Mirabelle Hawkins longs for the freedom of the high seas--so she stows away on her brother's pirate ship at the first opportunity. But she finds something more exciting than chase and plunder: a bold, handsome, secretive sailor whose touch makes her tremble with desire . . . but whose love is a cutlass that could destroy all she holds dear.

A Dickensian coming-of-age tale about poverty, sex, World War I, and the darker side of human nature as seen through the eyes of a lobby boy in a Budapest hotel. Temptation is a rediscovered masterwork of twentieth-century fiction, a Dickensian tale of a young man coming of age in Budapest between the wars. Illegitimate and unwanted, Béla is packed off to the country to be looked after by a peasant woman the moment he is born. She starves and bullies him, and keeps him out of school. He does his best to hold his own, and eventually his mother brings him back to live with her in the city. In thrall to his feckless father, Mishka, and living in a crowded tenement, she works her fingers to the bone, while Béla shares a room with a hardworking prostitute. Finally, Béla secures a job in a fancy hotel. Though exhausted by endless work, he is fascinated by the upper-crust world that his new job exposes him to; soon he is embroiled with a rich, damaged, and dangerous woman. The atmosphere of Budapest is increasingly poisoned by the appeal of fascism, while Béla grows ever more aware of how power and money keep down the working classes. In the end, with all the odds still against him, he musters the resolve to set sail for new future.

Although temptation is a common and well-acknowledged part of the human experience, few realize the truth behind temptation and fewer still know how to defeat it. Tempted and Tried will not reassure Christians by claiming that temptation is less powerful or less prevalent than it is; instead, it will prepare believers for battle by telling the truth about the cosmic war that is raging. Moore shows that the temptation of every Christian is part of a broader conspiracy against God, a conspiracy that confronts everyone who shares the flesh of Jesus through human birth and especially confronts those who share the Spirit of Christ through the new birth of redemption. Moore walks readers through the Devil’s ancient strategies for temptation revealed in Jesus’ wilderness testing. Moore considers how those strategies might appear in a contemporary context and points readers to a way of escape. Tempted and Tried will remind Christians that temptation must be understood in terms of warfare, encouraging them with the truth that victory has already been secured through the triumph of Christ.

Coke adds life. Just do it. Yo quiero Taco Bell. We live in a commercial age, awash in a sea of brand names, logos, and advertising jingles—not to mention commodities themselves. Are shoppers merely the unwitting stooges of the greedy producers who will stop at nothing to sell their wares? Are the producers' powers of persuasion so great that resistance is futile? James Twitchell counters this assumption of the used and abused consumer with a witty and unflinching look at commercial culture, starting from the simple observation that "we are powerfully attracted to the world of goods (after all, we don't call them 'bads')." He contends that far from being forced upon us against our better judgment, "consumerism is our better judgment." Why? Because increasingly, store-bought objects are what hold us together as a society, doing the work of "birth, patina, pews, coats of arms, house, and social rank"—previously done by religion and bloodline. We immediately understand the connotations of status and identity exemplified by the Nike swoosh, the Polo pony, the Guess? label, the DKNY logo. The commodity alone is not what we are after; rather, we actively and creatively want that logo and its signification—the social identity it bestows upon us. As Twitchell summarizes, "Tell me what you buy, and I will tell what you are and who you want to be." Using elements as disparate as the film The Jerk, French theorists, popular bumper stickers, and Money magazine to explore the nature and importance of advertising lingo, packaging, fashion, and "The Meaning of Self," Twitchell overturns one stodgy social myth after another. In the process he reveals the purchase and possession of things to be the self-identifying acts of modern life. Not only does the car you drive tell others who you are, it lets you know as well. The consumption of goods, according to Twitchell, provides us with tangible everyday comforts and with crucial inner security in a seemingly faithless age. That we may find our sense of self through buying material objects is among the chief indictments of contemporary culture. Twitchell, however, sees the significance of shopping. "There are no false needs." We buy more than objects, we buy meaning. For many of us, especially in our youth, Things R Us.

A lord so sinful he is dubbed the "Duke of Rogues," Damian Westmore lives for pleasure—until the day his brother dies at the hands of pirates. Abandoning the libertine life to pursue revenge, Damian finds the criminals he seeks and joins their crew in disguise, waiting for the chance to strike the brigands down. But he never imagined there would be a woman on board—or that the stunning siren would inflame the very passions Damian swore to resist until his brother's death was avenged. Beautiful, fiery Mirabelle Hawkins longs for the freedom of the high seas—so she stows away on her brother's pirate ship at the first opportunity. But she finds something more exciting than chase and plunder: a bold, handsome, secretive sailor whose touch makes her tremble with desire . . . but whose love is a cutlass that could destroy all she holds dear.

My name is Laura, I am 19 years old. I’m a student and I prostitute myself to pay for my studies. I’m not alone in this. It seems that many other students are doing the same thing. It all followed a strange logic, without me really realizing that I was falling. I wasn’t born with a silver spoon in my mouth. I’ve never known luxury or ease, but until this year, I’ve never lacked for anything. My thirst for learning and my convictions always made me think that my student years would be the most beautiful, the most carefree. I never thought that my first year at university would turn into a real nightmare. An unprecedented account of a contemporary phenomenon that has only become more pronounced with the prevalence of the Internet and cell phones. The Afterword includes a sociological perspective by Eva Clouet, author of the first survey on student prostitution in the age of new communication technologies, published at the same time by Max Milo.