The special edition of Salt Works is available in a limited quantity of 50 copies numbered and signed by Hegen, with a pigment print on Hahnemühle fine-art paper.

The work of photographer Tom Hegen (b. 1991) deals with human interventions in natural habitats.His photographs document the strong impact human beings' have on our environment and show how we have altered our landscape through our actions.Including many impressive aerial photos, this photo book invites viewers to discover their environment from a new perspective, to comprehend the scale of human interventions on our earth's surface, and, ultimately, to assume responsibility.English and German text.

Airports in lockdown: still lifes from a pandemic by an acclaimed aerial photographer German photographer Tom Hegen (born 1991), internationally for with his aerial photographs, here documents Germany's airports at the height of 2020's lockdown, depicting these abandoned zones with geometric clarity.

Robert Voit has discovered a completely new species of plant that he calls ¿new trees¿ ¿ cellular phone antennae ofsteel, fiberglass and plastic, camouflaged as trees. The unusual new life form is now at home all over the world. Thereare pine trees, palm trees, cypresses, cacti and deciduous trees. Some are in the desert or in newly planted forests,others in fields and parking lots, next to highways and in housing developments. They seek fertile ground neartechnical facilities; many are surrounded by fences. In the USA, South Africa and throughout Europe, Voitphotographed the antenna trees and put them together in an arboretum, a very special botanical garden full ofpeculiar woods. The viewer of Voit¿s photographs will look at the world another way in the future and ask: ¿What is realand what is illusion?¿

Since the birth of photography, photographers have been taking images of the earth from the air – with spectacular visual results. Celebrating over 150 years of these incredible images, From Above tells the fascinating story of how these pictures were created and the photographers that have propelled image–taking to bold new heights. Taking advantage of the amazing sense of perspective that aerial photography offers, this incredible collection of images also offers a unique overview of the events, challenges, and changes of the past 150 years of human history. "[Anyone who buys From Above]– will find thumbing through it over and over again irresistible. Because it contains some of the most incredible aerial images in existence, many taken by photography pioneers. Inside you'll find the first–ever aerial picture of America, taken above Boston in 1860, the first shots by reconnaissance pigeons and startling disaster images, from the aftermath of the 1906 San Francisco earthquake to 9/11 and the tsunami that hit Japan in 2011. This celebration of 150 years of aerial photography will shock, astound and mesmerise as it takes you on a decade by decade journey using the work of photographers who propelled image–taking to bold new heights." – Mail Online Travel

Salt Pans is Edward Burtynsky's newest book in his acclaimed ongoing series of photographs exploring different industrialized landscapes across the world. Consisting of 31 aerial photos of the salt pans in the Little Rann of Kutch, India, the project is the result of months of intricate negotiations and preparations. These striking geometric images, taken in an intense ten-day period during which Burtynsky photographed from a helicopter, present the pans, wells and vehicle tracks as abstract, painterly patterns: subtly colored rectangles crossed by grids of gestural lines. And yet the reality behind the ironic beauty of Burtynsky's pictures is a harsh one. Each year 100,000 poorly paid Agariya workers toil in the pans, extracting over a million tons of salt from the floodwaters of the nearby Arabian Sea. Furthermore, receding groundwater levels, combined with debt, diminishing market values as well as a lack of governmental support, threaten the future of this 400-year-old tradition and the lives dependent on it. "The images in this book are not about the battles being fought on the ground, Burtynsky writes. "Rather, they examine this ancient method of providing one of the most basic elements of our diet; as primitive industry and as abstract two-dimensional human marks upon the landscape."